Kirsten Niehuus: Last News

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German Film Funding Changes ‘Will Have a Very Positive Effect on the Production Scene,’ Medienboard Chief Kirsten Niehuus Says

Leo Barraclough International Features Editor Kirsten Niehuus, head of German film fund Medienboard Berlin-Brandenburg, is confident that the changes to film funding proposed by the German government recently will have a “very positive effect on the production scene in Berlin-Brandenburg.” The proposed changes to the funding system were presented last week to German lawmakers in the Bundestag by commissioner for culture and media Claudia Roth (see here). Speaking to Variety Saturday at a party Medienboard hosted at Berlin’s Holzmarkt, Niehuus said the changes “will mean that we would have a tax system in place that could compete, for instance, with Budapest or Prague, so that not so many German productions would go and shoot somewhere else, and more foreign productions would come and shoot in Germany.” Looking at the media landscape across Germany she notes that one major challenge is the decision by high-end outlets such as Paramount+, HBO and Sky to cancel local productions, and she noted “the streamers are not such reliable partners anymore.” She added: “So I think producers are having a really hard time at the moment.” On a happier note, the Berlin government raised Medienboard’s budget by Euros 6 million over the next two years, which will be targeted at the exhibition sector in the region, allowing for the upgrading of facilities at movie theaters.
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German Film Funding Changes ‘Will Have a Very Positive Effect on the Production Scene,’ Medienboard Chief Kirsten Niehuus Says
Leo Barraclough International Features Editor Kirsten Niehuus, head of German film fund Medienboard Berlin-Brandenburg, is confident that the changes to film funding proposed by the German government recently will have a “very positive effect on the production scene in Berlin-Brandenburg.” The proposed changes to the funding system were presented last week to German lawmakers in the Bundestag by commissioner for culture and media Claudia Roth (see here). Speaking to Variety Saturday at a party Medienboard hosted at Berlin’s Holzmarkt, Niehuus said the changes “will mean that we would have a tax system in place that could compete, for instance, with Budapest or Prague, so that not so many German productions would go and shoot somewhere else, and more foreign productions would come and shoot in Germany.” Looking at the media landscape across Germany she notes that one major challenge is the decision by high-end outlets such as Paramount+, HBO and Sky to cancel local productions, and she noted “the streamers are not such reliable partners anymore.” She added: “So I think producers are having a really hard time at the moment.” On a happier note, the Berlin government raised Medienboard’s budget by Euros 6 million over the next two years, which will be targeted at the exhibition sector in the region, allowing for the upgrading of facilities at movie theaters.
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Berlin Film Fund Chief Toasts Cannes Films, Looks Ahead to Venice, Calls for Amped Up German Production Incentives (EXCLUSIVE)
Leo Barraclough International Features Editor Kirsten Niehuus, CEO at Medienboard Berlin-Brandenburg, which funds films and TV series production in the Berlin region, and Simone Baumann, managing director of German Films, which promotes and supports the release of German films abroad, welcomed a wide array of guests to their garden party at the Cannes Film Festival on Saturday. Three Medienboard-funded films are in this year’s Competition: Tunisian director Kaouther Ben Hania’s “Four Daughters,” Austrian filmmaker Jessica Hausner’s “Club Zero,” and U.S. helmer Wes Anderson’s “Asteroid City.” Niehuus told Variety: “Those are three very different productions, but it shows the spectrum [of films] that Medienboard supports.” Tunisian films, like “Four Daughters,” need international co-production funding to get made, she said, and “we believe in world cinema, so were very happy [to back it].” Hausner is “one of the most impressive female filmmakers [in the world], and I think there should be more female filmmakers on the Croisette and every other ‘A’ festival,” she said. “Asteroid City” is “the best of American arthouse filmmaking; very stylish, with a great narrative – so we love it,” she said.
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