Peter Debruge Chief Film Critic If the prospect of being stuck in a New York City taxi with two characters for roughly 90 minutes doesn’t sound like your kind of movie, then you’re seriously underestimating “Daddio” writer-director Christy Hall’s ability to keep you riveted for the entire ride.
There’s a challenge you could give any first-time filmmaker: Using a yellow cab as the only location, make a film that challenges people’s expectations of how men and women relate to one another.
The key, it turns out is casting (Dakota Johnson and Sean Penn bring “Daddio” to life), hiring a great cinematographer (Phedon Papamichael) and a whole lot of life experience.
The film begins when a blond woman (Dakota Johnson) lands at JFK airport, back from a trip that was neither business nor pleasure.
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