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Naman Ramachandran Singapore-born filmmaker Nelicia Low’s feature debut “Pierce” is making waves on the festival circuit, securing the best director award at Karlovy Vary and earning a spot at the Busan International Film Festival. The film draws deeply from Low’s personal experiences as both a former national fencer and sister to an autistic sibling. “Pierce” follows Zijie, a young fencer who reconnects with his estranged older brother Zihan after Han’s release from seven years in juvenile prison for killing an opponent during a fencing competition.

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Singapore’s ‘I Can See Your Voice’ Adaptation Spotlights Star Power and Sleuthing Skills

Naman Ramachandran Singapore’s adaptation of South Korean hit game show “I Can See Your Voice” invites viewers to solve a musical mystery alongside some of the nation’s most beloved entertainers. The show enlists resident celebrity detectives Benjamin Kheng, Gurmit Singh, Najip Ali and Xixi Lim to assist — or mislead — contestants in their decisions. The series is the latest addition to the global franchise, which originated in South Korea and has been adapted in over 30 countries, including the U.S., U.K., Thailand and the Philippines.

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Colonial Botanical Thriller ‘Isle of Ease,’ Backed By Singapore’s IMDA, Launches at Mipcom (EXCLUSIVE)

Naman Ramachandran Singapore’s Peddling Pictures, the production company behind award-winning docu-series “Riot Island,” is presenting its new six-part fiction series “Isle of Ease” at Mipcom. Backed by Singapore’s Infocomm Media Development Authority (IMDA), the crime thriller is set in 1920s Singapore and follows a rookie detective investigating a murder on an offshore penal colony in Malaya, uncovering a secret botanical experiment in the process. The series draws inspiration from a real-life prison experiment conducted by British colonial administration in 1960s Singapore.

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Cannes, Locarno Winners’ Projects Among Singapore Company Momo’s Berlin Co-Production Market Slate (EXCLUSIVE)

Naman Ramachandran Singapore’s Momo Film Co has unveiled a six-film slate that includes projects from recent prize-winners at Cannes and Locarno. Momo is one of five outfits selected at the 2024 Berlinale Co-Production Market‘s company matching program. Fresh off two wins at Locarno 2023 for Nelson Yeo’s debut feature “Dreaming & Dying,” Momo is continuing its relationship with the Singaporean filmmaker for his sophomore feature “The Drought,” a dark comedy-horror film set in the time of a drought.

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Singapore-Spain Animation Co-Production ‘The Violinist’ Launches at ATF

Naman Ramachandran Singapore‘s Robot Playground Media (RPM) and Valencia-based co-producer TV ON Producciones (TOP) have commenced production on animated feature film “The Violinist,” it was revealed at the Asia TV Forum and Market. The film was unveiled at a presentation attended by the representatives of Singapore’s Infocomm Media Development Authority (IMDA) and the Spanish Embassy in Singapore.

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Singapore’s Mediacorp Debuts in Virtual Production With Chinese Dramas ‘Once Upon a New Year’s Eve,’ ‘Strangers in the Dark’ – ATF

Naman Ramachandran Singapore‘s Mediacorp has begun introducing virtual sets into its scripted content, starting with two Chinese drama series, it was revealed during the ongoing Asia TV Forum & Market (ATF). “Strangers in the Dark” is about an outcast in school, who uses her vivid imagination to help solve various mysteries.

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‘Asia’s Next Top Model’ Outfit Refinery Media Launches Fund for Virtual Productions

Naman Ramachandran Singapore’s Refinery Media has launched a global co-production fund that will allocate up to 50% of production budgets for projects exploring the use of virtual production in films, series and unscripted shows. The fund was revealed at Singapore’s Asia TV Forum and Market. “Asia’s Next Top Model,” “SupermodelMe Revolution” and “The Century Egg” are among Refinery’s previous credits.

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Singapore Sets $52 Million AI Initiative to Develop Southeast Asian Large Language Models

Naman Ramachandran Singapore’s Infocomm Media Development Authority (IMDA) is teaming with AI Singapore and the Agency for Science, Technology and Research to launch the S$70 million ($52.3 million) National Multimodal LLM Program (NMLP). The initiative, funded by Singapore’s National Research Foundation, will develop the country’s research and engineering capabilities in multi-modal large language (LLM) models. It will help to plug a critical gap because current LLM models are heavily Western originated.

