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EXCLUSIVE: In a deal with True Colours, Breaking Glass Pictures has acquired North American rights to Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar. The drama debuted in the Cannes competition last May, and Breaking Glass will continue its festival run in the U.S. through the end of the year with theatrical rollout set for early 2023.

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‘Maria’ Star Pierfrancesco Favino on His Scene-Stealing Role as Angelina Jolie’s Butler and Defying Macho Stereotypes: ‘Not All Men Are Like That’

Nick Vivarelli International Correspondent Pierfrancesco Favino, who plays Maria Callas’ protective butler in Pablo Larraín’s “Maria,” doesn’t back down from a fight, on-screen or in life. At last year’s Venice Film Festival, the Rome native erupted with the kind of volcanic indignation that Callas was known for, furious that American actors like “House of Gucci” and “Ferrari” star Adam Driver kept getting cast as iconic Italians. Those parts should have gone to Italian actors, Favino argued at a press conference — though he was quick to add he had nothing against Driver.

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Pablo Larraín & Angelina Jolie’s ‘Maria’ Sells Worldwide Following Buzzy Venice Debut

FilmNation has inked a series of international deals on Pablo Larraín’s latest biopic Maria following a buzzy debut at Venice last night.

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Venice Says Brava To ‘Maria’ With 10-Minute Ovation For Angelina Jolie’s Maria Callas Biopic

Pablo Larraín’s Angelina Jolie-starring Maria was met with a 10-minute ovation following its Venice Film Festival world premiere Thursday night.

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Cannes Film Festival Winners Announced (Updating Live)

Peter Debruge Chief Film Critic CANNES — Hosted by “Call My Agent” star Camille Cottin, the awards show for the 2024 Cannes Film Festival competition is underway. Presenters started making political statements right away, as short film jury president and Belgian actor Lubna Azabal called for the release of all hostages in Gaza.

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Greta Gerwig Addresses #MeToo Movement in France at Cannes Press Conference: ‘It’s Only Moving Everything in the Correct Direction’

Greta Gerwig addressed the growing #MeToo movement in France at the jury press conference on opening day of this year’s Cannes Film Festival. “I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in in the American film community, and I think it’s important that we continue to expand that conversation.

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Cannes Film Festival Jury: Lily Gladstone, Eva Green, Omar Sy and More Join President Greta Gerwig

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

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Venice Opener ‘Comandante’ Scores U.S. Distribution (EXCLUSIVE)

Nick Vivarelli International Correspondent Italian director Edoardo De Angelis’ anti-war epic “Comandante” – the opener of this year’s Venice Film Festival – has secured North American distribution via Uncork’d Entertainment, which will release the film theatrically in tandem with partner company Dark Star Pictures. The movie stars Italian actor Pierfrancesco Favino as Sicilian World War II naval captain Salvatore Todaro and depicts his act of wartime humanitarianism on Oct.

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Adam Driver says “fuck you” when audience member asks about “cheesy” ‘Ferrari’ scenes

Adam Driver responded with the words “fuck you” after an audience member asked the actor about the crash scenes in his film Ferrari.The new biopic follows the story of Ferrari founder Enzo Ferrari, with Driver taking on the main role.The actor was appearing at a screening of the film at Poland’s Camerimage Film Festival when an audience member questioned him about the “cheesy” scenes.“What do you think about [the] crash scenes?” they began. “They looked pretty harsh, drastic and, I must say, cheesy for me.

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‘Ferrari’ producer defends casting of Adam Driver against “cultural appropriation” criticism

Ferrari has defended the casting of Adam Driver against claims of cultural appropriation.Andrea Iervolino, an Italian-Canadian film producer on the Enzo Ferrari biopic, rebuked claims made against Driver’s casting by actor Pierfrancesco Favino, who questioned why Italian actors were not cast more often in Hollywood films.In response, Iervolino said Italy had failed in comparison to other countries in producing Hollywood stars with worldwide visibility, citing examples like Javier Bardem and Antonio Banderas from Spain, and Marion Cotillard and Vincent Cassel from France.Speaking at the festival (via the Telegraph), Ierovlino said: “Italian cinema needs to look beyond Italy and come up with synergies with the international film industry, which wants to invest in Italian icons. Films like Ferrari, which will be distributed in 150 countries, promote Italy and Italian genius.”The producer called on the Italian film industry to “make films based on stories that speak to the whole world, with international stars who work side by side with our own talent”.In his original comments, Favino, who stars in a movie called Comandante which opened this year’s festival, asked why actors on the level of Toni Servillo (The Great Beauty) were not cast more often in Hollywood productions.“There’s an issue of cultural appropriation,” Favino said.“Instead, the parts are given to foreign actors who are distant from the story’s real protagonists, starting with the exotic accents,” he added.

