‘Once Within a Time’ Review: An Inventive, Kid-Friendly Short From the Mind Behind ‘Koyaanisqatsi’
variety.comPeter Debruge Chief Film Critic Godfrey Reggio, creator of the Qatsi trilogy, has been down this road before. The obsessions are familiar — nature’s innocence corrupted by industry, technology and the atomic age — but the audience is presumably different.
This time, it’s younger. Now in his 80s, the avant-garde filmmaker who, in collaboration with composer Philip Glass, found a new cinematic language to caution people of their impact on the environment, has now turned his attention to kids.
With “Once Within a Time,” Reggio communicates his fears about the pitfalls of progress to the generation he’s counting on to fix the messes grown-ups have made of this hand-me-down planet, using circus-trained acrobats, a next-dimension soundtrack and Mike Tyson (of all things) to get his message across.
At well under an hour (just 43 minutes before credits), the project presumes a different attention span than the ex-monk’s groundbreaking 1982 essay film, “Koyaanisqatsi,” which used slow-motion, time-lapse and other pace-based tricks in ways that influenced everything from music videos to Terrence Malick movies.
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