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Nick Vivarelli International Correspondent Russian auteur Kirill Serebrennikov (“Leto,” “Petrov’s Flu,” “Tchaikovsky’s Wife”) is back in the Cannes competition with “Limonov,” an epic about Russian punk poet Eduard Limonov that the director describes as “probably the most complicated project in my life.” Based on the best-selling book by Emmanuelle Carrere, “Limonov” delves into the story of its titular character who lived many lives. He was an underground writer in the Soviet Union who escaped to the U.S. where he became a punk-poet and also a butler to a millionaire in Manhattan.

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Paolo Sorrentino on Making His First ‘Feminine Epic’ With Cannes Film ‘Parthenope’ and Directing Gary Oldman: He’s ‘One of the Top Five Actors in the World’ (EXCLUSIVE)

Nick Vivarelli International Correspondent Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps more significantly, “Parthenope” – an epic spanning several decades – is Sorrentino’s first female-centric film. Why? “In thinking of a modern hero, it came naturally to me that it would be a heroine, not a man,” he tells Variety. Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold. It’s a bit more complex, actually, not necessarily just linked to Naples.

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‘Everybody Loves Touda’ Director Nabil Ayouch on How the Film Depicts a Moroccan Female Poet and Singer as an ‘Agent of Resistance’

Nick Vivarelli International Correspondent French-Moroccan director Nabil Ayouch is in Cannes for the third time with “Everybody Loves Touda,” launching out of competition. The film tells the story of a young poet and singer steeped in an ancient Moroccan form of folk song called aita, but forced to perform trashy pop songs in bars filled with abusive men. Below, Ayouch speaks with Variety about what “Touda” says about Morocco today.

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Saudi Director Shahad Ameen Shooting Female Empowerment Road Movie ‘Hijra’ With CAA Handling U.S. Sales (EXCLUSIVE)

Nick Vivarelli International Correspondent Saudi Arabian director Shahad Ameen, whose feminist fable “Scales” made a splash after launching from Venice in 2019, is back behind the camera on “Hijra,” an ambitious drama centered on the bond formed between different generations of Saudi women during a journey across the desert. CAA is handling North American sales on “Hijra,” which is being shot in a vast swathe of desert and in several Saudi cities and urban areas including Jeddah, Medina, AlUla and Neom.

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Dubai-Based The Plot Pictures Takes MENA and Turkey Rights to Slew of Titles, Including ‘William Tell’ (EXCLUSIVE)

Nick Vivarelli International Correspondent New Dubai-based distribution and production studio The Plot Pictures is headed for the Cannes Marche du Film after snapping up Middle East, North Africa and Turkey (MENAT) rights to a slew of indie titles across different genres. They include “Locust,” a first feature film from Taiwanese American multidisciplinary artist Keff that is playing in Critics Week, and Nick Hamm’s epic “William Tell.” The Plot Pictures CEO Pratixa Shah and head of sales Ozge Conduroglu – who was previously with Starz Play Arabia – are assembling a slate spanning “different genres, regions, and languages,” as Shah put it in statement.

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Matteo Garrone’s ‘Io Capitano’ and Feminist Dramedy ‘There’s Still Tomorrow’ Both Big Winners at Italy’s David di Donatello Awards

Nick Vivarelli International Correspondent Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards. “Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.

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Palestinian Directors Overseas Watch the War at Home — And Wrestle With Cinema’s Role in Conveying the Turmoil

Nick Vivarelli International Correspondent On Oct. 7, when the Israel-Hamas war broke out, Palestinian director Annemarie Jacir was just one week away from starting principal photography in Bethlehem, 45 miles from Gaza, on “All Before You.”The Oscar-nominated filmmaker’s long-gestating project reconstructs the 1936 farmer-led revolt against British colonial rule and the influx of Jewish settlements in Palestine that has been at the root of the conflict.

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Italy’s Indiana Launches Comedy Movies Strand in Tandem With ‘Quo Vado’ Director Gennaro Nunziante (EXCLUSIVE)

Nick Vivarelli International Correspondent Italy’s Indiana Production – which is part of pan-European studio Vuelta Group – is making a significant move into the comedy space by forging a multi-picture deal and a creative collaboration pact with multihyphenate Gennaro Nunziante who has directed top local hits including “Quo Vado” that is the country’s all-time highest grosser. Nunziante – who is a writer/director and sometimes actor – and Indiana are jointly mounting a pipeline of theatrical movies with smart storylines rooted in present-day social issues that, at least in some cases, will seek to travel outside Italy.

