Simone Baumann: Last News

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European Orgs Could Step Up Ukrainian Biz Support as Filmmakers and Supporters Point to Funding Gaps

Nick Holdsworth European film agencies, festivals and organizations could do more to support Ukrainian filmmakers, the head of Germany’s state film promotion body, German Films, says. Simone Baumann, managing director of German Films — which supports the promotion of national filmmakers at festivals and events worldwide — says there is a lot of talk at festival panels and industry gatherings of supporting Ukrainians, but little financial backing.
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Berlin Film Fund Chief Toasts Cannes Films, Looks Ahead to Venice, Calls for Amped Up German Production Incentives (EXCLUSIVE)
Leo Barraclough International Features Editor Kirsten Niehuus, CEO at Medienboard Berlin-Brandenburg, which funds films and TV series production in the Berlin region, and Simone Baumann, managing director of German Films, which promotes and supports the release of German films abroad, welcomed a wide array of guests to their garden party at the Cannes Film Festival on Saturday. Three Medienboard-funded films are in this year’s Competition: Tunisian director Kaouther Ben Hania’s “Four Daughters,” Austrian filmmaker Jessica Hausner’s “Club Zero,” and U.S. helmer Wes Anderson’s “Asteroid City.” Niehuus told Variety: “Those are three very different productions, but it shows the spectrum [of films] that Medienboard supports.” Tunisian films, like “Four Daughters,” need international co-production funding to get made, she said, and “we believe in world cinema, so were very happy [to back it].” Hausner is “one of the most impressive female filmmakers [in the world], and I think there should be more female filmmakers on the Croisette and every other ‘A’ festival,” she said. “Asteroid City” is “the best of American arthouse filmmaking; very stylish, with a great narrative – so we love it,” she said.
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