Peter Debruge Chief Film Critic “Memory” feels like the “Silver Linings Playbook” of Michel Franco’s career: an unexpectedly accessible romance between two damaged human beings, from an independent director who’s been known to put characters through some of life’s most punishing indignities.
The previous film of Franco’s that it most resembles is “Chronic,” though the tough-love auteur spares us the bummer ending this time around.
In that movie, he followed a hospice nurse through his rounds, then abruptly cut to black when the guy was sideswiped by a car.
Womp-womp. When a director does that early in his career, audiences are right to be wary. Franco is more merciful to his characters in “Memory.” Before meeting one another at a high school reunion, recovering alcoholic Sylvia (Jessica Chastain) and widower Saul (Peter Sarsgaard) have endured more than their share of suffering.
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