Carla Simón: Last News

John Hopewell Chief International CorrespondentIn February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.

Emilio Mayorga “Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition.

Emilio Mayorga From Berlin Golden Bear winner ‘Alcarrás’ to Cannes Competition title ‘Pacifiction,’ these projects will represent Catalonia at Cannes.Alcarràs Director: Carla Simón The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes. Sales: MK2 FilmsAmazing Elisa Director: Sadrac González-Perellón The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.

John Hopewell Chief International CorrespondentFilmax has swooped in on one of Spain’s most awaited fiction feature debuts of 2022, Alex Lora’s “Unicorns” (“Unicornios”). Pic is produced by Inicia Films’ Valerie Delpierre, producer of director Carla Simon’s debut, “Summer 1993.”Due to be completed by the fall, “Unicorns” is made with Valencia’s Jaibo, the shingle behind Chema García’s Locarno hit “The Sacred Spirit.”  Filmax will screen a first promo at this week’s Cannes Film Market.New York-based, and an alum of the City College of New York, where he was mentored by Chantal Akerman, Lora has carved out an exceptional documentary career, finding humanity in the most unlikely of subjects, often supposed outsiders or outcasts, and of places, such as a Brooklyn recycling center in 2017’s doc feature “The Fourth Kingdom, The Kingdom of Plastics.” In “Unicorns,” by contrast, Isa, the protagonist, has it all.

Manori Ravindran International EditorGlobal streaming service MUBI has snapped up Carla Simón’s Berlin Golden Bear winner “Alcarràs” for the U.S., U.K. and a raft of other markets.Spanish director Simón’s “Alcarràs” premiered in Competition at the 2022 Berlinale, where it won the Golden Bear for best film.

Emilio Mayorga “Son,” “Cosas de chicos,” “Votamos” and “36” are among eight shorts at this year’s Madrid en Corto, an increasingly key Spanish platform for new talent now in huge demand in a platform age.Recent past editions have included Carlota Pereda’s original “Cerdita,” whose feature version dazzled at January’s Sundance, and shorts from Alauda Ruiz de Azúa, director of Berlin Panorama player “Lullaby,” which swept the Málaga Film Festival on Saturday night, and Javier Marco whose “Josephine” proved a prominent feature debut at September’s San Sebastián. In all, over its 18 editions, titles in Madrid en Corto’s distribution catalog have earned 32 nominations for Spanish Academy Goya Awards. This year, the Goya fiction short winner (Verónica Echegui’s “Totem Loba”) doc short laureate (“Mama”) and “The Monkey,” which snagged best animated short, all feature in Madrid en Corto’s catalog.  Women look likely to make much of the running at this year’s edition, organised by ECAM Distribución, the distribution arm of the enterprising Madrid Film School (ECAM), whose Screen-Incubator has fast become one of the key industry development labs in Spain.

Lullaby” and “Utama,” shot on an awe-inspiring Bolivian Altiplano, swept the board at a historic, 25th Málaga Film Festival which said a lot about the current state of the Spanish film industry. Running March 18-26, the Festival proved a vibrant affair, galvanised by renewed interest in the Spanish cinema after a buoyant reception for its major movies at Berlin, as well as the joy of proving the first time many industry attendees had seen each other in person in two years and backing from Spain’s AVS Hub plan for a vastly larger industry presence. In Alauda Ruiz de Azúa’s “Lullaby,” coming after Sundance hit “Piggy” and Carla Simón’s Berlin Golden Bear triumph “Alcarrás,” Spain would look to have a third art pic breakout in just the first three months of 2022, all driven by a young generation of women cineastes, directors and producers. Carlota Pereda’s “Piggy” uses quite brilliantly a plus-size girl’s complicity with a serial killer to force home to audiences the terrifying hatred inspiredly bullying.

when the Oscar nominations were announced this year. Spanish cinema, long lagging behind other European rivals like Italy and France, has finally begun to catch up. Carla Simón’s win in Berlin for ‘Alcarràs’ is proof of that. According to Variety, Cruz is currently in the mix to be the president of the Cannes festival jury, a distinction already granted in 2017 to Pedro Almodóvar, by far the most appreciated Iberian director abroad.

