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J. Kim Murphy Nicolas Cage can be a sweet dream or a beautiful nightmare. A24 has released the first trailer for its new dark comedy “Dream Scenario,” from “Sick of Myself” writer-director Kristoffer Borgli.

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‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Hits Paramount+: Here’s How To Watch The Movie Online

Rudie Obias editor If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Cowabunga! As the seventh installment in the film series, “Teenage Mutant Ninja Turtles: Mutant Mayhem” — which was produced by Seth Rogen and Evan Goldberg — reignited the franchise for a new generation of fans when it theaters in July.

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‘Fast X’ Is Now Streaming on Peacock

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. “Fast X” has zoomed its way to streamers. The 10th installment in Universal’s high-octane franchise, which came out in May, is now available to stream on Peacock.

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‘Nyad’ Review: Annette Bening and Jodie Foster Make a Terrific Team in Marathon Swim Movie

Peter Debruge Chief Film Critic The loftier and more dangerous the goal, the finer the line that separates the Guinness Book of World Records from the Darwin Awards. At a certain point, surviving is the only real difference. Do-or-die marathon swimmer Diana Nyad dreamed of swimming from Cuba to Florida.

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‘A Normal Family’ Review: Two Korean Couples Face Tough Choices When Their Kids Break the Law

Peter Debruge Chief Film Critic Four years ago, before COVID turned everything upside-down, a new Asian masterpiece world premiered virtually unnoticed at the Toronto Film Festival. I’m referring to “A Sun,” a multi-faceted Taiwanese family saga from director Chung Mong-Hong that seemed to shift and evolve as it unfolded, challenging what audiences though they knew about the characters.

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Wes Anderson’s ‘Henry Sugar’ Trailer Combines Roald Dahl and Benedict Cumberbatch to Irresistible Extremes

Sophia Scorziello editor Benedict Cumberbatch stars as a rich London bachelor in the trailer for Wes Anderson’s upcoming short film “The Wonderful Story of Henry Sugar.” Adapted from a collection of short stories, titled “The Wonderful Story of Henry Sugar and Six More,” by acclaimed children’s fiction writer Roald Dahl, Anderson’s film premiered out of competition at the Venice Film Festival this year — prompting a four-minute ovation — and will release on Netflix on Sept. 27. “It’s hard to say whether Wes Anderson’s sensibility is perfectly suited to that of Roald Dahl or the other way around,” wrote Peter Debruge in his review out of Venice.

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‘Pain Hustlers’ Review: Emily Blunt and Chris Evans Say ‘Yes’ to Drugs in Taxing Satire of Opioid Slingers

Peter Debruge Chief Film Critic Early in his career, comedian Kumail Nanjiani did a bit about a new drug called “cheese,” which, if you break down the ingredients, turns out to be Tylenol PM mixed with heroin. “So really, it’s heroin,” he joked. “Heroin’s doing the heavy lifting.” That line was going through my mind as I watched “Pain Hustlers,” a garish and, yes, mostly painful Big Pharma satire from director David Yates, who (“The Legend of Tarzan” aside) spent the last 15 years making increasingly convoluted Harry Potter movies.

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‘The Burial’ Review: Jamie Foxx Gives New Meaning to Courtroom ‘Testimony’ in Rousing Legal Drama

Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.

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‘Next Goal Wins’ Review: Taika Waititi Does a Stock ‘Ted Lasso’ Riff in American Samoa-Set Soccer Comedy

Peter Debruge Chief Film Critic Does it count as a white savior movie if the white character is the one who needs saving? In “Next Goal Wins,” the world’s top-grossing indigenous director, Taika Waititi, retells the story of how American Samoa went from having the world’s worst soccer team to, well, not the worst. While a white man was involved, the movie — which suggests how a film like “Cool Runnings” might be made with 30 years’ more cultural enlightenment — is mostly about how their coach (Michael Fassbender) needs an attitude adjustment. Come to think of it, that’s essentially the formula for most white savior movies.

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‘Haunted Mansion’ to Release on Disney+ in October

Michaela Zee “Haunted Mansion” is ready to spook Disney+ customers in October. Disney’s kid-friendly horror comedy, which is inspired by the classic theme park attraction, will hit the streamer on Oct. 4.

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‘Dream Scenario’ Review: In a Career of More Than 100 Credits, This Nightmare Ranks Among Nicolas Cage’s Best

Peter Debruge Chief Film Critic Just when you thought Nicolas Cage’s filmography couldn’t get any weirder, along comes Kristoffer Borgli’s “Dream Scenario” to mess with your head. Cage plays a character you probably wouldn’t notice in real life: Paul Matthews. Schlubby, balding, in wrinkled pants and brown leather loafers, he’s a tenured professor at a university you’ve never heard of, droning on year after year about collective consciousness and the wisdom of the herd.

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‘American Fiction’ Review: Jeffrey Wright Takes on Narrow Ideas of Black Representation in Sharp Industry Satire

Peter Debruge Chief Film Critic In Cord Jefferson’s idea-dense “American Fiction,” no one wants to publish literary professor Thelonious Ellison’s latest novel. Thelonious — or “Monk” to his friends — has delivered a modern reworking of Aeschylus’ “The Persians” (hardly bestseller material to begin with), but all the industry can see is the color of his skin.

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‘Finestkind’ Review: Toby Wallace and Ben Foster Make a Magnetic Pair as Self-Destructive Siblings

Peter Debruge Chief Film Critic “Finestkind,” the name of both Brian Helgeland’s new film and the high-line fishing boat Tommy Lee Jones captains within it, is one of those words that New Englanders find hard to define, but seem to have no trouble using in a sentence. It means quality — of fish, of people, of principles — and it sets the bar for the shaggy family portrait Helgeland crafts around two half-brothers wrestling with their place in the blue-collar New Bedford community. The movie, alas, is just so-so, tripping over its own feet for the first couple reels until such time as the siblings cross the Northern Line to (illegally) dredge for scallops in Canadian waters, and then it gets good.