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Donovan Talks Celebrating His Soundtrack for Franco Zeffirelli’s ‘Brother Sun, Sister Moon’ With Italy’s President and Franciscan Monks (EXCLUSIVE)

Nick Vivarelli International Correspondent In the early 1970s, Scottish singer-songwriter Donovan wrote and recorded songs for the English version of Italian director Franco Zeffirelli’s film “Brother Sun, Sister Moon,” about the early years of St. Francis of Assisi, that evoked the “flower power” hippie movement and developed a cult following. Half a century later, Donovan traveled to Italy last week to watch a freshly restored version of the film in two celebratory events.

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Berlin Golden Bear Winner Paolo Taviani Set to Shoot ‘Canto Delle Meduse’ With Kasia Smutniak (EXCLUSIVE)

Nick Vivarelli International Correspondent Revered Italian auteur Paolo Taviani will soon be back in the director’s chair. Shooting is set to start in April on “Canto Delle Meduse,” a pandemic-themed drama helmed by Taviani with Polish-Italian actor Kasia Smutniak (“Domina”) attached to star. The rest of the film’s cast is being kept under wraps.

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Berlinale Artistic Director Carlo Chatrian Talks Diversity of 2024 Lineup — and How Matt Damon Helped Secure the Opener

Nick Vivarelli International Correspondent For his fifth and final edition, outgoing Berlin Film Festival artistic director Carlo Chatrian has assembled a promising lineup, rich in prestige, star-driven titles as well as more eclectic films containing the political elements intrinsic to the fest’s DNA. “I am very happy and proud of this year’s lineup,” Chatrian tells Variety. “I think it achieved the balance between highly anticipated titles by filmmakers who are relevant in cinema history and, as always, films that you don’t expect to find in competition.

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Saudi Arabia’s Muvi Studios Ramps up Local Production With Mix of Egyptian, Saudi Titles

Nick Vivarelli International Correspondent Muvi Studios, the production arm of Saudi Arabia’s leading exhibition chain Muvi Cinemas, is ramping up production of Arabic movies with plans to release 10 titles spawned by its own pipeline in 2024, starting with comedy “Esabet Azeema” that will bow locally on Jan. 4. “Esabet Azeema,” which toplines Egyptian icon Esaad Younis making her hotly anticipated return to the big screen, is part of a co-production pact that Muvi struck in 2022 with prominent Egyptian studio Al Arabia Cinema.

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Roberto Benigni Talks Italy’s Oscar Candidate ‘Io Capitano’ With Director Matteo Garrone and Actor Seydou Sarr – Watch (EXCLUSIVE)

Nick Vivarelli International Correspondent Roberto Benigni, whose film “Life Is Beautiful” won three Oscars in 1999, has come out of the woodwork to support Matteo Garrone’s Golden Globe-nominated “Io Capitano,” which is Italy’s current Oscar candidate for best international feature film. The revered yet reclusive Italian actor/director, whose most recent big screen role is playing Geppetto in Matteo Garrone’s hit 2019 live-action adaptation of “Pinocchio,” is clearly a big fan of “Io Capitano” (the title translates to “Me Captain”). The movie narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe.

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Adam Sandler’s ‘Spaceman,’ Lena Dunham-Starrer ‘Treasure’ To World Premiere at Berlin Film Festival

Nick Vivarelli International Correspondent Johan Renck’s Netflix sci-fi drama “Spaceman,” starring Adam Sandler, Carey Mulligan and Paul Dano, and German filmmaker Julia von Heinz’s “Treasure” – formerly titled “Iron Box” – with Lena Dunham and Stephen Fry, are among high-profile titles set to launch from the upcoming Berlin Film Festival. The 74th Berlinale – which will unveil its competition lineup on Jan.

