Semih Kaplanoglu - celebsbar.com

CineLink Industry Days, the industry strand of the Sarajevo Film Festival, has long been considered the leading hub for Southeast European film professionals to come together and, since it was established in 2003, the program has continued to be a generator of content for its own festival as well as other top tier international film festivals throughout the year.

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‘The Sales Girl’ Wins Top Prize at Vesoul Festival

Naman Ramachandran Janchivdorj Sengedorj’s “The Sales Girl” (Mongolia), Asif Rustamov’s “Cold As Marble” (Azerbaijan), Ken Kwek’s “#LookAtMe” (Singapore) and Nader Saeivar’s “No End” (Iran) were among the winners at the Vesoul International Film Festival of Asian Cinema on Tuesday. “The Sales Girl,” which played at Busan and won awards at the New York and Osaka Asian film festivals, won the Golden Cyclo, the festival’s top honor awarded by the international jury. “Cold as Marble,” which has played at Talinn Black Nights and the Goa festivals, took home three awards, including the grand jury prize and the Marc Haaz and Netpac jury prizes.

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Vesoul Festival Unveils Lineup of Asian Films – Global Bulletin

Patrick Frater Asia Bureau Chief The Vesoul International Film Festival of Asian Cinema has unveiled its 85-title lineup for the edition that starts later this month (February 28 to March 7, 2023). Elements include a 10-film competition section, a 10-film documentary film section, a tribute to the Turkish director Semih Kaplanoglu; a thematic section “Asian Diaspora Cinema” offering a panorama of works by directors from Asian countries living in exile; and a Philippines cinema sidebar. Fiction films in competition include: Azerbaijan’s “Cold as Marble,” by Asif Rustamov; China’s “In Our Prime,” by Liu Yulin; Korea’s “A Letter from Kyoto,” by Kim Min-ju; India’s: “Behind Veils,” by Praveen Morshhale; Iran’s “No End,” by Nader Saievar; Mongolia’s “The Sales Girl,” by Sengedorj Janchivdorj; The Philippines’s “Feast,” by Brillante Mendoza; Singapore’s “#LookAtMe,” by Ken Kwek; and Vietnam’s “Memento Mori: Earth,” by Marcus Vu Manh Cuong. The president of the jury is Lee Yong-kwan, president of the Busan film festival.

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Lukas Dhont’s ‘Close’ Wins Best Film Prize at Sydney Festival

Katherine Tulich Lukas Dhont’s “Close,” which won the Grand Prix in Cannes last month, picked up the Sydney Film Prize, the top prize at the Sydney Film Festival, on Sunday evening.Accepting the award via video message Dhont said: “It’s a film that comes from our hearts, that we worked on for a lot of years with many people.”The international jury consisted of Australian actor David Wenham, Australian director Jennifer Peedom, writer-director-producer Mostofa Sarwar Farooki (Bangladesh), Berlin Golden Bear winner Semih Kaplanoglu (Turkey), and the executive director of the Kawakita Memorial Film Institute in Tokyo, Yuka Sakano (Japan). Twelve titles in the official competition included Carla Simon’s “Alcarras”, Hlynur Palmason’s “Godland”, Colm Bairead’s “The Quiet Girl” and Del Kathryn Barton’s “Blaze.” The winner is awarded AUD$60,000 ($41,600).

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Details Regarding Semih Kaplanoglu

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Details Regarding Semih Kaplanoglu

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Is there a full biography of Semih Kaplanoglu available?

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