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‘Memory’ Review: Michel Franco Gets Unforgettable Performances From Jessica Chastain and Peter Sarsgaard

Peter Debruge Chief Film Critic “Memory” feels like the “Silver Linings Playbook” of Michel Franco’s career: an unexpectedly accessible romance between two damaged human beings, from an independent director who’s been known to put characters through some of life’s most punishing indignities. The previous film of Franco’s that it most resembles is “Chronic,” though the tough-love auteur spares us the bummer ending this time around. In that movie, he followed a hospice nurse through his rounds, then abruptly cut to black when the guy was sideswiped by a car.

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‘Dicks: The Musical’ Review: From a Gay God to Twincest, A24’s Absurdist Satire Must Be Seen to Be Believed

Peter Debruge Chief Film Critic What are the odds that two openly gay cut-ups doing a raunchy half-hour musical comedy routine in a Gristede’s grocery store would somehow convince “Borat” director Larry Charles to turn their show, “Fucking Identical Twins,” into a feature-length A24 movie? You’d stand a better chance playing the lottery than predicting the path “Dicks: The Musical” took to reach the big screen — which is exactly why this twisted cross between “The Parent Trap” and “Kids in the Hall: Brain Candy” seems destined for cult status. The absurdist brainchild of Aaron Jackson and Josh Sharp, “Dicks” is an unapologetically puerile, hard-R novelty that’s just lo-fi enough to maintain its underground cred.

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‘The Boy and the Heron’ Review: Hayao Miyazaki Put Retirement on Hold to Bring Us a Few New Fantasies

Peter Debruge Chief Film Critic More often than not, Hayao Miyazaki’s heroes have been young women — from Ponyo to Princess Mononoke, mischief-seeking Kiki to the two sisters spirited away by furry forest guardians in “My Neighbor Totoro.” That’s the most obvious departure the anime maestro’s fans will notice in “The Boy and the Heron”: It’s about a boy, Mahito Maki (voiced by Soma Santoki), grieving the loss of his mother during wartime. He’s surrounded by women, but this quest falls on the shoulders of a character who’s reportedly closer to Miyazaki than any of his previous protagonists.

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‘Origin’ Review: Ava DuVernay’s Monumental Look at ‘Caste’ Frames America’s Most Difficult Conversation

Peter Debruge Chief Film Critic In “Origin,” Ava DuVernay weaves a centuries- and continents-spanning narrative feature around the ideas of Pulitzer Prize-winning writer Isabel Wilkerson, who rejects the word “racism.” It’s not that she doesn’t believe that racism exists; rather, she doesn’t think that racism alone can explain the inequity in human society — the way America’s founders could have written “all men are created equal” and meant something so different. As Isabel Wilkerson, the protagonist (played by Aunjanue Ellis-Taylor), who is based on Isabel Wilkerson, the author of “Caste: The Origins of Our Discontents,” puts it to her editor (Blair Underwood), “Racism as the primary language to understand everything is insufficient.” And later, to her sister (Niecy Nash-Betts): “We have to consider oppression in a way that does not centralize race.” The book “Caste” was Wilkerson’s answer to that challenge, drawing connections between discrimination in the United States and how Nazi Germany invented a social hierarchy to justify the Holocaust, which she links in turn to the rigid system of caste in India.

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‘Daddio’ Review: Sean Penn Takes Dakota Johnson for a Ride in Bold, Conversation-Igniting Debut

Peter Debruge Chief Film Critic If the prospect of being stuck in a New York City taxi with two characters for roughly 90 minutes doesn’t sound like your kind of movie, then you’re seriously underestimating “Daddio” writer-director Christy Hall’s ability to keep you riveted for the entire ride. There’s a challenge you could give any first-time filmmaker: Using a yellow cab as the only location, make a film that challenges people’s expectations of how men and women relate to one another.

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‘Rustin’ Review: Colman Domingo’s Charismatic Turn Will Define Not Only His Career, but Bayard Rustin’s as Well

Peter Debruge Chief Film Critic It’s not easy to upstage Martin Luther King Jr., but that’s exactly what leading man Colman Domingo does in “Rustin,” a movie named for the civil rights pioneer who gave King the platform to speak his most famous four words: “I have a dream.” That day, Aug. 28, 1963, on the steps of the Lincoln Memorial, the man standing just over King’s right shoulder — quite literally, his right-hand man — was one Bayard Rustin.

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‘Aggro Dr1ft’ Review: Harmony Korine Plays With Our Heads in Hard Reset on Filmmaking Rules

Peter Debruge Chief Film Critic I have seen the future of cinema, and it is “Aggro Dr1ft,” a neon-hued outlaw eyegasm from the director of ”Spring Breakers.” There will likely never be another film like it. Even so, it’s clear that Harmony Korine’s immersive iridescent plunge into the world and psyche of a serial killer points the way down fresh avenues for the medium to explore.

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Flash Mob Takes Over Venice’s Red Carpet, Shows Solidarity With Iranian People: ‘It’s About Freedom for All’

Marta Balaga Venice Film Festival’s red carpet swapped glamour for politics on Saturday, hosting a flash mob in solidarity with the Iranian people, fighting against repression, as well as filmmakers who are being oppressed – and arrested – because of their work. Such as “Leila’s Brothers” director Saeed Roustaee, recently sentenced to six months in prison for showing the film in Cannes. He has also been banned from making movies.

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