Cannes 2022 - celebsbar.com

The attitudes around remakes ebb and flow depending on what audiences see coming out of Hollywood. Some people love remakes, some people hate them, and some people see them as necessary to fund a more original project.

Michel Hazanavicius Bérénice Bejo Romain Duris Final Cut Cannes 2022

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes]

In the late 19th century, two French psychiatrists coined the term “folie à deux,” literally translated as madness for two, to describe what is now widely referred to as shared psychotic disorder, or when two — or more — people transmit delusional beliefs and occasional hallucinations to one another. The condition is most common in people closely related, who live in intimate proximity, and has been lengthily dissected by academics.

Cannes Film Festival Agnieszka Smoczynska Britain France Cannes 2022

‘Godland’ Review: Hlynur Pálmason’s Hypnotic, Spiritual, Slow-Cinema Look At 19th Century Iceland [Cannes]

As countries go, Iceland is probably one of the most fast-changing in terms of its biological make up, its intense volcanic activities reshaping its surface and contours at a speed fast enough to be perceived within a single generation. Paradoxically, it is also a place where time appears to stand still, with the sun omnipresent for half the year and absent for the rest.

Cannes Film Festival Hlynur Palmason Iceland Denmark Cannes 2022

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes]

Based on her own time spent in the acting school Les Amandiers, Valeria Bruni Tedeschi’s “Forever Young” aims to recreate a very specific time and place both in her life and in France, more than it cares to inform her audience about what, exactly, was so special about this school. Funded in the 1980s by Patrice Chéreau, a successful and daring director of theatre, opera and film, Les Amandiers did not last very long but for a few years it was considered to be one of the most exciting places in France and even Europe for young actors to develop their crafts, and for directors to find new talent.

Cannes Film Festival Patrice Chéreau Valeria Bruni Tedeschi Valeria Bruni-Tedeschi France Cannes 2022

‘Rodeo’ Review: Striking Newcomer Julie Ledru Kickstarts A Thrilling, But Sometimes Too-Conventional Debut [Cannes]

It’s hard not to sound like a cynical, world-weary film critic when complaining about seemingly small things such as the way many independent French dramas these days open with a sequence showing people fighting and shouting at each other. But the technique of stunning the audience and capturing their attention with a loud, conflictual scene is becoming a tired trope that, if filmmakers aren’t careful, can seem more like a superficial shortcut to gritty realism than anything truly rooted in the characters’ reality.

Lola Quivoron Julie Ledru France Cannes 2022 Rodeo

‘Tchaikovsky’s Wife’ Review: Kirill Serebrennikov’s Historical Melodrama Is a Repetitive Tale Of A Toxic Marriage [Cannes]

Returning to Cannes a year after his feverish drama “Petrov’s Flu” hit the Croisette, Kirill Serebrennikov can finally attend the festival in person after recently being free from years of house arrest. Debuting in competition, his latest offering, “Tchaikovsky’s Wife,” is a slow-burn historical drama that never manages to escape from being a bore despite its seemingly intriguing premise.

Cannes Film Festival Kirill Serebrennikov Russia Cannes 2022

‘Holy Spider’ Trailer: Ali Abbasi’s Crime Thriller Tracks A Serial Killer In Iran

By now, you’re hopefully familiar with Ali Abbasi’s“Holy Spider” film premiering at the 2022 Cannes Film Festival. We premiered exclusive photos last weekend, a clip from the film was released and now a full trailer from the film has been released in what feels like a sure sign that the producers of the film are very confident about it.

Cannes Film Festival Ali Abbasi Sweden Denmark Iran Cannes 2022

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