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Nicole Midori Woodford’s feature debut “Last Shadow at First Light,” which world premieres at the New Directors strand of the San Sebastian Film Festival. The film is in competition for the New Directors Award.

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Anurag Kashyap-Backed Indian Drama ‘Tiger’s Pond’ Lands at Loco Films Ahead of Berlinale Bow (EXCLUSIVE)

Naman Ramachandran French sales outfit Loco Films has acquired international rights to “Tiger’s Pond” (Vagachipani), the latest film championed by celebrated Indian auteur Anurag Kashyap. The dark crime drama, directed by emerging filmmaker Natesh Hegde, is set to make its world premiere at the Berlin Film Festival‘s Forum strand. Kashyap, whose producing credits include festival favorites like “The Lunchbox,” backs the project alongside Singapore-based producer Jeremy Chua (Cannes winner “Inside the Yellow Cocoon Shell”) and producer Ranjan Singh (Cannes selection “Kennedy”).

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Indian Refugee Drama ‘The Clouds Woke No Clocks’ Boarded by German, Singapore Producers, Cast Unveiled (EXCLUSIVE)

Naman Ramachandran Christoph Thoke’s Mogador Film, Sebastian Popp’s Stoked Film (both Germany) and Jeremy Chua‘s Potocol (Singapore) have joined forces to back “The Clouds Woke No Clocks,” a refugee drama from Indian filmmaker Aniket Dutta. The project will be led by Indian producer Roshni Sen and Dutta’s Empty Video banner.

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Jafar Panahi to Receive Cinema Honorary Award, ‘Stranger Eyes’ to Open 35th Singapore Film Festival

Naman Ramachandran Iranian cinema icon Jafar Panahi will mark the lifting of his 14-year travel ban by attending the 35th Singapore International Film Festival (SGIFF). The festival’s lineup spotlights rising Singaporean talent and international auteurs.

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Busan Competition Film ‘MA – Cry of Silence’ Picked up by Alpha Violet

Patrick Frater Asia Bureau Chief “MA – Cry of Silence,” a topical drama film from Myanmar, which will debut in the Busan festival’s New Currents main competition, has been picked up by Franco-Japanese sales firm Alpha Violet. With Myanmar’s civil war now in its third year, the film tracks Mi-Thet, a young Burmese woman employed in a garment factory in Yangon. For the past two months, wages have not been paid and a group of female workers, led by the young Nyein-Nyein, get organized to claim.

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China, Macau Talent Unveil Dozen Film Projects at Marco Mueller’s Festival of Young Cinema

Patrick Frater Asia Bureau Chief Chinese director Huo Meng, Taiwanese actor Lee Hong-chi and Macau-based Maxim Bessmertny are among a dozen emerging East Asian talent who will present feature film projects and works in progress at the Festival of Young Cinema (Asia-Europe). The inaugural edition of the festival, running Jan.

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Singapore’s Nicole Midori Woodford On Hauntings & Echoes Of Trauma In ‘Last Shadow At First Light’ – APSAs

Singaporean writer-director Nicole Midori Woodford is on a roll with her debut feature, Last Shadow At First Light, which premiered in New Directors at San Sebastian film festival and has two nominations at the Asia Pacific Screen Awards (APSAs) for best screenplay and best performance (Mihaya Shirata).

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Philippines, Indonesian Projects Receive Fall Grants From Thailand’s Purin Pictures

Naman Ramachandran Bangkok-based film fund Purin Pictures will disburse $140,000 to three Philippines and one Indonesian film as part of its fall grants. The Purin committee has chosen three fiction and one documentary projects for production support and one documentary project for post-production support. “The Remotes” is John Torres’ first fiction film after two decades of making documentaries.

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Jeremy Chua, Leading Indie Producer, to Be Honored at Asia Pacific Screen Awards – Global Bulletin

Patrick Frater Asia Bureau Chief Dynamic Singaporean producer Jeremy Chua is to receive the FIAPF Award for Outstanding Contribution to Asia Pacific Cinema, at the Asia Pacific Screen Awards (APSA) on Nov. 3 on Australia’s Gold Coast.

