Nicole Midori Woodford - celebsbar.com

The Gospel Of The Beast, directed by the Philippines’ Sheron Dayoc, picked up the Golden Star Award for Best Southeast Asian Film at the first edition of the Ho Chi Minh City International Film Festival (HIFF) in Vietnam.

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Brillante Mendoza, Samuel Jamier Film Projects Heat up Fire and Ice Production Slate (EXCLUSIVE)

Brillante Mendoza and the directorial debut of New York Asian Film Festival director Samuel Jamier adorn the 2025 production slate of Philippines label Fire and Ice Media. The company is headed by Liza Diño-Seguerra, a former actor and previous head of the Film Development Council of the Philippines. The company’s recent collaborations include a minority stake in Nicole Midori Woodford’s “Last Shadow at First Light” (a collaborative project spanning Japan, Singapore, the Philippines, Indonesia, and Slovenia) that premiered at the San Sebastian festival, and co-production “Blue Imagine,” by Urara Matsubayashi which had its world premiere at the Rotterdam festival.

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Stormy Daniels Documentary Being Launched by Blue Ant Media – Global Bulletin

Patrick Frater Asia Bureau Chief “Stormy,” a documentary about former porn star Stormy Daniels, has been picked up by Blue Ant Studios for international distribution. The launch was announced on Monday, the same day that former U.S. president Donald Trump begins a criminal trial in New York for allegedly covering up hush money payments to Daniels. “Stormy,” offered as two one-hour episodes or a two-hour feature, is produced by Emmy-nominated producers Erin Lee Carr (“I Love You,” “Now Die: The Commonwealth v.

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Singaporean Filmmakers Look to Brighter Future, Beyond Current Box Office Gloom – SGIFF

Naman Ramachandran One of the most popular events at the 34th Singapore International Film Festival (SGIFF) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges. Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively.

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‘Autobio Pamphlet’ and ‘13 Bombs in Jakarta’ to Open and Close Jogja-NETPAC Asian Film Festival

Patrick Frater Asia Bureau Chief “Auto-bio Pamphlet,” a Marathi-language film that is both a love story and a rage against class divisions, will open the 18th edition of the Jogja-NETPAC Asian Film Festival later this month. The festival will close with the world premiere of spy thriller “13 Bombs in Jakarta.” JAFF run Nov.

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Fan Bingbing to Receive Cinema Icon Award at Singapore Film Festival

Naman Ramachandran Chinese superstar actor and producer Fan Bingbing will be the 2023 recipient of the Singapore International Film Festival‘s (SGIFF) Cinema Icon Award. The festival will screen three of Fan’s films, curated by her – the recent “Green Night,” “Buddha Mountain” and “Double Xposure” – and the star will walk the red carpet on opening night, Nov. 30.

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Malaysia’s ‘Tiger Stripes’ Set as Singapore Film Festival Opening Title – Global Bulletin

Patrick Frater Asia Bureau Chief “Tiger Stripes,” the Malaysian coming-of-age, body horror film that debuted in Cannes’ Critics Week section has been set as the opening title for this year’s Singapore International Film Festival (Nov. 30 – Dec.

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China’s Pingyao International Film Festival To Open With ‘Only The River Flows’, Close With World Premiere Of ‘Football On The Roof’

China’s Pingyao International Film Festival has announced the line-up for its seventh edition (October 11-18), which will open with Wei Shujun’s Only The River Flows and close with the world premiere of Fei Yu’s Football On The Roof.

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Philippines’ Fire and Ice Strikes Twin Deals With Potocol, ‘Inside the Yellow Cocoon Shell’ Producer (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Recently-established Philippines-based production and financing company, Fire and Ice, has deals to provide completion funding to two films being produced by prolific Singapore-based independent producer Potocol. Under a related agreement, Fire and Ice has also struck a multi-faceted first-look deal with Potocol. The completion funding, which gives Fire and Ice a share of the film’s equity, will permit the completion of post-production of upcoming Potocol titles: “Pierce,” a sports drama by Nelicia Low, and “Last Shadow at First Light,” by Nicole Midori Woodford. Both films were recently showcased at Focus Asia’s Far East In Progress, part of the Far East Film Festival in Udine, and are expected to be completed before the end of the year.

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Berlinale Selection ‘Tomorrow is a Long Time’ Producer Potocol Reveals Diverse Slate (EXCLUSIVE)

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

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Nicole Midori Woodford Wraps ‘Last Shadow’ After Japan, Singapore Shoot

Patrick Frater Asia Bureau ChiefProduction has wrapped in both Singapore and Japan on Nicole Midori Woodford’s supernatural art house drama “Last Shadow at First Light.” It stars Nagase Masatoshi, Tsutsui Mariko (“Harmonium,” “A Girl Missing”), Peter Yu (“A Land Imagined”) and newcomer Shirata Mihaya.The story examines the intangible nature of trauma and the ripples of its aftermath through 16-year-old Ami (Shirata) who is haunted by visions.“This is a film borne out of darkness and loss, of a family’s frailties, set in both Singapore and Japan. Shooting between two countries, I hope to capture the diverse mise-en-scene from the urban cities to the vast transformed landscapes my characters are lost within.

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