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Netflix has closed a deal with Skydance to produce a reimagining of the Spy Kids franchise, alongside Spyglass Media, LLC and filmmaker Robert Rodriguez (We Can Be Heroes, Alita: Battle Angel), who created the film series and directed all past installments.

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A Drill-Down on 10 Outstanding Films at Monterrey from Kore-eda to Rodriguez and Paramount-backed Argentine thriller ‘The Rescue’

Anna Marie de la Fuente “Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto. “Peafowl,” Byun Sungbin, South Korea Myung, a transgender, is estranged from her family because of who she is.

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‘Hypnotic’ Review: Robert Rodriguez’s Work-In-Progress Film Needs More Work To Progress Into Something Less Convoluted – SXSW

The idea for Hypnotic conceptualized around the time director Robert Rodriguez was filming Spy Kids 2, which is what he told the audience at Sunday night’s premiere screening. His love of Austin and SXSW is what brought him back 30 years after El Mariachi. This was a full-circle moment for him, and he revealed that is this film is a work in progress. After watching it, Hypnotic still needs work in order to progress because this is all over the place. Written by Rodriguez (who also provided the score) and Matt Borenstein, the pic stars Ben Affleck, Alice Braga, William Fichtner, Jeff Fahey and Dayo Okeniyi.

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How Robert Rodriguez Transformed His SXSW Premiere on Oscars Night Into a Homegrown Celebration of Cinema (EXCLUSIVE)

Robert Rodriguez didn’t want to screen his new movie for the first time on the same night as the Oscars. It just worked out that way. It all started when, in mid-February, the 54-year-old filmmaker realized he was rapidly approaching the 30th anniversary of the theatrical release of his first feature film, the neo-Western “El Mariachi.” “It fucking snuck up on me,” Rodriguez tells Variety on Sunday afternoon, sitting on a hotel rooftop bar overlooking the ever-changing Austin skyline. Rodriguez famously shot “El Mariachi” on a $7,000 budget, and its success helped to catalyze the independent film revolution of the 1990s and reinforce Rodriguez’s conviction to continue his DIY, homegrown approach to filmmaking. Almost all of Rodriguez’s films have been made at least in part out of his Austin-based Troublemaker Studios, from his R-rated action films like 1998’s “The Faculty,” 2005’s “Sin City” and 2010’s “Machete” to his family movies franchises “Spy Kids” and “Sharkboy and Lavagirl.” Even 2019’s “Alita: Battle Angel,” the James Cameron-produced action epic with visual effects work by Weta Digital, was shot at Troublemaker.

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Information About El Mariachi

Who is El Mariachi?

El Mariachi is a public figure featured in various news reports due to their public appearances.

Why is El Mariachi in the spotlight?

El Mariachi often attracts media attention through controversial moves, which gain public interest.

Where can I find the latest news about El Mariachi?

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Is there a full biography of El Mariachi available?

Yes, you can explore a detailed biography of El Mariachi, including career milestones, in our bio section dedicated to them.

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El Mariachi: Last News

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