Cannes 2022 - celebsbar.com

The attitudes around remakes ebb and flow depending on what audiences see coming out of Hollywood. Some people love remakes, some people hate them, and some people see them as necessary to fund a more original project.

Michel Hazanavicius Bérénice Bejo Romain Duris Final Cut Cannes 2022

‘War Pony’ Trailer: Riley Keough & Gina Gammell’s Caméra D’or-Winning Debut Arrives In U.S. Theaters Soon

After making the festival circuit over the past calendar year, including a world premiere in the Un Certain Regard section at the 2022 Cannes Film Festival, Riley Keough & Gina Gammell‘s feature debut “War Pony” finally eyes a US theatrical release. No word yet on when that happens, but Momentum Pictures picked up the film’s US distribution rights at SXSW 2023 in March.

Riley Keough Gina Gammell USA Cannes 2022

‘The Eight Mountains’ Trailer: Cannes 2022 Jury Prize Winner Hits NYC Theaters On April 28

Felix van Groeningen‘s last film, 2018’s “Beautiful Boy” with Steve Carrell and Timothée Chalamet, was his English-language debut. But Groeningen returns to his roots, at least artistically, for his latest.

Steve Carrell Luca Marinelli Alessandro Borghi Felix Van-Groeningen Charlotte Vandermeersch Cannes 2022

Michelle Williams & Kelly Reichardt Revisit The Artistic Process Of ‘Showing Up’ [Interview]

In theory, Michelle Williams really did not need to do this. It’s just two days after she attended the 95th Academy Awards and, on her fifth nomination, sadly came up short.

Michelle Williams Kelly Reichardt Cannes 2022 Showing Up

‘De Humani Corporis Fabrica’ Trailer: Verena Paravel & Lucien Castaing-Taylor Return With Another Immersive Look At The Human Body

Over the past decade, Verena Paravel & Lucien Castaing-Taylor have made some of the most mesmerizing documentary films through Harvard University‘s Sensory Ethnography Lab. Count 2012’s “Leviathan” and 2017’s “Caniba” among the duo’s best works–two films that explore the viscerality of human life in distinctly different ways.

Cannes 2022

‘Pacifiction’ Trailer: Albert Serra’s Simmering & Exotic Political Thriller Starts Its US Theatrical Rollout In NYC On February 17

Albert Serra‘s “Pacifiction” made a splash at its world premiere at the Cannes Film Festival last May. But after Cahiers du Cinéma crowned the film as their top one of 2022 last month, “Pacifiction” became a must-see film for American audiences.

Albert Serra Benoît Magimel USA Cannes 2022

‘EO’ trailer: Jerzy Skolimowski’s Cannes Jury Prize-Winning Donkey Drama Hits NYC/LA Theaters Next Month

Few filmmakers have had as idiosyncratic a career as Polish director Jerzy Skolimowski. But Skolimowski may have saved one of his best movies for a late-career highlight with “EO,” which premiered at the Cannes Film Festival earlier this year, where it co-won the Jury Prize with “The Eight Mountains.” READ MORE: ‘Eo’ Review: Jerzy Skolimowski’s Reimagining Of Robert Bresson’s ‘Au Hasard Balthazar’ Has A Haunting Beauty [Cannes] Inspired by Robert Bresson‘s 1966 film “Au Hasard Balthazar,” the film follows a donkey that escapes the Polish circus to traverse the countryside on an absurd and stirring adventure.

Jerzy Skolimowski Robert Bresson Poland Cannes 2022

‘Hunt’ Trailer: Lee Jung-Jae’s Political Action Thriller Hits Theaters & VOD On December 2

American audiences know Lee Jung-jae as the Emmy Award-winning actor on Netflix‘s “Squid Game.” However, in his home country of South Korea, he’s arguably better known for his directing. And what a resume Jung-jae has, full of actioners, period pieces, and thrillers.

Magnolia Pictures USA South Korea Cannes 2022

‘All That Breathes’ Trailer: First Film To Win Both Cannes & Sundance Documentary Awards Releases October 21

This year “All That Breathes” became the first film to win both Sundance’s Grand Jury Prize (World Cinema) and Cannes’ Documentary Prize. Directed by Shaunak Sen, the documentary follows two brothers in Delhi on their journey to protect a bird known as the black kite in an urban environment overrun with pollution and civil violence.

New York city Delhi Sundance 2022 Cannes 2022

Pedro Almodóvar Responds To Viggo Mortensen’s Comments On Cronenberg Cannes Jury Snub Rumor: “I Am Not To Blame”

Last week at the Cannes Film Festival, Viggo Mortensen addressed a longstanding rumor about his “Crimes Of The Future” director David Cronenberg. The story goes that in 1999 when Cronenberg headed the Cannes Jury, he “deprived” Pedro Almodóvar‘s “All About My Mother” to award the Palme d’Or to the Dardennes‘ “Rosetta.” In an interview with Indiewire’s Eric Kohn, Mortensen called the rumor “bullshit” and claimed the Palme vote for “Rosetta” was not only the fastest one ever but also unanimous.

Pedro Almodovar Viggo Mortensen David Cronenberg Eric Kohn Cannes 2022

Cannes 2022: ‘Triangle of Sadness’ Wins The Palme d’Or [Full Winners List]

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was a familiar winner striking gold again. For the second time in five years, director Ruben Östlund won the coveted Palme d’Or for his English-language debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square” and beat out eighteen other films to win this year’s top prize.

