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02.09.2023 / 15:29

‘The Bikeriders’ Review: Austin Butler and Tom Hardy Are Cool Personified in the ‘Godfather’ of Biker Movies

Peter Debruge Chief Film Critic Don’t let the word “bike” fool you. In Jeff Nichols’ “The Bikeriders,” the wheels in question are choppers — good, all-American motorcycles, built from the ground up by tough guys in leather jackets — and the “club” they’re a part of is really more of a gang.

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02.09.2023 / 02:57

‘Wildcat’ Review: Maya Hawke Embodies Not Just Flannery O’Connor but the Spirit of Her Characters

Peter Debruge Chief Film Critic Flannery O’Connor saw folks in a way few writers did. She saw through them, past their petty prejudices and hollow pieties, to the less civilized selves they so desperately tried to keep under wraps.

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02.09.2023 / 00:19

‘Janet Planet’ Review: Mom Means the World to an 11-Year-Old in Playwright Annie Baker’s Indelible Debut

Peter Debruge Chief Film Critic It’s almost cosmic, the way kids start out as nothing more than a twinkle in their mother’s eye. Then they’re born into heavenly little bodies, orbiting the adults who made them like tiny moons, until such time that they overcome their parents’ gravitational pull. So it is with “Janet Planet,” one of those intensely personal portraits of childhood that we’ve come to expect — and appreciate — from A24, the indie studio behind “Moonlight” and “Lady Bird” and “Aftersun” and “Eighth Grade” (the example this one most resembles).

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01.09.2023 / 10:49

‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson Squeezes Roald Dahl Into a Delightfully Tight Short

Peter Debruge Chief Film Critic It’s hard to say whether Wes Anderson’s sensibility is perfectly suited to that of Roald Dahl or the other way around. Whichever it may be, the “Fantastic Mr. Fox” author’s “The Wonderful Story of Henry Sugar” seems to have found its ideal screen incarnation in the “Fantastic Mr.

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01.09.2023 / 04:55

‘The Holdovers’ Review: Alexander Payne Reunites With Paul Giamatti in What Feels Like a Lost ’70s Classic

Peter Debruge Chief Film Critic We’ve all seen our share of stories about inspirational teachers. “The Holdovers” is dedicated to the opposite sort: a hard-ass named Paul Hunham whom everyone hates. The feeling is mutual, as Mr.

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01.09.2023 / 04:55

‘All of Us Strangers’ Review: A Lonely Gay Man Explores Missed Connections in Andrew Haigh’s Latest Heartbreaker

Peter Debruge Chief Film Critic The best scene of “Call Me by Your Name” has nothing to do with fruit, but a frank father-son conversation. Brittle to the point of breaking, Timothée Chalamet sits on the couch, arms crossed, resenting his dad for acknowledging the source of his anguish. “You’re too smart not to know how rare, how special, what you two had was,” Michael Stuhlbarg tells the boy.

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01.09.2023 / 04:55

‘Saltburn’ Review: A Vicious ‘Talented Mr. Ripley’ Knockoff From the Director of ‘Promising Young Woman’

Peter Debruge Chief Film Critic It’s the moment of truth for Emerald Fennell, whose “Promising Young Woman” established the actor-turned-auteur (last seen playing pregnant doll Midge in “Barbie”) as a formidable new filmmaking talent. Building on the barbed sensibility she established with “Killing Eve,” the writer-director’s zeitgeist-throttling feature debut lured audiences like a bright red candy apple, leaving them with plenty to debate after the cyanide-laced sugar high wore off.

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29.08.2023 / 11:07

‘The Equalizer 3’ Review: Denzel Washington Leans on His Star Charisma Once Again in Brutal Vigilante Sequel

Peter Debruge Chief Film Critic Just who is the Equalizer? Despite a hit TV show in the 1980s and another with Queen Latifah still running, that title has become synonymous with Denzel Washington, who returns as government-assassin-turned-vigilante Robert McCall. Billed as the final chapter in a trilogy, “The Equalizer 3” sees McCall finding community in a picturesque part of Italy and being forced to protect its people from the mafia. The film also reteams Washington with director Antoine Fuqua for the fifth time (following “Training Day,” “The Magnificent Seven” and the two previous installments), and their comfort with one another ensures a seamless action movie that might not attract new fans, but should play well to those already fond of this franchise.