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Without Zendaya, Venice Opening Night Movie Lands Soft 90-Second Standing Ovation

Venice Film Festival. But the SAG-AFTRA strike made it impossible for the tennis drama, which MGM pushed to a 2024 release date, to come to the Lido. So instead, Venice kicked off with World War II drama “Comandante” by young Italian auteur Edoardo De Angelis.

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‘Comandante’ Director Edoardo De Angelis On Finding Humanist Role Model In Italian Fascist Era Submarine Commander – Venice Opening Film Q&A

The Venice Film Festival kicks off its 80th edition on Wednesday with Italian director Edoardo De Angelis’s World War Two Italian submarine drama Comandante.

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‘Nostalgia’ Trailer: Past Meets Present In Mario Martone’s Italian Oscar Submission

EXCLUSIVE: In October, Breaking Glass Pictures acquired Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar for North America, and today we have a first look at the official trailer (check it out above).

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‘Nostalgia’ Duo Mario Martone And Ippolita Di Majo Peel Back Layers Of Italy’s Oscar Entry – Contenders New York

Italian director Mario Martone said that his latest film Nostalgia is very similar to his 1995 film L’amore molesto (Troubling Love).During a panel discussion at Deadline’s Contenders Film: New York event, Martone explained the connection between adapting Elena Ferrante’s first novel L’amore molesto and Ermanno Rea’s book Nostalgia for the big screen. “In L’amore molesto we followed this woman,” Martone said. “We walk alongside her, and we enter into her past.

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Oscars: Italy Submits Cannes Competition Title ‘Nostalgia’ To International Feature Race

Mario Martone’s Cannes competition title Nostalgia has been selected to represent Italy in the Best International Feature Film category at the Oscars.

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Mario Martone on Why ‘Nostalgia’ Depicts Naples As a ‘Global South’

Nick Vivarelli International CorrespondentProlific Italian film and stage director Mario Martone, who is a Venice aficionado, is back in competition in Cannes 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995. And there is a close connection between these two films that delve deep into the entrails of Martone’s native Naples.In his well-received “Nostalgia”, praised by Variety as Martone’s “most rewarding film in years,” ace actor Pierfrancesco Favino plays the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him.

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Cannes Review: Mario Martone’s ‘Nostalgia’

Nostalgia has seldom looked grittier, or more treacherous, than it does in Mario Martone’s eponymous new film. The Italian director splashes his teaming, boisterous, unruly native city of Naples across the screen in fulsome fashion in telling the story of a man who left as a teenager but, some 40 years later, is drawn back into its sinister embrace.

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‘Nostalgia’ Trailer: Pierfrancesco Favino Heads To Naples In Mario Martone’s Cannes Competition Title

EXCLUSIVE: Deadline has your first look trailer at Cannes competition title Nostalgia, directed by Italian helmer Mario Martone.

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True Colours Takes Sales on Mario Martone’s Cannes Competition Entry ‘Nostalgia,’ Unveils First Look Image (EXCLUSIVE)

Nick Vivarelli International CorrespondentItaly’s True Colours has taken world sales on Italian director Mario Martone’s Cannes competition entry “Nostalgia,” starring Pierfrancesco Favino, who is known to Cannes audiences as the protagonist of Marco Bellocchio’s 2019 drama “The Traitor.”Set in Martone’s native Naples, “Nostalgia” sees Favino play the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he drowns into the memories of a distant life he spent in hometown.Martone will be returning to a Cannes competition berth with “Nostalgia” 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995.

Elena Ferrante David Di-Donatello Marco Bellocchio Pierfrancesco Favino Mario Martone Felice Lasco Ermanno Rea Italy Egypt city Naples city Sanita Entertainment film Citi Competition

The Traitor, a 2019 Cannes title which comes to cinemas on 24th July. The film stars Pierfrancesco Favino (World War Z, Rush, Angels & Demons) as the real-life informant Tommaso Buscetta who helped to bring down the powerful Cosa Nostra Mafia family in the 1980s, and Maria Fernanda Cândido (Edge of Desire, Terra Nostra) as his loyal wife Cristina.Here’s the official synopsis.Based on the true story of the Cosa Nostra in the early 1980’s, the film begins as an all-out war rages between Sicilian mafia bosses over the heroin trade.

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