Tudor Giurgiu - celebsbar.com

Game, set, and match for Tudor Giurgiu, Cristian Pascariu, and Tudor D. Popescu, who co-direct Nasty, a pleasingly hagiographic portrait of Romanian tennis icon Ilie Năstase. What fun tennis must have been in the 1970s, as it was on the turn from a knockabout sport into the sharp-footed profession it is today. Năstase and his contemporaries brought finesse and genius to the game, but tennis hadn’t yet been fully corrupted by corporate greed and mechanical elite athleticism. These players were hardworking and hard-partying in equal measure, and Năstase was a key ringleader for the frivolity, dating models, and canoodling on the mattresses at Studio 54.

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‘Nasty’ Serves Up Punchy Portrait of ’70s Tennis Bad Boy Ilie Nastase Who Helped Define Era

Christopher Vourlias There’s a scene early in the documentary “Nasty,” a rollicking portrait of the ’70s Romanian tennis bad boy Ilie Năstase, where the Grand Slam champion’s mentor and longtime doubles partner Ion Țiriac recalls teaching Năstase how to ski. The young prodigy was a fast study — perhaps too fast. “He skied down perfectly,” says Țiriac, “except he ran into the fence because I hadn’t taught him to stop.” You’d be hard-pressed to find a better metaphor for the free-wheeling, fast-living Năstase, a “wild child,” “rock star” and “insolent, elegant, angry, whimsical bon vivant” who makes a fitting subject for the documentary, which was directed by Tudor Giurgiu, Cristian Pascariu and Tudor D.

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Goodfellas Launches Sports Sales Label OUI MICHEL With Cannes Doc ‘Nasty’

EXCLUSIVE: Goodfellas is adding a new sports-focused sales label to its growing roster of genre-based companies and themed sales strands.

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Ted Sarandos To Address RTS London; Romanian Film Award Winners; ‘Rebus’ First Look & Launch Date – Global Briefs

Ted Sarandos To Speak AT RTS London Convention

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‘Europa,’ ‘Medium,’ ‘Freedom’ Compete at Sarajevo Film Festival

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

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Transilvania Film Festival Bounces Back After ‘Tough Years’ of Pandemic, Sees Attendance Soar

Christopher Vourlias When push comes to shove, the Transilvania Intl. Film Festival has always prided itself on pushing the envelope, preferring to err on the side of provocation where other fests might choose to play it safe. That mentality has been encoded into the fest’s DNA since its beginnings in the tumultuous post-Communist era, when civil liberties and artistic freedom were still far from guaranteed in the newly democratic Romania. Yet after a turbulent period of unprecedented disruption, brought on first by the coronavirus pandemic and then by the widespread humanitarian and economic crises spurred by Russia’s invasion of neighboring Ukraine, even TIFF founder Tudor Giurgiu admits, “These were tough years.” The temptation might have been there to tinker with a formula that has made the festival such a success for the past two decades.

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Ukrainian Filmmakers ‘Distraught’ By Russian Presence in Transilvania Film Festival Competition

Christopher Vourlias Dmytro Sukholytkyy-Sobchuk, whose feature debut “Pamfir” premiered in Cannes’ Directors’ Fortnight section, and director and former political prisoner Oleh Sentsov (“Rhino”) are among the Ukrainian filmmakers who say they’re “distraught” by the inclusion of a Russian film in the main competition at the Transilvania Film Festival.In a statement posted on Monday to the Facebook page for “Pamfir,” the filmmakers spoke out against the selection of Russian director Lado Kvataniya’s “The Execution” as one of 12 features competing for the Transilvania Trophy, criticizing the “illusion of cultural reconciliation” created by the festival’s decision and insisting that “art does not exist outside of politics.” The filmmakers noted that Kvataniya’s psychological thriller was produced with the support of the state-backed Russian Film Fund as well as Kinoprime, the $100 million film fund bankrolled by Russian oligarch Roman Abramovich, who has been sanctioned by the U.K.

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Transilvania Festival Returns to Its ‘True Spirit’ With Provocative Selection: ‘We Decided to Go Back to Our Usual Self’

Christopher Vourlias After pulling off the near miraculous feat of mounting two in-person editions in the middle of a global pandemic, the organizing team of the Transilvania Film Festival had hoped for a return to normalcy this year – hopes that were quickly dashed when Russian troops invaded neighboring Ukraine on Feb. 24.The tone and tenor of this year’s event swiftly shifted gears, says TIFF founder Tudor Giurgiu, as festival leadership looked to strike a precarious balance.

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Details Regarding Tudor Giurgiu

Who is Tudor Giurgiu?

Why is Tudor Giurgiu in the spotlight?

Where can I find the latest news about Tudor Giurgiu?

Is there a full biography of Tudor Giurgiu available?

What are the most talked-about moments involving Tudor Giurgiu?