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24.08.2023 / 18:23

‘Cat Person,’ Based on Viral New Yorker Story, Debuts Trailer Ahead of October Theatrical Release

Tatiana Siegel “Cat Person,” which launched with a bang at Sundance, will be released in theaters on Oct. 6 through Rialto Pictures. The wild thriller — which stars Emilia Jones (“CODA”) and Nicholas Braun (“Succession”) as a couple whose signals cross, leading to disturbing interactions — made its world premiere to a huge response at the festival in January.

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23.08.2023 / 13:55

‘The Invisible Fight’ Review: The Strangest Estonian Black Metal Kung Fu Movie You’ll See This Year, Guaranteed

Peter Debruge Chief Film Critic In out-there Estonian comedy “The Invisible Fight,” a clueless Russian border guard somehow escapes a surprise attack by three formidable Chinese action figures — gravity-defying kung fu warriors who swoop in out of nowhere, blasting Black Sabbath on their bright red boombox — so he does what anyone in his position would do: He resolves to become an Orthodox monk. Huh? “I guess God has other plans for you,” a less-fortunate comrade wheezes with his dying breath, setting up one of the oddest plots audiences are likely to find on the art-house circuit this year.

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20.08.2023 / 22:33

‘Peanuts’ Creator Charles Schulz’s Son Hopeful for New Movie, Says ‘Nothing Is Off the Table’

Michaela Zee Craig Schulz, the son of “Peanuts” creator Charles M. Schulz, is hopeful a new movie based on the comic strip will happen.

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18.08.2023 / 01:23

‘Back on the Strip’ Review: Could This Grizzled Stripper Comedy Be Wesley Snipes’ Big Comeback?

Peter Debruge Chief Film Critic It would come as no surprise to learn that “Back on the Strip” started out as a “Magic Mike” parody. I’m not saying that it did. (The main character is named Merlin, not Mike, after all.) But what else could explain the bizarrely literal premise of an ensemble indie comedy in which our hero is a wannabe magician who heads to Vegas hoping to be the next David Copperfield, only to wind up shaking his wand for a Chippendales-style male dance revue instead? What makes “Strip” so consistently funny for most of its too-long two-hour running time isn’t Merlin’s lame prestidigi-dream (that part feels like co-writers Chris Sanders and Eric Daniel have been watching too many Nickelodeon movies) but the sorry state of his fellow dancers: a has-been crew called the Chocolate Chips.

Kevin Hart Tiffany Haddish David Copperfield Peter Debruge Chris Sander dance film show stage audience UPS Тикеры

12.08.2023 / 19:15

‘Essential Truths of the Lake’ Review: Things Don’t End Well in Lav Diaz’s Languorous Detective Story

Peter Debruge Chief Film Critic “Essential Truths of the Lake” is the last thing most people would expect from Lav Diaz: a direct follow-up to his previous film, “When the Waves Are Gone.” It’s not a sequel, per se (this one actually comes earlier), but they are connected, with a third movie featuring the same disillusioned police detective in the works. The Filipino filmmaker, whose pokey social critiques run anywhere from three to 11 hours, established the character of Lt.

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11.08.2023 / 22:41

‘Smugglers’ Review: Female Oyster Divers Make Satisfying Action Heroes in Funky Korean Caper

Peter Debruge Chief Film Critic Back in the 1970s, when Korea was closed to the outside world, locals relied on black market dealers to get their hands on everything from American cigarettes to Ritz crackers. Though this illicit import racket was run mostly by men, it wouldn’t have been possible without half a dozen uniquely talented women — skilled divers known as haenyeo who fished the loot from the sea.

