Carla Simón: Last News

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San Sebastián Market Wrap, from Standouts, Big TV Plays, Consolidation, Co-Production, and Tax Breaks as King

Women Rule Still Coming into the festival, many of the biggest main competition buzz pictures were directed by women. Many now figure, according to a El Diario Vasco Spanish critics’ poll, as Golden Shell frontrunners: Isabel Helguera’s animated pic “Sultana’s Dream,” Raven Jackson’s Sundance hit “All Dirt Roads Taste of Salt,” Jaione Camborda’s Toronto platform screener “The Rye Horn” and Tzu-Hui Peng and Ping-Wen Wang’s “A Journey in Spring.” New Talent All of these four films are debuts or sophomore outings in a competition where 10 of the 16 tiles are indeed first or second films.
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Spanish New Talent Showcase Madrid en Corto Announces 2022 Lineup (EXCLUSIVE)
Emilio Mayorga “Son,” “Cosas de chicos,” “Votamos” and “36” are among eight shorts at this year’s Madrid en Corto, an increasingly key Spanish platform for new talent now in huge demand in a platform age.Recent past editions have included Carlota Pereda’s original “Cerdita,” whose feature version dazzled at January’s Sundance, and shorts from Alauda Ruiz de Azúa, director of Berlin Panorama player “Lullaby,” which swept the Málaga Film Festival on Saturday night, and Javier Marco whose “Josephine” proved a prominent feature debut at September’s San Sebastián. In all, over its 18 editions, titles in Madrid en Corto’s distribution catalog have earned 32 nominations for Spanish Academy Goya Awards. This year, the Goya fiction short winner (Verónica Echegui’s “Totem Loba”) doc short laureate (“Mama”) and “The Monkey,” which snagged best animated short, all feature in Madrid en Corto’s catalog.  Women look likely to make much of the running at this year’s edition, organised by ECAM Distribución, the distribution arm of the enterprising Madrid Film School (ECAM), whose Screen-Incubator has fast become one of the key industry development labs in Spain.
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