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20.10.2023 / 14:21

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‘The Pigeon Tunnel’ Review: Errol Morris Crafts a Skeptical Portrait of the Ex-Spy Who Called Himself John le Carré

Peter Debruge Chief Film Critic In 2016, John le Carré published a memoir called “The Pigeon Tunnel,” which the late spy novelist — who died in late 2020 — claims had been the working title of nearly all his books at some point. For le Carré, the term describes the passage through which naive birds of sport were forced from their nests, only to emerge as targets for marksmen waiting with rifles poised at a hotel in Monte Carlo.

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Austin Butler and Tom Hardy Drama ‘The Bikeriders’ Delays Theatrical Release Due to Strike

Rebecca Rubin Film and Media Reporter “The Bikeriders,” a drama starring Austin Butler, Jodie Comer, and Tom Hardy and directed by Jeff Nichols, has been delayed amid the ongoing actors’ strike. Disney and 20th Century were scheduled to open the film on Dec. 1 but it’s been taken off the calendar for now.

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Hot Springs Documentary Film Festival Wraps 32nd Edition, With Awards Going To ‘Between The Rains,’ ‘The Echo’ And More

Between the Rains and The Echo are among the big winners at the prestigious Hot Springs Documentary Film Festival in Arkansas.

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‘American Fiction’ Trailer: Jeffrey Wright Writes a Satirical Take on the Black Experience – Film News in Brief

American Fiction” from writer, director and producer Cord Jefferson, and the recent winner of the Toronto Film Festival’s People’s Choice Award. Based on the novel “Erasure” by Percival Everett, the film stars Jeffrey Wright as Thelonious “Monk” Ellison,” a frustrated novelist who is fed up with the establishment profiting from “Black” entertainment that relies on tired narratives and themes. After he writes an outlandish book making fun of the offensive tropes, his success propels him into the center of hypocrisy.

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‘Chicken Run: Dawn of the Nugget’ Review: The Flock from Aardman’s First Flick Hatches a Plucky Mission Improbable

Peter Debruge Chief Film Critic Nearly a quarter-century has passed since Aardman hatched its first feature, and the generation that flipped for “Chicken Run” — tickled by the novelty of watching a pseudo-serious genre movie rendered silly by an ensemble of stop-motion poultry — has grown up to be parents. Distributed by DreamWorks, the 2000 toon reimagined “The Great Escape” with chickens, as a doomed flock schemed to fly the coop of a WWII-style concentration camp run by the intimidating Mrs.

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‘The Mission’ Review: While Netflix Drowns in True-Crime Docs, Nat Geo Embraces a World Without Answers

Peter Debruge Chief Film Critic The world will never know what was going through 26-year-old Christian missionary John Allen Chau’s head when he was shot and killed by arrows off the coast of North Sentinel Island. There are jokes, of course, and educated guesses, but the best most of us can do is search inside ourselves for the answer.

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‘Once Within a Time’ Review: An Inventive, Kid-Friendly Short From the Mind Behind ‘Koyaanisqatsi’

Peter Debruge Chief Film Critic Godfrey Reggio, creator of the Qatsi trilogy, has been down this road before. The obsessions are familiar — nature’s innocence corrupted by industry, technology and the atomic age — but the audience is presumably different.

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‘The Monk and the Gun’ Review: Bhutanese Oscar Contender Offers Sly Critique of Western Influence

Peter Debruge Chief Film Critic What would a monk want with a gun? Bringing wisdom and a streak of wry humor to his Bhutan-set sophomore feature, “The Monk and the Gun” director Pawo Choyning Dorji teases any number of possible answers to that question over the course of a droll, shrewdly satirical fable, in which Western values crash against a seemingly intransigent (but potentially more enlightened) South Asian culture. A gifted storyteller who keeps audiences guessing about his characters’ motives until the surprising moment everything comes together, Dorji was born in Bhutan, but attended university in Wisconsin.

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‘Kill’ Review: A Train, Two Commandos and 40 Thieves Add Up to One Bloody Action Bonanza

Peter Debruge Chief Film Critic SPOILER ALERT: The following review contains spoilers about the reason for all the killing. Years ago, Indian director Nikhil Nagesh Bhat fell asleep on a cross-country train ride, only to discover upon reaching his destination that the cars on either side of his had been robbed by armed bandits, known as “dacoits.” The heist couldn’t have been too intense, or it would have awakened him, but it got the helmer’s gears turning about what a truly terrifying train raid might look like. The answer: “Kill,” in which a crew of 40-odd thieves board a train, intending to steal passengers’ watches and phones, then turn bloodthirsty after running into a pair of hardheaded commandos.

