The high-concept elevator pitch description for Christy Hall’s “Daddio” would probably be something along the lines of “‘Locke’ as a two-hander,” or maybe “‘Collateral’ without the killing,” though it’s better than either of those loglines might lead you to believe.
The premise is a simple one: Dakota Johnson (never named on-camera) plays a young woman coming home to New York who takes a cab from JFK to her home in Hell’s Kitchen.
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