Pierfrancesco Favino: Last News

EXCLUSIVE: In a deal with True Colours, Breaking Glass Pictures has acquired North American rights to Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar. The drama debuted in the Cannes competition last May, and Breaking Glass will continue its festival run in the U.S. through the end of the year with theatrical rollout set for early 2023.

Nick Vivarelli International Correspondent Italian director Edoardo De Angelis’ anti-war epic “Comandante” – the opener of this year’s Venice Film Festival – has secured North American distribution via Uncork’d Entertainment, which will release the film theatrically in tandem with partner company Dark Star Pictures. The movie stars Italian actor Pierfrancesco Favino as Sicilian World War II naval captain Salvatore Todaro and depicts his act of wartime humanitarianism on Oct.

Adam Driver responded with the words “fuck you” after an audience member asked the actor about the crash scenes in his film Ferrari.The new biopic follows the story of Ferrari founder Enzo Ferrari, with Driver taking on the main role.The actor was appearing at a screening of the film at Poland’s Camerimage Film Festival when an audience member questioned him about the “cheesy” scenes.“What do you think about [the] crash scenes?” they began. “They looked pretty harsh, drastic and, I must say, cheesy for me.

Ferrari has defended the casting of Adam Driver against claims of cultural appropriation.Andrea Iervolino, an Italian-Canadian film producer on the Enzo Ferrari biopic, rebuked claims made against Driver’s casting by actor Pierfrancesco Favino, who questioned why Italian actors were not cast more often in Hollywood films.In response, Iervolino said Italy had failed in comparison to other countries in producing Hollywood stars with worldwide visibility, citing examples like Javier Bardem and Antonio Banderas from Spain, and Marion Cotillard and Vincent Cassel from France.Speaking at the festival (via the Telegraph), Ierovlino said: “Italian cinema needs to look beyond Italy and come up with synergies with the international film industry, which wants to invest in Italian icons. Films like Ferrari, which will be distributed in 150 countries, promote Italy and Italian genius.”The producer called on the Italian film industry to “make films based on stories that speak to the whole world, with international stars who work side by side with our own talent”.In his original comments, Favino, who stars in a movie called Comandante which opened this year’s festival, asked why actors on the level of Toni Servillo (The Great Beauty) were not cast more often in Hollywood productions.“There’s an issue of cultural appropriation,” Favino said.“Instead, the parts are given to foreign actors who are distant from the story’s real protagonists, starting with the exotic accents,” he added.

Venice Film Festival. But the SAG-AFTRA strike made it impossible for the tennis drama, which MGM pushed to a 2024 release date, to come to the Lido. So instead, Venice kicked off with World War II drama “Comandante” by young Italian auteur Edoardo De Angelis.

The Venice Film Festival kicks off its 80th edition on Wednesday with Italian director Edoardo De Angelis’s World War Two Italian submarine drama Comandante.

EXCLUSIVE: In October, Breaking Glass Pictures acquired Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar for North America, and today we have a first look at the official trailer (check it out above). 

Italian director Mario Martone said that his latest film Nostalgia is very similar to his 1995 film L’amore molesto (Troubling Love).During a panel discussion at Deadline’s Contenders Film: New York event, Martone explained the connection between adapting Elena Ferrante’s first novel L’amore molesto and Ermanno Rea’s book Nostalgia for the big screen.  “In L’amore molesto we followed this woman,” Martone said. “We walk alongside her, and we enter into her past.

Mario Martone’s Cannes competition title Nostalgia has been selected to represent Italy in the Best International Feature Film category at the Oscars.

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

Nick Vivarelli International CorrespondentProlific Italian film and stage director Mario Martone, who is a Venice aficionado, is back in competition in Cannes 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995. And there is a close connection between these two films that delve deep into the entrails of Martone’s native Naples.In his well-received “Nostalgia”, praised by Variety as Martone’s “most rewarding film in years,” ace actor Pierfrancesco Favino plays the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him.

Nostalgia has seldom looked grittier, or more treacherous, than it does in Mario Martone’s eponymous new film. The Italian director splashes his teaming, boisterous, unruly native city of Naples across the screen in fulsome fashion in telling the story of a man who left as a teenager but, some 40 years later, is drawn back into its sinister embrace.

EXCLUSIVE: Deadline has your first look trailer at Cannes competition title Nostalgia, directed by Italian helmer Mario Martone.

Nick Vivarelli International CorrespondentItaly’s True Colours has taken world sales on Italian director Mario Martone’s Cannes competition entry “Nostalgia,” starring Pierfrancesco Favino, who is known to Cannes audiences as the protagonist of Marco Bellocchio’s 2019 drama “The Traitor.”Set in Martone’s native Naples, “Nostalgia” sees Favino play the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he drowns into the memories of a distant life he spent in hometown.Martone will be returning to a Cannes competition berth with “Nostalgia” 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995.

Newly released gangster epic The Traitor is the latest crime epic for movie fans to obsess over.

By Tom Grater

Awkwafina – “The Farewell,” “Crazy Rich Asians” Zazie Beetz – “Joker,” “High Flying Bird” Alia Bhatt – “Gully Boy,” “Raazi” Bobby Cannavale – “The Irishman,” “The Station Agent” Choi Woo-Shik – “Parasite,” “The Divine Fury” Zendaya Coleman – “Spider-Man: Far from Home,” “The Greatest Showman” Tyne Daly – “The Ballad of Buster Scruggs,” “Spider-Man: Homecoming” Mackenzie Davis – “Terminator: Dark Fate,” “Tully” Ana de Armas – “Knives Out,” “Blade Runner 2049” Kaitlyn Dever – “Booksmart,” “Detroit” Cynthia Erivo* – “Harriet,” “Widows” Pierfrancesco Favino – “The Traitor,” “Rush” Beanie Feldstein – “Booksmart,” “Lady Bird” Zack Gottsagen – “The Peanut Butter Falcon” David Gyasi – “Maleficent: Mistress of Evil,” “Interstellar” Adèle Haenel –

The Traitor, a 2019 Cannes title which comes to cinemas on 24th July. The film stars Pierfrancesco Favino (World War Z, Rush, Angels & Demons) as the real-life informant Tommaso Buscetta who helped to bring down the powerful Cosa Nostra Mafia family in the 1980s, and Maria Fernanda Cândido (Edge of Desire, Terra Nostra) as his loyal wife Cristina.Here’s the official synopsis.Based on the true story of the Cosa Nostra in the early 1980’s, the film begins as an all-out war rages between Sicilian mafia bosses over the heroin trade.