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The Irish Film & Television Academy (IFTA) has selected Irish language feature Kneecap to represent Ireland in the International Feature Film category of the 97th annual Academy Awards.

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Hot Spots: How Ireland’s Booming Screen Sector Shows No Signs Of Slowing Down And Why It’s “An Overnight Success, Thirty Years In The Making”

Ireland’s screen industry is having a moment. With the Cannes Film Festival well underway, there’s a notable strong Irish presence in this year’s line-up including Element Pictures’ three entrants – Competition title Kinds of Kindness from Yorgos Lanthimos, Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl and Ariane Labed’s directorial debut September Says (both in Un Certain Regard). There’s also Competition title The Apprentice, which is co-produced with Irish outfit Tailored Films and Lorcan Finnegan’s Nicolas Cage starrer The Surfer premiering in the Midnight Screenings strand. Even Andrea Arnold’s Competition title Bird is rich with Irish talent with star Barry Keoghan and Oscar-nominated cinematographer Robbie Ryan both having worked on the film.

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PJ Harvey teams up with Ruth Wilson for ‘Seem An I’ video and announces first North American tour in seven years

PJ Harvey has shared the most video for ‘Seem An I’ which features actor Ruth Wilson.The video for the song, taken from Harvey’s recent album ‘I Inside The Old Year Dying’, was shot at Kennel Farm outside Salisbury and was created by Oscar-nominated screenwriter and director, Colm Bairéad. In recent years, Wilson has appeared in shows including Luther, The Affair and His Dark Materials, while her film credits include Jane Eyre and Saving Mr. Banks.“Ruth and I became friends after working together on Clio Barnard’s film Dark River,” said Harvey in a press release.

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Oscars: Ireland Submits Documentary ‘In The Shadow Of Beirut’, EP’d By Hillary And Chelsea Clinton, For International Feature Race

Stephen Gerard Kelly and Garry Keane’s documentary In The Shadow of Beirut has been submitted as Ireland‘s entry for the 2024 Oscar International Feature Film race.

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Oscars: Belgium Selects Un Certain Regard Title ‘Omen’ By Rapper-Filmmaker Baloji For Best International Film Race

Belgium has selected Omen, the debut feature from rapper-turned-filmmaker Baloji, as its entry for the Best International Feature Film category at the 2024 Oscars.

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Editor’s Pick: Capital Irish Film Festival at AFI Silver

The Banshees of Inisherin already capturing a fair share of the major awards and with possibly a decent shot at some Oscar love, the focus on Irish cinema is hotter than ever.Of course, Solas Nua, Washington, D.C.’s hub for contemporary Irish culture and performing arts, has been training its eye on films emerging from the Emerald Isle for quite some time now.This is the 17th year they’ve curated the Capital Irish Film Festival (CIFF), and this year’s four-day festival, held March 2 to 5 at the AFI Silver Theatre in Silver Spring, Maryland, is arguably the largest in the group’s history.The festival opens with a massive get — The Quiet Girl (An Cailín Ciúin), which is up for an Oscar in the Best International Film category.Director Colm Bairéad’s coming-of-age drama, is set in rural Ireland in the early ’80s, as a young girl struggles with a dysfunctional, impoverished homelife and finds new life when sent to live with relatives for the summer. Bairéad will participate in a Q&A following the screening.

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‘The Quiet Girl’, ‘Emily’ Brontë Film, Oscar Shorts See Solid Grosses Amid Signs Of Consistent Recovery At The Arthouse – Specialty Box Office

The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts in a specialty market that’s showing consistent signs of recovery amid a wider slate of films. Emily from Bleecker Street expanded to solid numbers and this year’s program of Oscar Nominated Short Films blew past last year with a $1.6 million cume in week two.

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‘The Quiet Girl’ Debuts, ‘RRR’ Revs Up, ‘Navalny’ Returns For A Week As Oscars Approach – Specialty Preview

Super LTD presents Best International Feature Oscar nominee The Quiet Girl and, as the Academy Awards approach, RRR ramps up again and Navaly returns to theaters for one-week run.

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‘The Quiet Girl’ Writer-Director Colm Bairéad “Fell Head Over Heels In Love” With Novel That Formed His Intimate Irish Drama – Contenders Film: The Nominees

Colm Bairéad’s appearance at Deadline’s Contenders: The Nominees event marks a year since his film The Quiet Girl first debuted at the Berlin Film Festival. A dual release in the UK and Ireland followed in May, and a slow international rollout has kept the director busy ever since. Indeed, as the film’s Oscar campaign enters the final stretch, The Quiet Girl is only now going wide across America: not bad going for a film with no stars that’s shot almost entirely in Irish, a language spoken by fewer than 2 million people worldwide.

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‘All Quiet on the Western Front,‘ ‘Argentina 1985’ and ‘The Quiet Girl’ Producers on the Importance of Focusing a Story on ‘Everyday’ Characters

Argentina 1985” because the story is a reminder, “that if we don’t create a memory with our art, chances are this will happen again.” Alonso was speaking as part of Variety’s FYC Fest: The Producers. She was joined by fellow producers Malte Grunert of “All Quiet on the Western Front” and Cleona Ní Chrualaoí from “The Quiet Girl.” “Argentina 1985” focuses on the true story of how a public prosecutor, a young lawyer and their legal team set out to prosecute the heads of Argentina’s bloody military dictatorship. “This was an important legacy to do beyond the fact that it is about your everyday superheroes,” Alonso said.

