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09.12.2023 / 20:29

Baloji Constructed ‘Omen’, His Feature Debut And Belgium’s Oscar Entry, Using A Wall Of Mirrors – Contenders International

Omen is the official submission from Belgium for the International Feature Oscar category and comes from multi-hyphenate interdisciplinary artist Baloji, who makes his feature directing debut. The film had its world premiere in Cannes’ Un Certain Regard section this year where it won the New Voice Prize, before going on to play myriad festivals. Utopia is the North American distributor.

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12.02.2025 / 13:23

Busan Winner, Bangladesh Oscar Entry ‘The Wrestler’ Heads to EFM With Indywood (EXCLUSIVE)

Naman Ramachandran Indywood Distribution Network has picked up international sales rights to “The Wrestler” (“Boli”), Bangladesh‘s submission for the 97th Academy Awards’ international feature film category and top prize winner at the Busan International Film Festival. Indywood is set to launch sales at the European Film Market (EFM) that runs alongside the Berlin Film Festival. The company, which maintains a strong presence across major markets including Cannes, Mipcom, and Hong Kong’s FilMart, aims to leverage its global network to secure worldwide distribution for the acclaimed feature.

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07.12.2024 / 22:29

‘Twilight Of The Warriors: Walled In’ Director Soi Cheang On Re-Creating The Notorious Kowloon Walled City For Hong Kong’s Oscar Entry – Contenders International

Renowned Hong Kong director and producer Soi Cheang is repping his country for the first time in the International Feature Oscar category, with this year’s box office hit Twilight of the Warriors: Walled In. The film has made over $111 million globally since it first premiered locally in early May, and then went on to screen as part of the Midnights section in Cannes.

Soi Cheang Oscar Entry International Britain China Hong Kong city Hong Kong city Walled film information action Citi Provident

07.12.2024 / 22:29

‘Take My Breath’ Filmmaker Nada Mezni Hafaiedh On Being “Truthful To The Experience Of An Intersex Individual” In Tunisia’s Oscar Entry – Contenders International

Tunisian Oscar entry Take My Breath explores the clash between desire and identity as the life of 23-year-old seamstress Shams (Amina Ben Ismail) is overturned when their intersex identity is exposed. Targeted by an obsessive attacker, Shams escapes to the capital city and lives in the shadows, shunned by true love and rejected by society’s rigid norms and expectations.

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02.12.2024 / 20:27

‘Waves’ Review: Jiří Mádl Brings Compelling Life To Czech Oscar Entry

As the third anniversary of the Russian invasion of Ukraine approaches, there could be no better time to revisit the tumultuous events of 1968 in what was then Czechoslovakia. In August of that year, Russian tanks rolled into Prague – along with the armies of five countries within the Soviet bloc – to crush Czechoslovakia’s new, homegrown version of communism, dubbed by foreign media “socialism with a human face.”

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07.10.2024 / 13:27

Naomi Osaka-Produced Tennis Drama ‘Julie Keeps Quiet,’ Belgium’s Oscar Entry, Gets North American Deal With Film Movement (EXCLUSIVE)

Elsa Keslassy International Correspondent Film Movement has bought North American rights to Belgium Oscar entry “Julie Keeps Quiet” which is executive produced by tennis champion Naomi Osaka, and world premiered at Cannes’ Critics Week. A feature debut directed by Leonardo Van Dijl, “Julie Keeps Quiet” went on to play Karlovy Vary and Toronto, and will next screen at the BFI London Film Festival following its Cannes bow. The movie will have its U.S.

Naomi Osaka Jan Naszewski Michael Rosenberg Oscar Entry International USA Belgium city Warsaw film stars tennis Rights Features

11.03.2024 / 18:21

Pakistan Oscar Entry, Cannes Title ‘In Flames,’ Unveils Trailer Ahead of North American Theatrical Release (EXCLUSIVE)

Naman Ramachandran Zarrar Kahn‘s acclaimed psychological thriller film “In Flames” has unveiled a trailer ahead of its North American theatrical release. The film bowed at Cannes’ Directors’ Fortnight in 2023 and played at several global festivals including Toronto, Pingyao and Red Sea, where it won the top prize. It was Pakistan‘s entry to the Oscars’ international category.

