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26.01.2024 / 16:07

EXCLUSIVE: Tilda Swinton, the Academy Award- and BAFTA Award-winning actress most recently seen in yet another indelible role in David Fincher’s Netflix hitman pic The Killer, has signed with CAA.

David Fincher Bong Joon Ho Tilda Swinton Julianne Moore Luca Guadagnino Pedro Almodovar Michael Clayton Derek Jarman Jim Jarmusch Julio Torres Edward Ii II (Ii) Joanna Hogg Hamilton Hodell Venice Film Joshua Oppenheimer Britain actress awards information google Provident Enterprise

Tilda Swinton Talks Finding Magic and Experimentation In Big Studio Pictures – Marrakech In Conversation

Tilda Swinton famously cut her acting teeth on the experimental films of late director Derek Jarman such as Caravaggio and The Garden as well as life-long friend Joanna Hogg’s debut short Caprice and Sally Potter’s Orlando.

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BFI Sets Major Powell and Pressburger Retrospective

Naman Ramachandran The BFI has set a major U.K.-wide film celebration of one of the greatest and most enduring filmmaking partnerships in the history of cinema: Michael Powell (1905-1990) and Emeric Pressburger (1902-1988), best known for iconic films including “The Red Shoes” (1948), “A Matter of Life and Death” (1946) and “Black Narcissus” (1947), the latter of which premiered on Wednesday at Bologna’s Piazza Maggiore as part of Il Cinema Ritrovato, screening from a new 35mm print made by the BFI. From Martin Scorsese to Matthew Bourne, Kate Bush to Tilda Swinton, Powell and Pressburger have influenced creatives for decades and this is the largest and most wide-ranging exploration ever undertaken about the work of the legendary writer-producer-director team. The celebration will kick off this fall with the BFI Distribution re-release of “I Know Where I’m Going” (1945), recently restored by the BFI National Archive and The Film Foundation.

Martin Scorsese Tilda Swinton Derek Jarman Manolo Blahnik Sally Potter Matthew Bourne Kate Bush Michael Powell Emeric Pressburger Britain county Major film beautiful audience art experts Celebrity Matthews

‘She disappears or goes blank like Garbo’: the enigma of Tilda Swinton

Memoria, Wes Anderson’s The French Dispatch and Joanna Hogg’s The Souvenir Part II. She’ll shortly be seen opposite Idris Elba in George Miller’s oddball romantic fantasy Three Thousand Years of Longing, with further collaborations with Hogg (The Eternal Daughter) and Anderson (Asteroid City) set to premiere before the year is out, along with a voice role in Guillermo del Toro’s animated Pinocchio.

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Cannes Review: Mark Jenkin’s ‘Enys Men’

Mark Jenkin’s 2019 film Bait had the rare distinction of being a genuine out-of-the-blue discovery, featuring heavily on UK critics’ year-best lists after a modest arthouse release by the BFI. The black-and-white film’s experimental style was emphasized in all its press coverage, nodding to avant-garde auteurs like Stan Brakhage, Derek Jarman and Guy Maddin — all directors who are interested in the literal grain of film and video (indeed, Jenkin reportedly developed the negative with coffee and washing soda then distressed the image by hand). Throw in post-synch sound, and you have a film more likely to screen to two people and a dog at a smoky underground 1960s cine-club than win a BAFTA.

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Sandy Powell’s Signed Oscars Suit Is Up for Auction for an Artistic Cause (Guest Column)

I dropped out of art school in 1980 to go work with Lindsay Kemp, who I had heard of because he had worked with David Bowie through the Ziggy Stardust phase. I met him, approached him and said I wanted to work with him.

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