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Christopher Vourlias The Thessaloniki Intl. Documentary Festival wrapped its 25th edition with a muted closing night on Sunday, with festival organizers scrapping an official award ceremony as Greece continues to mourn the loss of 57 lives in a deadly rail accident on Feb. 28. The awards for this year’s festival — including the Golden Alexander, which went to Heba Khaled, Talal Derki and Ali Wajeeh’s “Under the Sky of Damascus” — were handed out behind closed doors earlier in the day. Artistic director Orestis Andreadakis told Variety prior to the festival’s conclusion, “As a sign of respect, the festival canceled from the very start all ceremonies and festive events. In the same spirit, it was decided to call off the closing ceremony.”

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Thessaloniki Documentary Festival Head on Power of Art to ‘Preserve Reality’ With Truth, Democracy Under Threat

Christopher Vourlias As the Thessaloniki Intl. Documentary Festival prepares to host its 27th edition, which runs March 6 – 16, festival director Orestis Andreadakis sees no shortage of threats to truth, freedom and the values on which the democratic order is based.

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Thessaloniki Agora Awards: ‘African Grey’ By Greek Filmmaker Yorgos Goussis Among Top Winners — Full List

Feature title African Grey by Greek Filmmaker Yorgos Goussis has picked up the ThessalonikiFilm Festival’s Onassis Film Award, the largest cash prize handed out by the festival’s industry section. The award comes with a €10,000 prize.

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Thessaloniki Head on Festival Opener ‘Maria,’ ‘Hope’ for New Generation of Greek Filmmakers and the Need to Showcase ‘Movies That Matter’

Christopher Vourlias Despite blue skies over Greece’s second city ahead of the opening ceremony, the 65th Thessaloniki Film Festival kicks off Oct. 31 under clouds of uncertainty, with the war in Ukraine raging toward its three-year anniversary and the year-old Israel-Hamas conflict spilling into neighboring countries and threatening to engulf the entire Middle East.

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Thessaloniki Film Festival Head On This Year’s Edition & How Climate Change And Rising Political Extremism Have Made It Harder To Mount Film Events

Greece’s Thessaloniki International Film Festival returns this evening for its 65th edition with a screening of Maria, the latest feature from Chilean director Pablo Larraín.

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Thessaloniki Film Festival Head Discusses This Year’s Ghostly Edition & The Origins Behind Greece’s Rising New Wave Of Filmmakers

Greece’s Thessaloniki International Film Festival returns this evening for its 64th edition with a screening of The Pot-au-Feu (The Taste of Things), the latest film by French-Vietnamese director Trần Anh Hùng.

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Thessaloniki Documentary Festival Pays Tribute to ‘Audacious’ Docmakers Hitting New Heights

Christopher Vourlias The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights. This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews). Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the Venice Film Festival’s Golden Lion award.

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Festival In Focus: Thessaloniki Aims To Reinvent The Role Of A Film Festival With Its 63rd Edition

Orestis Andreadakis, director of the Thessaloniki International Film Festival, has a lot on his mind when he sits down with Deadline via Zoom from his office in Athens. Climate change, women’s rights, and the war in Ukraine are all topics he discussed, and he believes film festivals, including his own, must find a way to address and interrogate wider social issues.

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Greece’s Evia Film Project Brings Environmentally Focused Filmmaking to the Fore

Christopher Vourlias It had been nearly three decades since a film was last screened in Ciné Apollon, an open-air theater in the resort town of Edipsos on the north shore of the Greek island of Evia. But the arrival of several hundred moviegoers on June 15 for a screening of French filmmaker Coline Serreau’s “La Belle Verte” (The Green Planet) offered a much-needed sense of rebirth: for the cinema, and for an island that was devastated by catastrophic wildfires last summer.As part of wide-ranging efforts to revitalize struggling communities and give a boost to the local economy, the organizers of the Thessaloniki Film Festival this year launched the Evia Film Project, a five-day event that underscores the perils of climate change and offers the film industry a chance to explore the possibilities of green film production.

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Thessaloniki Film Festival Launches Green Cinema Initiative on Fire-Ravaged Island of Evia

Christopher Vourlias Thessaloniki Film Festival director Orestis Andreadakis was on summer vacation last August when he got a call from Stavros Benos, the head of the newly appointed National Reconstruction Committee, which was tasked with responding to a series of devastating wildfires that had recently swept across the island of Evia.Just weeks before, Greece’s second-largest island had been a densely wooded paradise famous for its production of honey and resin. But nearly a third of Evia was reduced to ash and cinders during a scorching summer that saw an estimated 300,000 acres of forest and bushland incinerated by wildfires across Greece, as soaring temperatures hit a record high of 115.3 degrees.Benos was calling the festival topper with a plea.

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Thessaloniki Documentary Festival Director Orestis Andreadakis on Cinema in a Time of Global Crisis

Christopher Vourlias Under different circumstances, the 24th Thessaloniki Documentary Festival might have been a more celebratory affair, with coronavirus restrictions gradually loosening across Greece and the country’s second city hosting an in-person edition of a festival that was among the world’s first to go virtual at the start of the pandemic in 2020.But with the humanitarian toll rising in Ukraine, as Russia continues its relentless assault of its Eastern European neighbor, festival director Orestis Andreadakis offered a sobering reflection on the eve of opening night on war, cinema and the need for solidarity.“It’s shocking what is happening,” Andreadakis told Variety, likening the threat to the one faced by Europe during World War II. “After the war, we had this slogan: Never again.

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Thessaloniki Film Festival Topper Orestis Andreadakis on How This Year’s Edition Is Like ‘Being in Love Again’

Christopher Vourlias When the curtain rises Thursday on the 62nd edition of the Thessaloniki Film Festival, it will be a long-awaited return to form for one of the oldest fests on the circuit, after a surge in COVID-19 cases last fall forced the organizers to pivot from a hybrid to a fully online edition.Attempting to sum up his feelings on the eve of opening night, festival director Orestis Andreadakis was gripped by emotion, using words like “strange,” “happy” and “anxious” in the same breath.“It’s as if you go out from the hospital, this period of pandemic, and you don’t know how to speak to your friends, you don’t know how to be in love again, you don’t know how to speak with your relatives and parents and children,” Andreadakis tells

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