Carlo Francisco Manatad: Last News

Patrick Frater Asia Bureau ChiefThe Osaka Asian Film Festival has unveiled its biggest ever program – a total of 76 films – to unspool next month (March 10-20, 2022).Its competition section includes the acclaimed Korean debut film “Aloners,” which offers an exacting critique of the alienating effects upon life of modern capitalist economies; Hong Kong biopic “Anita”; the world premiere of “Angry Son,” which combines LGBT and mixed race themes in a heartwarming comedy; Kong Dashan’s new take on “Journey to the West,” as a ragtag group of people on a UFO hunt; “Mama’s Affair,” the second film by Kearen Pang, whose 2017 debut “29+1” won Osaka’s audience award, “No Land’s Man” from Mostofa Sarwar Farooki and festival circuit hit “Barbarian Invasion.” The spotlight section includes ten titles. Among them are “The Ground Beneath her Feet” from Bangladesh’s Mohammad Rabby Mridha; “A Room of Her own” from China’s Xie Yiran; and Carlo Francisco Manatad’s “Whether the Weather is Fine.”The largest component section is the twenty-title Indie Forum, a platform for Japanese indie films that allow the winner to claim the Japan Cuts Award.

Patrick Frater Asia Bureau Chief Governments and agencies across Asia are taking steps to expand and extend the cross-border film coproduction movement. A seminar called ‘From Eurasia to Global Collaboration’ on Thursday, the third day of the Taiwan Creative Content Fest, represented a handy recap of funding and structural developments from four countries: The Philippines, Indonesia, Malaysia and Turkey. Alex Sihar, from Indonesia’s directorate of culture, part of the ministry of education, described an ongoing process intended to put the industry on a more professional footing. “While we have a long history of filmmaking and a very diverse culture, our films until recently have had very little international exposure, there has been little knowledge transfer and no incentives for location shooting or co-production.” Film policy was previously stretched across multiple ministries, but is now to be overseen by a film department under the education ministry, which is newly separated from educational matters.Co-productions are to be further encouraged and the country’s matching fund (which doubles up on funding available from the likes of the World Cinema Fund, TAICCA and Purin Pictures) is likely to be expanded. Indonesia is also a founder member of the Asian Film Alliance Network (AFAN, alongside Mongolia, Singapore, Taiwan, The Philippines, South Korea and Malaysia). Marylo Christine H.

Naman Ramachandran Netflix has acquired Indonesian filmmaker Yosep Anggi Noen’s festival favorite film “24 Hours with Gaspar.” Adapted from a detective novel of the same title that was published in 2017 by Sabda Armandio, “24 Hours with Gaspar” follows the life of private detective Gaspar, who has only 24 hours to live. He discovers clues leading to the mysterious disappearance of Kirana, a childhood friend, and later to Wan Ali, who’s involved in a human trafficking syndicate.

Naman Ramachandran A first trailer has been unveiled for Indonesian filmmaker Yosep Anggi Noen’s “24 Hours With Gaspar.” The film will world premiere at the Busan Film Festival where it is in the prestigious Jiseok competition. Set in 2032 and based on the novel of the same name by Indonesian author Sabda Armandio, the film follows Gaspar, a private detective with 24 hours to live, who finds clues about the mysterious disappearance of Kirana, his childhood friend.

Naman Ramachandran Prolific Indonesian producer KawanKawan Media, which has Makbul Mubarak’s “Autobiography” in competition at the Venice Film Festival’s Horizons strand, has a raft of projects on its slate. The company, led by Yulia Evina Bhara, scored a hat trick of wins at Locarno over the last few years with Yosep Anggi Noen’s “The Science of Fictions” (2019), Carlo Francisco Manatad’s “Whether the Weather Is Fine” (2021) and Ming Jin Woo’s “Stone Turtle” (2022), and won an award at CPH:DOX for Fanny Chotimah’s documentary “You and I” in 2020. Noen’s “Gaspar,” which is set in the Javanese city Semarang in 2032 and is an adaptation of Sabda Armandio’s novel “24 Hours of Gaspar,” has just wrapped production. It stars Reza Rahadian, Shenina Cinnamon, Laura Basuki, Sal Priadi, Kristo Immanuel and Dewi Irawan.

Naman Ramachandran Indonesia’s Makbul Mubarak is making quite a splash with his debut feature “Autobiography,” which is world premiering at Venice’s Horizons strand and then playing at Toronto’s Contemporary World Cinema section. The film, which examines the effects of Indonesia’s military dictatorship on the country’s youth, follows a young man torn between loyalty and justice who confronts the truth of his father figure — a retired general — that may destroy them both. Mubarak, film critic-turned-filmmaker and a Berlinale Talents and Asian Film Academy alumni, previously directed acclaimed short films “The Dog’s Lullaby” (2016), “Malediction” (2017) and “A Plastic Cup of Tea Before Her” (2018).