Maxime Cottray Todd Brown Oscar Entry Red Sea International USA Pakistan city Karachi film students isolate Rights

19.12.2023 / 04:45

‘Amerikatsi’ Director and Star Michael Goorjian on Finding Optimism in a Prison Film for Armenia’s Oscar Entry

J. Kim Murphy Filmmaker Michael Goorjian set out to create a different kind of film about Armenian nationality when developing “Amerikatsi,” the country’s submission in the international feature category for this year’s Academy Awards. Along with directing, Goorjian also stars as Charlie, an American who repatriates to Armenia after World War II — but ends up in a Soviet prison for simply wearing a tie.

Oscar Entry Atom Egoyan USA Armenia film stars country awards Love Discover

18.12.2023 / 19:29

Mohamed Kordofani, Writer-Director of Sudanese Oscar Entry ‘Goodbye Julia,’ on Racism, Teargas and Thinking Big

John Bleasdale Guest Contributor When writer-director Mohamed Kordofani first conceived of the film “Goodbye Julia,” he realized that he didn’t have a single friend from South Sudan — “and there are millions who live in Khartoum.” Now he has hundreds, he tells Variety. The first Sudanese film to premiere in the Un Certain Regard sidebar in Cannes, his debut feature won the Prix de la Liberté and is now the official Sudanese entry for the Academy Awards, with Lupita Nyong’o on board as an executive producer. The film had its Middle East and North Africa premiere this week at El Gouna Film Festival, where Kordofani was awarded the Variety MENA Region Talent Award.

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15.12.2023 / 05:13

‘The Teachers’ Lounge’ Review: Leonie Benesch Delivers Scorching Performance In Riveting And Pertinent German Oscar Entry

The official German Oscar entry for Best International Feature is an insular, pulse-pounding thriller set within the confines of a school that, for cinematic purposes, doubles as a microcosm of society in general circa 2023 where facts don’t matter, misinformation is rampant, suspicions run hot, divisions run deep, racism still rears its ugly head, and no one can be quite sure where, and even if they want to, fit in.

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04.10.2023 / 22:05

Oscars: Venice Drama ‘City Of Wind’ From Lkhagvadulam Purev-Ochir Set As Mongolia’s 2024 Oscar Entry

The indie drama City of Wind, marking the feature directorial debut of Lkhagvadulam Purev-Ochir, has been set as Mongolia’s International Feature Oscar entry for 2024.

Oscar Entry Bernie Cahill Jon Kanak Charlotte Vincent USA city Busan Mongolia film information google Citi Provident Enterprise 2024

19.12.2022 / 17:09

‘The Kings Of The World’ Review: Laura Mora’s Colombian Oscar Entry

Colombian cinema has shown a ferocious loyalty to the country’s dispossessed: to the generation that lost its lands to exploitation and its moral moorings to the drug trade, to the kids who grew up parentless on the streets or found some kind of refuge in the militias that terrorized the country. It has also proved to be a hotbed of vibrant artistic experiment. Films such as Monos (2019) and La Jauria (2022), in which myth, magic and documentary observation collide and mingle, are notable for their untethered energy and complete disregard for prescribed categories. Stories are not so much told as imaginatively experienced. Perhaps, in a country with so few visible rules, anything is possible.

Oscar Entry Laura Mora Colombia film country Fighting Kings

18.12.2022 / 20:13

‘War Sailor’ Review: Gunnar Vikene’s Norwegian Oscar Entry

From Bergen to Malta, Liverpool, New York and Halifax: Norwegian merchant seamen Alfred (Kristoffer Joner) and Sigbjorn (Pal Sverre Hagen) sometimes seem to be competing for screen time with datelines in Gunnar Vikene’s epic War Sailor, Norway’s Oscar submission. Sprawling, packed with anecdote and surging from one dramatic peak to the next, War Sailor sets out to tell the stories of the ordinary but unsung heroes who helped defeat Germany in 1945. It has the best of intentions.

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15.12.2022 / 17:39

‘Girl Picture’ Review: Alli Haapasalo’s Finnish Oscar Entry

A trio of teens navigates relationships in contemporary Helsinki in Girl Picture, Finland’s entry for the Best International Feature Oscar. Directed by Alli Haapasalo (Love and Fury), it’s an engaging portrait of young women that’s as refreshing as it is entertaining. To call this a “Finnish Booksmart” would be doing its originality a disservice, but there are coincidental similarities as a quick-witted lesbian and her straight girl friend try to help each other with their love lives over a series of parties and amusing encounters.