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MM2, Man Man Er, Million Star Team on ‘Tales of Mystery’ Series — FilMart

Naman Ramachandran Singapore-based media and entertainment company mm2 Asia and Taiwan’s Man Man Er are starting development on series ”Tales of Mystery” (working title), a series borne from the strategic partnership of the pair with Taiwanese intellectual property company Million Star (Huaxing) Entertainment, which was revealed in December 2022. The series was announced at Hong Kong’s ongoing FilMart market. The project is adapted from the bestselling supernatural book series of the same name by popular Taiwanese writer Teensy, who is also the author and creator of “Agent From Above,” which has been adapted into a series for Netflix by mm2.

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Mostofa Sarwar Farooki’s ‘Saturday Afternoon’ Scores U.S., Canada Release with CEPL, Reliance Entertainment (EXCLUSIVE)

Naman Ramachandran Singapore-based film marketing and distribution firm Continental Entertainment Pte. Ltd. (CEPL), which holds global distribution rights for Bangladeshi auteur Mostofa Sarwar Farooki’s “Saturday Afternoon,” will release the film in the U.S. and Canada through Reliance Entertainment. The Bengali-and-English-language film takes its cue from the brutal terrorist attack on the Holey Artisan Bakery in Dhaka in 2016, which took place on a quiet Saturday afternoon and left more than 20 people dead. It had considerable festival play, winning awards at Fukuoka, Moscow and Vesoul. The film was initially banned and had finally been cleared for release in January after a four year struggle with the Bangladesh Film Censor Board. However Bangladesh’s Ministry of Information and Broadcasting appears to have taken a U turn and the situation remains fluid. Consequently, the film will open in the U.S. and Canada on March 10 before its Bangladesh release. It will also be released in other countries in subsequent months.

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Singapore-India Gender Focused Company Mumba Devi Sets ‘Grand Sugar Daddy’ EFM Screening, Unveils Slate (EXCLUSIVE)

Naman Ramachandran Singapore and India-based Mumba Devi Motion Pictures is screening two films at Berlin’s European Film Market (EFM) and has unveiled a slate of future titles. The company, headed by producer Sweta Chhabria and producer-director Aditya Kripalani, makes issue-based films focusing on stories that are mostly to do with gender and burning topics like suicide prevention and mental health. The outfit makes it a point to minimize the male gaze by bringing on board heads of department who are all women. Kripalani and Chhabria’s just-completed Singapore-set film “Grand Sugar Daddy,” which has its market premiere at EFM on Feb. 18, follows a 70-year-old widower who is introduced to the world of Sugar Daddies and Sugar Babies. The film traces his conversations with a Singaporean Chinese woman, an Indian woman and a transgender Malay.

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Berlinale Selection ‘Tomorrow is a Long Time’ Producer Potocol Reveals Diverse Slate (EXCLUSIVE)

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

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Singapore’s Momo Boards ‘Andragogy,’ ‘A Useful Ghost,’ ‘Dreaming & Dying’; ‘Don’t Cry, Butterfly’ Finds U.K. Funding – Busan ACFM (EXCLUSIVE)

Naman Ramachandran Singapore’s Momo Film Co has boarded a raft of projects, it was revealed on the opening day of the Busan Asian Contents & Film Market on Saturday. Momo, in which Blue Ant Media’s Beach House Pictures has a majority stake, was founded in 2018 by writer-director Kris Ong (“Sunday”) and Tan Si En, who is a co-producer on Busan and Locarno title “Arnold is a Model Student.” Tan has boarded “Andragogy” by Wregas Bhanuteja (Cannes winner “Prenjak,” Busan 2021 title “Photocopier”) as a co-producer. The film will follow Prani, a middle-aged schoolteacher, whose angry video goes viral and she gets trolled online. Adi Ekatama is producing for Indonesia’s Rekata Studio (“Photocopier”).

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