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‘Henry Johnson’ Review: A David Mamet Play Debuts in Venice, Calif., and Shia LaBeouf Is Dynamite in It

Peter Debruge Chief Film Critic Shia LaBeouf doesn’t appear until more than 20 minutes into “Henry Johnson,” a new David Mamet play making its world premiere at the Electric Lodge in Venice, Calif. The play amounts to just four scenes, barely more than an hour in all (plus an unnecessary 15-minute intermission). LaBeouf is on stage for just two of them, but the instant the film star materializes, something electric happens.

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Werner Herzog, Who Recorded the Audio Version of His Memoir, Insists His Words Will Outlive His Movies

Peter Debruge Chief Film Critic Werner Herzog has traveled to the ends of the earth for his art, rolling cameras in places rarely seen by human eyes — from rapids along the Amazon River for 1972’s “Aguirre, the Wrath of God” to the rim of an active volcano in Antarctica. But what’s inside Herzog’s head is what fascinates fans of the German director. As revealed in a new memoir, “Every Man for Himself and God Against All” (the phrase served as the original title of his 1974 film “The Enigma of Kaspar Hauser”), Herzog’s far-ranging filmography represents only a fraction of the encounters and adventures that have shaped his worldview.

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‘The Successor’ Review: Cold, Controlled French Thriller Implicates Entire Patriarchy in the Sins of a Father

Peter Debruge Chief Film Critic In “The Successor” — a provocative psychological thriller with a lot more actual psychology than the genre typically offers — Paris-based fashion designer Ellias Barnès (Marc-André Grondin) stands on the precipice of a breakthrough in his career. He’s poised to take his place as creative director of the fashion house Orsino, following the death of its eponymous founder. If this were a tale of corporate ambition (à la “Succession”), or perhaps a Roman palace intrigue, here is the moment that Ellias would assume the throne.

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‘The Creator’ Review: Gareth Edwards’ Robot Uprising Is Made of Old Stereotypes and Recycled Parts

Peter Debruge Chief Film Critic The creator of “The Creator,” Gareth Edwards, started his filmmaking career teaching himself VFX at home. He’s an innovator on that front, devising ways to generate creepy CG monsters for “Monsters” more than a dozen years ago, then overseeing deceptively massive blockbusters, like “Godzilla,” ever since (deceptive because much of that stunning scale comes from virtual detail added in post).

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‘May December’ Trailer: Natalie Portman Unravels Julianne Moore and Charles Melton’s Marriage in Todd Haynes’ Tabloid Scandal Drama

Sophia Scorziello editor Cannes darling “May December” has unveiled its first trailer starring Natalie Portman, Julianne Moore and Charles Melton. Directed by filmmaker Todd Haynes, the film first premiered back in May and is set for a limited theatrical release before hitting Netflix. “May December” is based loosely on the true story of Mary Kay Letourneau, an American teacher charged with having a sexual relationship with one of her 12-year-old students.

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A Drill-Down on 10 Outstanding Films at Monterrey from Kore-eda to Rodriguez and Paramount-backed Argentine thriller ‘The Rescue’

Anna Marie de la Fuente “Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto. “Peafowl,” Byun Sungbin, South Korea Myung, a transgender, is estranged from her family because of who she is.

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‘No One Will Save You’ Review: Kaitlyn Dever Takes on Aliens in Thriller With Less Talking Than ‘A Quiet Place’

Peter Debruge Chief Film Critic Got trauma? A global alien invasion is all it takes for emotionally scarred Brynn (Kaitlyn Dever) to sort through her issues in “No One Will Save You,” an extra-terrestrial creature feature cut from the same cloth as M. Night Shyamalan’s “Signs,” where the jump scares are secondary to an earnest (but far less effective) portrait of coping with guilt and grief. Building on the novelty value of 2020 debut “Spontaneous” (in which a bunch of teenagers inexplicably start to pop like pimples), director Brian Duffield sets multiple creative challenges for himself and mostly succeeds — well enough to attract eyeballs to this buzz-worthy Hulu release, at least.

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‘American Fiction’ Pushes Theatrical Release to December

Michaela Zee After winning this year’s Toronto International Film Festival’s people’s choice award, “American Fiction” has pushed back its limited release to Dec. 15 and will expand in theaters on Dec. 22.

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