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28.10.2023 / 06:49

Film Editing Depends on Listening for the Music, Ji.hlava Fest Juror Dominique Auvray Says

Will Tizard Contributor Veteran French editor Dominique Auvray says there’s an essential intuitive element to her work. The woman who created the sound for “Paris, Texas” and cut such films as “No Fear, No Die,” “L’Amour Fou,” and “Hu-Man” says her career has been built around one key ability: Tuning in to your eyes and ears.

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13.11.2023 / 20:25

Wang Bing Talks Continuing ‘Youth,’ Finally Feeling ‘Satisfied’ With His Films: ‘You Learn to Respect Them’

Marta Balaga Chinese director Wang Bing found joy in latest film “Youth (Spring),” focusing on young textile workers. But as he continues to work on his trilogy, things might get a bit darker. “Their age is one of the factors here: they are so young and it’s just a happy time in your life.

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11.11.2023 / 11:47

IDFA Guest of Honor Wang Bing Discusses Chinese Censorship, Upcoming Trilogy and Politics: ‘I Don’t Want My Films to Become a Political Tool’

Rafa Sales Ross Guest Contributor Selected as this year’s Guest of Honor at the International Documentary Film Festival Amsterdam (IDFA), Chinese director Wang Bing sat down with the festival’s artistic director Orwa Nyrabia for an in-depth talk on his career on Friday at the imposing Tuschinski Theatre in the Dutch capital. Bing commented on not wanting his films to be “political” while reflecting on the entirety of his career, from his nine-hour-long debut “West of the Tracks” to the recent Cannes competition title “Youth (Spring)” — “I’m not particularly interested in politics (…) I don’t want my films to become a political tool.

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theplaylist.net

13.10.2023 / 18:01

‘Youth (Spring)’ Trailer: The First Doc In Wang Bing’s New Trilogy Arrives At Metrograph On November 10

Fix up and look sharp, NYC filmgoers: Wang Bing‘s latest, “Youth (Spring),” begins its US theatrical rollout at Metograph next month. And the new documentary is just the first in a trilogy of new films Wang Bing has worked on since 2014.

Wang Bing China USA city Shanghai Cannes 2023

19.09.2023 / 12:15

IDFA’s Program Takes Shape With Announcement Of Guest Of Honor Wang Bing’s Top 10, Plus Peter Greenaway Retrospective

Acclaimed director Wang Bing, this year’s guest of honor at the International Documentary Film Festival Amsterdam, will be using his IDFA platform to highlight nonfiction cinema of his native China.

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30.08.2023 / 10:28

Documentary Festival IDFA Celebrates ‘Innovative’ Chinese Filmmaker Wang Bing, ‘Rebel’ British Director Peter Greenaway

Leo Barraclough International Features Editor Chinese filmmaker Wang Bing is this year’s Guest of Honor at IDFA, which holds its 36th edition from Nov. 8 to 19 in Amsterdam. IDFA is also honoring filmmaker and artist Peter Greenaway with a Lifetime Achievement Award, a selective retrospective and an extensive on-stage talk.

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17.08.2023 / 21:33

‘Youth (Spring),’ Wang Bing’s Cannes Documentary On Twenty-Something Chinese Garment Workers, Acquired By Icarus Films

Icarus Films has taken North American rights to Youth (Spring), the newest feature from Venice prizer winner Wang Bing, which earlier this year became one of the first documentaries admitted to Cannes’ main competition in decades. A release date has not yet been disclosed.

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23.05.2023 / 08:59

‘Circumstance’ Producer Karin Chien on the Importance of Distribution and the Making of Cannes Title ‘Man in Black’

Lise Pedersen Award-winning US producer and distributor Karin Chien (“Robot Stories,” “Circumstance”), whose latest co-production, “Man in Black,” is one of two films by Chinese director Wang Bing running in Cannes’ official selection, shared her experience with the crowd during a masterclass at Cannes Docs, the Film Market section dedicated to documentary films. “Man in Black” premiered at a special screening in Cannes on May 22. Wang’s other film selected in this year’s edition is main competition title “Youth.” In the talk, moderated by Documentary Association of Europe co-founder Brigid O’Shea, Chien put on her distributor’s hat to talk about a job she said was “not pitched enough but [represented] some of the most meaningful work she [had] ever done.”

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22.05.2023 / 17:47

‘Man In Black’ Review: Wang Bing’s Cannes Documentary Paints Powerful, Stripped Down Portrait Of Dissident Chinese Composer Wang Xilin

Chinese director Wang Bing is more than content to take his time. His documentary Youth (Spring), which premiered in competition at Cannes last Thursday, runs three-and-a-half hours long. His second Cannes film, Man in Black, runs considerably shorter at a mere 60 minutes, but it too unfolds patiently.

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theplaylist.net

19.05.2023 / 19:23

‘Youth (Spring)’ Review: The Kids Are Underpaid & Flirty [Cannes]

CANNES – We are not one to complain about the length of a film. Directors can make an artistic impact specifically with pacing and structure.

Wang Bing Cannes 2023

19.05.2023 / 09:23

Director Wang Bing On Conveying “Sensitivity” Toward Chinese Garment Workers’ Conditions In His Cannes Documentary ‘Youth (Spring)’

Wang Bing’s documentary, Youth (Spring), one of two in the main Cannes competition in nearly 20 years, takes an interesting stance in its portrayal of the garment workers living in harsh conditions in China’s clothing capital of Zhili City.

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18.05.2023 / 17:19

‘Youth (Spring)’ Review: Wang Bing’s Unflinching Garment-Workers Doc Unravels Over Its Lengthy Runtime

Jessica Kiang It is somehow emblematic of modern China — at least of its seamier side, as frequently explored in director Wang Bing’s unsparing documentaries — that the street on which his long, oppressive new film “Youth (Spring)” takes place should be called “Happiness Road.” A collection of clothing manufacturing workshops, arranged like a mall around a rubble-strewn central thoroughfare 150 miles and a world away from Shanghai, this semi-derelict location is so poorly described by its name that one could suspect its planners of having a little joke. Except that here in Zhili City, irony — like leisure time, fresh air and natural light — is a luxury few can afford, least of all the teens and twentysomethings spending 15-hour workdays on site before retiring to equally rundown flophouse dormitories.

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26.01.2022 / 16:27

Hamaguchi Ryusuke, Connie Nielsen, Karim Ainouz, Join M. Night Shyamalan in Berlinale Juries

Naman Ramachandran “Drive My Car” filmmaker Hamaguchi Ryusuke, director Karim Ainouz (Berlin-winner “Central Airport THF”) and actor Connie Nielsen (“Wonder Woman”) will join president M. Night Shyamalan on the international jury of the Berlin Film Festival.

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