Emiliano De Pablos Tenerife-based Bendita Film Sales has taken international sales rights to Nely Reguera’s sophomore outing, drama “La voluntaria” (“The Volunteer”), toplining “Broken Embraces,” “Perfect Life” and Piggy” star Carmen Machi, one of the biggest marquee draws in Spain.World premiering in main competition at this year’s Malaga Festival, “La voluntaria” marks Reguera’s follow-up to her well-received feature 2016 debut, the Bárbara Lennie-starrer “María (And the Others),” which won the best Ibero-American film prize at the Miami Film Festival and earned new director and lead actress nominations at the Spanish Academy Goya Awards.Barcelona-born Reguera forms part of the new generation of exciting young female Catalan auteurs, alongside Carla Simón (“Alcarràs”), Belén Funes (“The Daughter of the Thief”), Neus Ballús (“The Odd-Job Men”) and Meritxell Colell (“Facing the Wind”).  A Spain-Greece co-production, “La voluntaria” is produced by Adriá Monés at Fasten Films, Bteam Pictures’ Alex Lafuente and Maria Drandaki from Homemade Films. The film follows Marisa, a recently retired doctor, played by Machi, who has a big desire to having grand-children, but for an inexplicable reason none of her children has granted her wish.After the sudden death of her only companion, her bulldog, Marisa decides to leave everything and travel to a refugee camp in Greece, where the children seem to need people exactly like her. Itsaso Arana (“The August Virgin”), Arnau Comas (“Yesterday’s Two Nights”),  Dèlia Brufau (“Your Are Not So Special”), Yohan Levy (“Emily in Paris”) and Henrietta Rauth (“Gruber Is Leaving”) complete the cast.“We are very happy to add to our catalog the latest film by Nely Reguera, one of the most promising

The Sole family grows peaches. Round white peaches ripen first; then the flat white peaches that supermarkets like; then yellow cling peaches. Their farmhouse is surrounded by the plantation they have tended for three generations, promised to them in perpetuity by the current owner’s great-grandparents during the Civil War. Memories are long in their corner of Catalonia. Nobody remembers a time before peaches. Harvesting determines the rhythm of their rumbustious family life. When the fruit ripens, it’s all hands on deck.

Guy Lodge Film CriticYou can practically smell the midsummer fatigue that wafts through “Alcarràs” on the faintest and most occasional of breezes: a mixture of sweat, baked earth and ripe, plump peaches, inviting in the moment but suggestive of future spoiling. All simple seasonal pleasures are on borrowed time in Carla Simón’s lovely, bittersweet agricultural drama, and not just because winter is inevitably coming.

Emiliano De Pablos Post-COVID, Spanish sales companies look poised for a comeback to the global scene. Although, as Berlin’s EFM has gone virtual once again, their long-awaited physical reunion with the international industry will have to wait until Cannes… hopefully.An argument for optimism: Spanish-language films continue gaining ground on the global market, especially as platforms boom.

Jamie Lang The success of Spain’s regional talent peppers the country’s record-setting Berlinale presence. Both movies in Competition – Isaki Lacuesta’s “One Year, One Night” and Carla Simón’s “Alcarrás” – are made by Catalan directors and are Catalan co-productions.

Elle Driver has acquired world sales rights outside Spain and France to “La Maternal,” the second film from Pilar Palomero.Palomero’s 2019 film “Schoolgirls” (“Las niñas”) made her only the fifth first-feature director to win a Spanish Academy best picture Goya.BTeam Pictures is handling distribution in Spain.“Schoolgirls” also won Goyas for director, original screenplay and cinematography (Daniela Maciela), establishing Palomero as a leading light of Catalonia’s newest — and often female — generation of cineastes, making movies that are grounded in authentic local realities, but alert to broader social trends.Produced by Spain’s Inicia Films (“Schoolgirls,” Carla Simon’s “Summer 1993”) and BTeam Prods., “La Maternal” sees Palomero once more explore the borders between child and adulthood. Billed as a “sensitive and heartbreaking journey into teenage parenthood,” the film follows a pregnant Carla, fleeing social ostracism, eventually arriving at La Maternal shelter.There, she’ll learn to live with her teen classmates and prepare to be a mother.

Jamie Lang One of the hottest titles from Spain at this year’s European Film Market, is Catalan director Carla Simón’s sophomore feature “Alcarrás,” the hotly anticipated follow up to her 2017 debut “Summer 1993.” There, Paris-based MK2 Films will be talking to interested buyers of the recently-finished arthouse entry. To mark the occasion, the sales company has given Variety access to an early clip.A smash hit with critics and festivals alike, Simón’s autobiographical debut “Summer 1993” won the Best First Feature Award and the Generation Kplus Grand Prix jury prize at Berlin in 2017.