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Elsa Keslassy International CorrespondentCritics Week (or La Semaine de la Critique), the selection dedicated to first and second films running alongside the Cannes Film Festival, will boast a jury presided over by Tunisian director Kaouther Ben Hania (“The Man who Sold his Skin”). Ben Hania has directed four features, including “Beauty and the Dogs” which competed in Un Certain Regard in 2017, and “The Man who Sold his Skin” which played at Venice in 2020 and was the first Tunisian film nominated for the Oscars’ international feature film race.

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Debbie Harry, Amanda Kramer to Discuss Collaboration on ‘So Unreal’ at International Film Festival Rotterdam

Leo Barraclough International Features Editor Debbie Harry, lead singer of Blondie, will be among those taking part in on-stage talks at the International Film Festival Rotterdam, which runs Jan. 25 to Feb.

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Rotterdam Unleashes Tiger Competition Lineup With Films About a Naked Stranger, Freud and a Deaf Landscape Photographer

Leo Barraclough International Features Editor M. Raihan Halim’s “La Luna” will close the 53rd edition of International Film Festival Rotterdam, which has also revealed the lineup of its Tiger competition section, a platform for up-and-coming filmmakers, and Big Screen Competition, a program for more established talent. “La Luna,” which has its European premiere at the festival, is a comedy about a conservative Malaysian village shaken by the arrival of a lingerie store.

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‘Poor Things’ Actor Suzy Bemba Says Intimacy Coordinators Provide ‘Greater Freedom’ on Set as 50/50 Launches Industry Workshops in France

Ben Croll Alongside the ongoing push for greater, industry-wide parity, French activist and feminist organization Collective 50/50 will next tackle workplace harassment with a new plan to bolster and expand existing workplace safety workshops, while promoting the widespread use of intimacy coordinators. Launched in partnership with France’s National Film Board (CNC) and the professional training organization Afdas, the new initiative will expand the reach of existing programs, which mostly targeted producers.

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British Director Luna Carmoon’s ‘Hoard’ Scores Three Venice Critics’ Week Awards, ‘Malqueridas’ Takes Best Film

Nick Vivarelli International Correspondent British director Luna Carmoon’s first feature “Hoard” has scored three prizes at the Venice Critics’ Week where the other standout title is Chilean documentary “Malqueridas.” In “Hoard,” which is set in 1984 London, 7-year-old Maria and her mother live in their own loving world built on sorting through bins and collecting shiny rubbish. One night, their world falls apart, and the film joins Maria a decade later, living with her foster mother.

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Renowned Nobel Prize-Winner Annie Ernaux Joins French Feminists And Film Industry Icons In Expressing Solidarity With Amber Heard, Signs Open Letter

In an open letter in support of the actress Amber Heard, Nobel Prize-winning author Annie Ernaux denounces “the vilification” and “ongoing online harassment” of the actress.

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Nobel Prize-Winner Annie Ernaux Signs Open Letter In Support Of Amber Heard Alongside French Feminists & Cinema Figures

Nobel Prize-winning writer Annie Ernaux has signed an open letter in support of Amber Heard, decrying “the vilification” and “ongoing online harassment” of the actress.

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‘Flux Gourmet’: Peter Strickland On Taboos, Kink & Finding The Dignity In Flatulence & Gastronomical Problems [Interview]

“Flux Gourmet,” the new smorgasbord of sensation from Britain’s preeminent oddball Peter Strickland, is all about personal expression (read our review). And not just in the artistic sense, though the film does take place at the prestigious Sonic Catering Institute, where experimental music groups receive funding and support for their work generating blizzards of feedback by plugging modular synthesizers into food.

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‘Flux Gourmet’: Peter Strickland On Taboos, Kink & Finding The Dignity In Flatulence & Gastronomical Problems [Interview]

Asa Butterfield Gwendoline Christie Peter Strickland Britain

‘Flux Gourmet’: Peter Strickland On Taboos, Kink, & Finding The Dignity In Flatulence & Gastronomical Problems [Interview]

Asa Butterfield Gwendoline Christie Peter Strickland Britain

Cannes’ Critics’ Week Unveils Prizes for ‘La Jauria,’ ‘Aftersun,’ ‘Love According to Dalva’

Elsa Keslassy International CorrespondentAndres Ramirez Pulido’s “La Jauria” won the Grand Prize at Critics’ Week, the Cannes Film Festival’s sidebar dedicated to first and second features. The Colombian film also won the SACD prize.

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Naomi Denamur & Julie Billy Launch Paris-Based June Films With Clémence Poésy, Ariane Labed, Hafsia Herzi Projects Among Busy Slate

EXCLUSIVE: French industry execs Naomi Denamur and Julie Billy are launching Paris-based independent production company June Films with a bustling film and TV slate. Scroll down for the company’s current lineup.

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‘Flux Gourmet’ Review: Peter Strickland Delivers Sensory Overload In His Most Bizarre, Possibly Best, Film [Berlin Film Festival]

Just as the Tiktok-ers and Instagrammites of the world had completed the mainstreaming of ASMR, master of the tactile Peter Strickland has returned to restore the unsettling, alien quality to sensation. In “Flux Gourmet,” his latest and most bizarre film — a hotly contested title he earns with this feverish stew of murdered turtles, torrid orgies, and heartrending fart-tending — texture is everything.

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Sex Education star Asa Butterfield is unrecognisable in first look at new film Flux Gourmet

SEX Education star Asa Butterfield looks unrecognisable in a first look at the new film Flux Gourmet. The actor - who plays Otis Milburn in the popular Netflix series - has landed a new role in the upcoming feature film directed by Peter Strickland.

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‘Flux Gourmet’ Teaser Trailer: Peter Strickland Returns With A New Gastronomical Horror

British outré filmmaker Peter Strickland is stuck in the past in the very best sense of the phrase. Whether he’s making eerie, giallo throwback pictures (“Berberian Sound Studio”), psychedelic softcore fetish control movies (“The Duke Of Burgundy”), or strange, bizarre horrors that are a mix of English kitchen-sink realism and ghoulish creepiness (“In Fabric”), Strickland is always creating some kind of vintage, throwback picture with heavy nods to the ‘60s and ‘70s of erotic, kink, strange, and left-of-center cinema.

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‘The Souvenir Part II’ Trailer: Joanna Hogg’s Memory Tribute Is A Meta-Filmmaking Impression

Joanna Hogg’s 2019 film “The Souvenir” made a big splash at its world premiere at the Sundance Film Festival that year. The film went on to win the World Cinema Dramatic Grand Jury Prize at the festival that year and was a critic’s favorite, ending up on several Top 10 lists at year’s end.

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Debbie Harry, Amanda Kramer to Discuss Collaboration on ‘So Unreal’ at International Film Festival Rotterdam

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