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Animated Feature ‘The Peasants,’ Followup to Oscar Nominee ‘Loving Vincent,’ Sells to Several Further Territories (EXCLUSIVE)
Leo Barraclough International Features Editor New Europe Film Sales has closed several further distribution deals for animated feature “The Peasants,” the followup to Oscar nominee “Loving Vincent,” which grossed more than $50 million at the global box office. New sales include Benelux (Paradiso), the former Yugoslavia (MCF Megacom), Hungary (Vertigo), Portugal (Outsider Films), Turkey (Birfilm) and Scandinavia (Another World Entertainment). The company is in negotiations with buyers in Spain and the Baltics. U.K. and North America rights remain open. Key European sales previously closed include to Plaion in Germany and Jokers in France. “The Peasants,” which is directed by “Loving Vincent” filmmakers D.K. Welchman (formerly known as Dorota Kobiela) and Hugh Welchman, is being produced with the same painting technique as used in “Vincent.” The directors were inspired by a wide repertoire of realist and pre-impressionist paintings to depict the Nobel prize-winning novel of Wladyslaw Reymont on film. Set at the end of the 19th century, it tells a story of love and life in a small community, where rules and traditions dictate everyone’s role.
variety.com
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‘Shayda’: Noora Niasari and Cate Blanchett on the Sundance Award-Winning Film’s Powerful Connection With Audiences (EXCLUSIVE)
Angelique Jackson It’s a Sunday evening in London in early February and two-time Oscar winner Cate Blanchett is freshly changed from an award show when she logs onto a Zoom with Noora Niasari, the writer and director behind “Shayda,” the powerful Sundance award-winning film executive produced by Dirty Films, the production company co-founded by Blanchett. “I’m so happy. It’s fantastic. It’s great for Todd [Field], it’s so great for the film,” Blanchett says as she fields congratulations on accepting the London Critics Circle’s best actress prize. “And I just read that Viola Davis became an EGOT!” The topic of awards is the conversation du jour this time of year because awards are capital in the entertainment business — and Blanchett knows a thing or two about this topic, with eight Oscar nominations to her name. Ultimately, the accolades help a film reach audiences far and wide. In the case of “Shayda,” for example, winning the World Dramatic Competition’s audience elevates the film from an intimate production that might’ve only sparked in Australia to a global platform, especially now that it has a major distributor.

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