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Santiago Mitre, Lukas Dhont Among Directors Celebrated at Santa Barbara Film Festival – Film News in Brief

“Argentina 1985’s” director Santiago Mitre spent over two years researching his film on the story of th public prosecutors who took on the country’s brutal dictators. He said his film was able to get the audience thinking about the real-world problems that go on in their own countries. Mitre joined fellow international film directors on a panel that included Jerzy Skolimowski (“EO”), Lukas Dhont (“Close”), Colm Bairéad (“The Quiet Girl”), Edward Berger (“All Quiet on the Western Front”) and Santiago Mitre (“Argentina, 1985”). Roger Durling, the festival’s director moderated the panel.

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International Insider: Academy Award Noms Are In; Berlin Latest; Channel 5 Boss Talks Tough

Good afternoon Insiders, Max Goldbart here. It’s Oscar noms week, and we’d be rude not to bring you the latest headlines and analysis from the Academy and beyond. Read on.

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Oscars: International Feature Nominees Include Best Picture Hopeful ‘All Quiet On The Western Front’, A First For Ireland & Some Snubs

With the Academy of Motion Pictures Arts and Sciences having expanded its shortlist for the Best International Feature Film Oscar to 15 in recent years, it’s inevitable that some deserving titles miss the nominations cut. However, several of the perceived frontrunners are in the mix after today’s announcement, including Netflix’s All Quiet on the Western Front which has nine nominations in total, including Best Picture, and is yet another sign of how foreign-language films are crossing over into other main categories.

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International Feature Focus: Why Irish Film ‘The Quiet Girl’ Is Making Noise In The Oscar Race

For the last three years, the winner of the International Oscar has pretty much been a given: First came Bong Joon-ho’s Parasite, then Thomas Vinterberg’s Another Round, and then Ryusuke Hamaguchi’s Drive My Car — all anointed by Cannes and eased to the finish line after prominent festival play in the usual cosmopolitan areas.

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‘The Quiet Girl’ Review: Colm Bairead’s Irish Oscar Entry

Why do we have children? Cait’s Mam and Da would be hard-pressed to answer that, with a house full of sour teenage daughters, a toddler barely walking, another baby about to land and not enough money to pay a day laborer to bring in the hay. These are the kind of kids who go to school with no lunch.

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‘The Quiet Girl’ Trailer: Colm Bairéad’s Drama About A Young Girl In Foster Care Arrives In February

What can we do when everything seems to be going against us? Young Cait is facing what appears to be insurmountable challenges in “The Quiet Girl.” The film looks at its central character’s life before and after being shuttled to a foster family with its own secrets. “The Quiet Girl” is an important cinematic venture for all involved — being picked as Ireland’s official Oscar entry for Best International Feature.

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‘The Quiet Girl’ Director Colm Bairéad On Discovering His Cáit: “She Had This Immediate Understanding Of This Character” – Contenders International

“I was just blown away,” director Colm Bairéad says of seeing the first audition tape of Catherine Clinch, the young girl who takes on the lead role of Cáit in his Irish-language Oscar entry The Quiet Girl. “She just had this immediate understanding of this character as someone who had learned to push all of her emotions inward and had learned to hide in a sense, in plain sight.”

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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

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France’s Les Arcs Announces New Oscar Entry Showcase, Unveils 2022 Line-Up

The Les Arcs Film Festival will launch a new sidebar showcasing this year’s European entries to the Best International Feature Film Oscar category at its 14th edition, running December 10 to 17 in its namesake French Alps skiing resort home of Les Arcs.

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Ireland’s Oscar Contender ‘The Quiet Girl’ Crosses Box Office Landmark

Naman Ramachandran After 22 weeks in cinemas across Ireland and the U.K., writer-director Colm Bairéad’s “An Cailín Ciúin” (“The Quiet Girl”) has crossed €1 million ($971,000) at the box office. The film is Ireland’s entry in the Oscars’ international feature category. Based on Irish author Claire Keegan’s story “Foster,” the coming-of-age film, set in rural Ireland in 1981, follows Cáit (Catherine Clinch) as she is sent from her overcrowded, dysfunctional household to live with distant relatives for the summer. It has been an unstoppable force on the festival and awards circuit, winning top prizes at the Berlin, Dublin and Taipei film festivals and sweeping the Irish Film and Television Awards. Produced by Cleona Ní Chrualaoi for Inscéal, the film is distributed by Break Out Pictures and Curzon.

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Irish Oscar Entry ‘The Quiet Girl’ Breaks UK & Ireland Box Office Record

Colm Bairéad’s The Quiet Girl, which is Ireland’s entry in the Best International Film Oscar race this year, has punched through the €1m ($971,000) box office ceiling in a record-breaking performance for an Irish-language feature.

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