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Carlo Chatrian Talks Upcoming Berlinale Edition, Luring Major Stars to First Post-Strikes Festival and Why His Mandate Wasn’t Renewed

Nick Vivarelli International Correspondent Berlin Film Festival artistic director Carlo Chatrian is in an upbeat mood as he puts the finishing touches on assembling his fourth and final edition. It appears to be shaping up nicely with a rich mix comprising prestige star-driven titles, such as the world premiere of Netflix’s “Spaceman” in which Adam Sandler plays an imperiled astronaut, and films with “political elements” that are intrinsic to the fest’s DNA. The day before revealing his Berlin Special lineup that includes several star-studded galas – the main lineup will be announced on Jan.

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Neha Dhupia, Adil Hussain Set for Ali El Arabi’s Qatar World Cup Drama ‘Blue 52’ (EXCLUSIVE)

Nick Vivarelli International Correspondent Neha Dhupia (“A Thursday”) and Adil Hussain (“Life of Pi”) will star in Egyptian director Ali El Arabi‘s upcoming drama “Blue 52,” about a young Indian soccer fan’s journey as a migrant worker to the 2022 FIFA World Cup in Qatar. El Arabi’s “Blue 52” chronicles the true tale of a young man named Ashish, who is a fervent soccer fan.

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Saudi Thriller ‘Mandoob’ Beats ‘Wonka’ to Score Record Local Opening

Nick Vivarelli International Correspondent Saudi Arabian thriller “Mandoob,” about a struggling man who becomes an illegal booze runner, beat “Wonka” over the weekend to top the Saudi box office chart while also scoring the biggest opening to date for a local film in the territory. The groundbreaking Saudi movie, which world-premiered positively in Toronto in September – and more recently bowed regionally at the Red Sea Film Festival in Jeddah – tallied 114,000 admissions and a $1.58 million gross box office intake following its Dec.

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‘We Dare to Dream’ Director Waad Al-Kateab and Producer Angelina Jolie Discuss Impact of Olympic Refugee Doc as Eurosport Acquires Streaming Rights (EXCLUSIVE)

Nick Vivarelli International Correspondent Discovery-owned Eurosport has acquired streaming rights in 54 countries to Olympic refugee documentary “We Dare to Dream” by Waad Al-Kateab, the Oscar-nominated Syrian director of “For Sama.” “We Dare to Dream” is the story of the refugee Olympic team that competed at the 2020 games in Tokyo, which featured stateless athletes from Iran, Syria, South Sudan and Cameroon who swim, run and fight their way to safety in host nations across the world. It’s told through the personal prism of Al-Kateab while she is coming to terms with the reality that she can never return to Aleppo, where she shot “For Sama.” The doc premiered at the Tribeca Film Festival in June and had an Oscar-qualifying theatrical run at New York City’s IFC Center in October.

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‘Supersex’ Series About Porn Star Rocco Siffredi Sets Netflix Premiere Date

Nick Vivarelli International Correspondent Netflix has set a March 6 premiere date for “Supersex,” the series freely inspired by the real life of global porn star Rocco Siffredi, who has more than 1,500 hardcore films to his name. The series is created and written by prominent Italian screenwriter Francesca Manieri (“We Are Who We Are,” “L’Immensità”) who is known to be a militant feminist.

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Venice Opener ‘Comandante’ Scores U.S. Distribution (EXCLUSIVE)

Nick Vivarelli International Correspondent Italian director Edoardo De Angelis’ anti-war epic “Comandante” – the opener of this year’s Venice Film Festival – has secured North American distribution via Uncork’d Entertainment, which will release the film theatrically in tandem with partner company Dark Star Pictures. The movie stars Italian actor Pierfrancesco Favino as Sicilian World War II naval captain Salvatore Todaro and depicts his act of wartime humanitarianism on Oct.

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Lux Vide Medical Show ‘Doc’ Gets Event Theatrical Release in Italian UCI Cinemas Ahead of TV Play

Nick Vivarelli International Correspondent “Doc,” the Italian medical procedural that’s a local hit and and major export, is getting a theatrical outing in Italy prior to TV play thanks to a deal between production company Lux Vide and UCI Cinemas. In what is being touted as a milestone, the first two episodes of the show’s third season are set to screen in UCI Cinemas across Italy as an event release on Dec. 18 and 19, ahead of the full season release of “Doc” Jan.

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