When one thinks of women and Elvis Presley, it’s either his widow Priscilla, his late daughter Lisa Marie, or the legion of ladies left weak in the knee when the badass kid from Tupelo, Mississippi began shaking that moneymaker.
In the case of the eight-time Oscar-nominated film Elvis, the front men are writer/director Baz Luhrmann, Austin Butler and Tom Hanks.
Behind the camera, the film was entirely made possible by a chorus of women, many of whom are nominated. They include Luhrmann’s partner Catherine Martin, who’s up for the Production Design Oscar with cohorts Beverley Dunne and Karen Murphy; Mandy Walker, for Cinematography; Gail Berman for Best Picture with Martin, Luhrmann, Patrick McCormick and Schuyler Weiss; and Martin again for Costume Design.
Here, Berman, Martin and Walker discuss their passion for Elvis. DEADLINE: Since the main characters are Austin Butler’s Elvis Presley and Tom Hanks’ Colonel Tom Parker and the director is Baz Luhrmann, it’s easy to see Elvis as a male-centric production.
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