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Golf and ‘Love/Hate Relationship’ With Philippines Feature in Busan Asian Project Market Selection ‘Filipinana’

Naman Ramachandran Celebrated Singaporean producer Jeremy Chua and emerging Philippines talent Rafael Manuel have teamed on “Filipinana,” a selection at the Busan International Film Festival‘s Asian Project Market this year. The film will follow 17-year-old girl Isabel, who spends her whole day teeing-up balls for golfers at a country club.

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Koji Fukada, Makbul Mubarak & Rima Das Among Filmmakers With New Works Selected For Busan’s Asian Project Market

Busan International Film Festival has announced the 30 projects selected for this year’s Asian Project Market (APM), including new projects from leading Asian filmmakers such as Japan’s Koji Fukada, Indonesia’s Makbul Mubarak and India’s Rima Das.

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Makbul Mubarak, Fukada Koji and Rima Das to Pitch New Films at Busan’s Asian Project Market

Patrick Frater Asia Bureau Chief The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October. APM organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions. India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji (“Love Life,” “Harmonium”) will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.” Among the successful producers adding their weight to APM contenders are: Patrick Mao Huang (“Moneyboys,” “Tiger Stripes”) selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua (“Inside the Yellow Cocoon Shell,” “Autobiography”), pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia (“A Land Imagined,” “Tiger Stripes”) pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.” The project market and the Asian Contents & Film Market are both scheduled to operate Oct.

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Philippines’ Fire and Ice Strikes Twin Deals With Potocol, ‘Inside the Yellow Cocoon Shell’ Producer (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Recently-established Philippines-based production and financing company, Fire and Ice, has deals to provide completion funding to two films being produced by prolific Singapore-based independent producer Potocol. Under a related agreement, Fire and Ice has also struck a multi-faceted first-look deal with Potocol. The completion funding, which gives Fire and Ice a share of the film’s equity, will permit the completion of post-production of upcoming Potocol titles: “Pierce,” a sports drama by Nelicia Low, and “Last Shadow at First Light,” by Nicole Midori Woodford. Both films were recently showcased at Focus Asia’s Far East In Progress, part of the Far East Film Festival in Udine, and are expected to be completed before the end of the year.

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‘Inside the Yellow Cocoon,’ Vietnam Film in Cannes Unveils Trailer, Sets Buyer Screenings (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Glossy drama film, “Inside the Yellow Cocoon,” has unveiled its first trailer ahead of its world premiere this month in the Directors’ Fortnight section at Cannes. Its world sales representative, Cercamon will give the picture a market launch with a buyers-only screening on May 16. The anticipated Vietnamese-Singapore co-production is the debut feature by Pham Thien An and is eligible for the Camera d’Or prize. Its narrative follows a man whose sister-in-law is killed in a freak motorcycle accident in Saigon. He is tasked with delivering her body back to their countryside hometown. It is a journey on which he also takes his young nephew, who miraculously survived the crash. Amidst the mystical landscapes of rural Vietnam, the man begins a search for his older brother who vanished years ago in order to be able to hand over the boy. His pursuit, interrupted by magical dreams and forbidden desires, leads him to question what is worth living for.

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Berlinale Selection ‘Tomorrow is a Long Time’ Producer Potocol Reveals Diverse Slate (EXCLUSIVE)

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

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‘Autobiography’: Watch First Trailer for Venice, Toronto Selection (EXCLUSIVE)

Naman Ramachandran Indonesia’s Makbul Mubarak is making quite a splash with his debut feature “Autobiography,” which is world premiering at Venice’s Horizons strand and then playing at Toronto’s Contemporary World Cinema section. The film, which examines the effects of Indonesia’s military dictatorship on the country’s youth, follows a young man torn between loyalty and justice who confronts the truth of his father figure — a retired general — that may destroy them both. Mubarak, film critic-turned-filmmaker and a Berlinale Talents and Asian Film Academy alumni, previously directed acclaimed short films “The Dog’s Lullaby” (2016), “Malediction” (2017) and “A Plastic Cup of Tea Before Her” (2018).

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