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10.08.2023 / 14:29

‘Red, White & Royal Blue’ Review: Two Studly Scions Attract in Affirmational Queer Rom-Com

Peter Debruge Chief Film Critic The “prince of England’s hearts” falls for the American president’s son (or is it the other way around?) in “Red, White & Royal Blue,” an effervescent gay rom-com that might be easily dismissed as a mere trifle, were it not for the still-historic novelty of its existence. Arriving less than a year after “Bros,” director Matthew López’s Amazon-backed, R-rated lark goes even further to normalize queer romance on-screen, taking a classic “chick flick” premise — the kind once reserved for Mandy Moore and Amanda Bynes movies, à la “Chasing Liberty” or “What a Girl Wants” — and recasting it with dudes.

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09.08.2023 / 15:13

‘Lousy Carter’ Review: David Krumholtz Is Funny Enough in Overly Familiar Six-Months-to-Live Comedy

Peter Debruge Chief Film Critic This year marks 30 years since Bob Byington’s first feature, though it’s only during the last 15 of those — since SXSW midnight-movie breakout “RSO: Registered Sex Offender” — that the Austin-based director has enjoyed “indie darling” status. During that same stretch, the cultural discourse has changed a great deal, while Byington’s voice remains remarkably (if somewhat frustratingly) consistent, churning out self-deprecating feature-length sitcoms about flaccid man-babies.

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08.08.2023 / 22:09

‘Antarctica Calling’ Review: Luc Jacquet’s Latest Feels Like a Feature-Length Selfie, with the South Pole Over His Shoulder

Peter Debruge Chief Film Critic Nearly two decades ago, “March of the Penguins” crossed a frontier hardly any nonfiction film ever does: not just the Antarctic Circle, but the even more remote $100 million mark at the global box office. A bona fide global phenomenon, Luc Jacquet wondrous nature doc — and its adorable, relatable emperor penguin stars — got audiences from practically every continent to turn their attention to the South Pole and the super-adorable, surprisingly relatable emperor penguins its director found there.

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07.08.2023 / 20:49

‘The Little Mermaid’ to Release on Disney+ in September

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Disney’s live-action remake of “The Little Mermaid” will finally arrive on Disney+ on Sept. 6.

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07.08.2023 / 15:39

‘Yannick’ Review: A Brechtian Heckler Hijacks the Show in Quentin Dupieux’s Absurdist Delight

Peter Debruge pmc-editorial-manager “you’re full of hate and frustrations. you should take a break,” director Quentin Dupieux once tweeted at me, immediately following my review of his 2014 film “Reality.” In another world, someone might have advised him against picking a fight with a film critic. You know, never quarrel with a man who buys ink by the barrel, and all that.

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07.08.2023 / 14:23

Will Smith Says He ‘Went Too Far’ for ‘Emancipation’ and Got Stuck in Real Slave Chains: ‘I Wanted to Feel the Degradation’

Zack Sharf Digital News Director Will Smith told Kevin Hart on a new episode of Peacock’s “Hart to Heart” talk show that he “went too far” as an actor while portraying a slave in the Apple drama “Emancipation.” The film, Smith’s first release after the notorious Oscars slap, centered on the true story of a runaway slave named Peter, a photograph of whom became a rallying call for the abolition of slavery as it depicted his mutilated back scars from several whippings. “I went too far in ‘Emancipation,’” Smith said. “Just bringing it up, I start to get teary.

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03.08.2023 / 13:25

‘Chicken for Linda!’ Review: Gorgeous French Toon Gets Mother-Daughter Bonds Better Than Most Live-Action Movies

Peter Debruge Chief Film Critic Lately, in the overwrought majority of Hollywood blockbusters, nothing less than the fate of the planet hangs in the balance, as some natural disaster or dastardly supervillain threatens to annihilate life as we know it. Such impossibly large stakes may be necessary to justify the CG spectacle of certain Marvel movies, but instead of inspiring excitement, they mostly leave me ambivalent and bored.

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