Ruben Ostlund Cannes Film Festival Cannes 2022 Triangle of Sadness

‘Butterfly Vision’: Maksym Nakonechnyi’s Debut Is A Relevant, Resilient Ukrainian Drama [Cannes]

Though shot and set prior to the Russian invasion, by dint of being a Ukrainian picture detailing the aftermath of a woman soldier’s assault in the Donbas, “Butterfly Vision” lays claim to uniquely wretched timeliness at this year’s Cannes. What is an impressive if formally flawed first film from Maksym Nakonechnyi earns some emotional weight vis-a-vis present events: the Ukrainian flags of blue and white, flown with unsparing pride across Nakonechnyi’s images, bear the immediate frisson of beleaguered resistance, and that women Stateside presently face unprecedented threats to their bodily autonomy only compounds the miserable resonance.

Cannes Film Festival Maksym Nakonechnyi Ukraine Russia Cannes 2022

‘Next Sohee’: Doona Bae Can’t Really Save July Jung’s Look At Worker Exploitation [Cannes]

Filmmakers seeking to denounce the crushing effects of capitalism often seem to rely on the excuse that if their films aren’t subtle, it’s because capitalism itself isn’t either. But such systems of exploitation probably wouldn’t still be around if, on top of having (very visible, obvious, violent) power on their side, the powers that be didn’t perniciously plant their hooks into the minds and hearts of their victims, making them do most of the work for them.

Cannes Film Festival Kim Si Cannes 2022

‘Leila’s Brothers’ Review: A Beautiful Drama About Family Ties [Cannes]

This year’s dark horse in competition at Cannes is easily “Leila’s Brothers,” Iranian writer-director Saeed Roustaee’s third feature and worthy follow-up to his intense 2019 cop thriller “Just 6.5.” With hints of “The Godfather” and Arthur Miller evident throughout, the drama is a sprawling tale exploring dysfunctional family dynamics, economic hardships, and generational wealth. READ MORE: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch “Leila’s Brothers” follows the lives of a Tehran family as they struggle to stay afloat amidst financial hardships and complicated familial relationships.

Cannes Film Festival Taraneh Alidoosti Saeed Roustaee county Miller county Arthur Iran city Tehran Cannes 2022

‘Close’ Is A Exquisite Tale Of Childhood Heartbreak [Cannes Review]

CANNES – Lukas Dhont’s second feature, “Close,” starts off where most love stories end, and, in that respect, it begins with almost euphoric joy. Leo (Eden Dambrine) and Remi (Gustav De Waele) are the best of friends.

Lukas Dhont Gustav De-Waele Cannes 2022 Close

‘Nostalgia’ Review: Mario Martone’s Formally Stunning Film Shows Naples In A Different, Touching Light

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

Cannes Film Festival Pierfrancesco Favino Mario Martone Italy city Naples nostalgia Cannes 2022

Guillermo Del Toro At Cannes On “Pernicious” Streaming & Cinema’s Future: “Break The Machine From The Inside”

Guillermo del Toro doesn’t have a new film at the Cannes Film Festival, but the director was on the French Riviera this week as part of a symposium on the current state of cinema. And he had some choice words about movies in the age of streaming.

Guillermo Del Toro France film Cannes 2022

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes]

In the late 19th century, two French psychiatrists coined the term “folie à deux,” literally translated as madness for two, to describe what is now widely referred to as shared psychotic disorder, or when two — or more — people transmit delusional beliefs and occasional hallucinations to one another. The condition is most common in people closely related, who live in intimate proximity, and has been lengthily dissected by academics.

Cannes Film Festival Agnieszka Smoczynska Britain France Cannes 2022

‘Godland’ Review: Hlynur Pálmason’s Hypnotic, Spiritual, Slow-Cinema Look At 19th Century Iceland [Cannes]

As countries go, Iceland is probably one of the most fast-changing in terms of its biological make up, its intense volcanic activities reshaping its surface and contours at a speed fast enough to be perceived within a single generation. Paradoxically, it is also a place where time appears to stand still, with the sun omnipresent for half the year and absent for the rest.

Cannes Film Festival Hlynur Palmason Iceland Denmark Cannes 2022

Ruben Östlund Says His Next “Air Rage” Film Stars Woody Harrelson & Is Called, ‘The Entertainment System Is Down’

Swedish director Ruben Östlund‘s already won one Palme d’Or at the Cannes Film Festival; in 2017 for “The Square.” And while he’s back in Cannes again this year with “Triangle Of Sadness” to try and win another, he already has his next film in mind, with Woody Harrelson set to star for him again. READ MORE: ‘Triangle Of Sadness’ Review: Ruben Östland’s Falters In This Broad Class Satire [Cannes] In an interview with Variety, Östlund gave details about the new project, including its title and premise.

Ruben Ostlund Woody Harrelson Sweden Cannes 2022 Triangle of Sadness

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes]

Based on her own time spent in the acting school Les Amandiers, Valeria Bruni Tedeschi’s “Forever Young” aims to recreate a very specific time and place both in her life and in France, more than it cares to inform her audience about what, exactly, was so special about this school. Funded in the 1980s by Patrice Chéreau, a successful and daring director of theatre, opera and film, Les Amandiers did not last very long but for a few years it was considered to be one of the most exciting places in France and even Europe for young actors to develop their crafts, and for directors to find new talent.

Cannes Film Festival Patrice Chéreau Valeria Bruni Tedeschi Valeria Bruni-Tedeschi France Cannes 2022

Cannes 2022: Last News

‘Final Cut’ Clip: Michel Hazanavicius Brings His Own Spin To Meta-Comedy [Exclusive]

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