Oscar Entry Finland city Helsinki film Party

14.12.2022 / 16:15

‘Bantu Mama’ Review: Ivan Herrera’s Dominican Republic Oscar Entry

An Afro-European woman connects with her roots in Bantú Mama, the Dominican Republic’s entry for the Best International Feature Film Oscar. Co-written and directed by Ivan Herrera, it’s was picked up by Ava DuVernay’s Array Releasing. It’s a compelling drama featuring a strong performance from Clarisse Albrecht, who also co-wrote the screenplay.

Oscar Entry Arturo Perez France Dominican Republic city Santo Domingo dance film republic

14.12.2022 / 18:25

‘The Quiet Girl’ Review: Colm Bairead’s Irish Oscar Entry

Why do we have children? Cait’s Mam and Da would be hard-pressed to answer that, with a house full of sour teenage daughters, a toddler barely walking, another baby about to land and not enough money to pay a day laborer to bring in the hay. These are the kind of kids who go to school with no lunch.

Oscar Entry Colm Bairéad Ireland film country

05.12.2022 / 15:05

‘Farha’ Filmmakers Accuse Israel Of Attempting To Discredit Jordanian Oscar Entry, Condemn Moves To Get It Taken Off Netflix

Jordanian director Darin J. Sallam and producers Deema Azar and Ayeh Jadaneh have accused Israel of mounting a disinformation campaign against their film Farha and also rebuked the country for attempting to get it removed from theatres and Netflix.

Oscar Entry Darin J.Sallam Jordan Israel Palestine city Busan Netflix film

04.12.2022 / 01:07

‘On The Job: The Missing Eight’ Director Erik Matti Explores The Role Of The Media In Philippines’ Oscar Entry – Contenders International

It’s rare that a sequel competes in the International Oscar category, especially when the first part didn’t get selected. It’s a measure of Erik Matti’s latest film that, though it follows on from 2013’s Cannes Directors’ Fortnight title On the Job—or rather, starts in the aftermath—this second instalment stands alone. “The big difference between the two,” said Matti, “is that the first one was set in urban Manila, and the second one is set in the countryside of the Philippines, just to show two contrasts that exist within both worlds.”

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03.12.2022 / 20:13

‘Alcarràs’ Filmmaker Carla Simón On The Complexities Of Tradition Versus Innovation In Her Spanish Oscar Entry – Contenders International

Director and co-writer Carla Simón tells a story that’s close to her heart in Alcarràs, Spain’s entry for the International Feature Oscar race. The tale of peach farmers facing eviction and losing more than their home won the Golden Bear at the Berlin Film Festival earlier this year.

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05.11.2022 / 20:59

‘Nostalgia’ Duo Mario Martone And Ippolita Di Majo Peel Back Layers Of Italy’s Oscar Entry – Contenders New York

Italian director Mario Martone said that his latest film Nostalgia is very similar to his 1995 film L’amore molesto (Troubling Love).During a panel discussion at Deadline’s Contenders Film: New York event, Martone explained the connection between adapting Elena Ferrante’s first novel L’amore molesto and Ermanno Rea’s book Nostalgia for the big screen. “In L’amore molesto we followed this woman,” Martone said. “We walk alongside her, and we enter into her past.

Elena Ferrante Oscar Entry Mario Martone New York USA New York Italy film man

18.09.2022 / 11:01

Director Petr Václav on Redeeming Disgraced Opera Composer ‘Il Boemo’ in the Czech Oscar Entry

Liza Foreman Making its world premiere in the main competition at the San Sebastián Festival on Sept. 19, “Il Boemo,” the story of a forgotten Czech composer who rose to fame in the second half of the 18th century, has taken the award-winning filmmaker Petr Václav more than a decade to complete. Known as Il Boemo, Josef Mysliveček’s fame was short-lived. He died before reaching the age of 44, after a whirlwind career composing music for Italian courts and theaters. But Václav, together with his DPs, Diego Romero and Suarez Llanos, costume designer Andrea Cavalletto, and a slew of top operatic singers, has created an action-packed period piece, celebrating his tumultuous life, operatic drama, and the aesthetic beauty of the era.

Oscar Entry Petr Václav Josef Mysliveček Italy Czech Republic film composer Music

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