Antonio Saura: Last News

Anna Marie de la Fuente Filmed through the prism of grief, documentary ‘Almudena’ is director Azucena Rodrigues’ ode to one of Spain’s renowned writers who was also a dear friend. The late Almudena Grandes was “the voice of her generation, exploring not only contemporary issues but dwelling as well in the memory of the Spanish Civil War,” said Latido’s Antonio Saura, who added: “This will be a must-see documentary for everyone interested in Spanish and world literature, and for Latido, an honor to bring to the world.” Premiering March 15 in a special screening at the Malaga Film Festival, “Almudena” began as a project about Sara Gómez, a character from Grandes’ novel ‘Los Aires Dificiles,’ according to Rodrigues, whose credits include “Women in Prison,” starring Penelope Cruz. This led to her meeting with Grandes and the start of a lifelong friendship.

John Hopewell Chief International Correspondent MONTEVIDEO, Uruguay — “As a meeting place, Ventana Sur was fantastic, the sales agent presence was good, focused on companies which really do buy, and the organization was impecable, run by highly dedicated and nice people,” said Antonio Saura, at Madrid-based sales agency Latido Films. Most other attendees would buy into that.

John Hopewell Chief International Correspondent One of the most active of sales agents at this week’s Ventana Sur, Madrid-based Latido Films has closed international rights on adventure-comedy “Small Town” (“Pueblo Chico”) a parable of greed and instance of the building scale and ambition of Latin American animation co-production whether regional or reaching out to Spain. The subject of a Ventana Sur panel on Wednesday, “Small Town,” long in the works, marks the comeback of Uruguay’s Walter Tournier (“Selkirk”), one of the most veteran of Latin American animation directors whose career stretches back to 1972’s cut-out animated short “In the Forest There Is Much to Do” and takes in Uruguay’s first animated feature, “Selkirk.” In “Small Town,” a winner at Ventana Sur’s 2017’s Animation! which segued to a 2018 Animation! Focus at Annecy’s Mifa’s market, Tournier co-directs with another acknowledged Latin American master of stop-motion animation, Brazil’s Quirino winner Cesar Cabral (“Angeli the Killer,” “Bob Spit – We Do Not Like People”).

Anna Marie de la Fuente Spain’s Latido Films, has pounced on remake rights to Chilean phenomenon “Dad to the Rescue” (“Papa al Rescate”), the biggest box office draw in Chile in the past five years. Lead produced by Sebastian Freund’s Rizoma Films, the family comedy is directed by Marcos Carnevale whose other films he has either directed or written, “Elsa and Fred” and “Corazon de Leon respectively,” have been widely adapted internationally.

Callum McLennan Spanish sales agents are on some kind of roll. The European Film Market during the Berlinale proved robust, and Malaga Film Festival better still. “Malaga was great for our movies,” Latido Films’ Antonio Saura reported at its conclusion.

Callum McLennan Going into Berlin’s European Film Market, Spain’s biggest sales agents are under no illusion just how tough international markets have become. “Paradoxically, in one of the best moments for Spanish productions, we are finding that some of our top dramas are getting hard to sell unless selected in Cannes, Venice or Berlin,” says Latido Films CEO Antonio Saura. Also, “If American productions dominate at least 80% of markets, and local productions claim about half what remains.

John Hopewell Chief International Correspondent As U.S. and European sales agents and distributors gather in Buenos Aires next week for Ventana Sur, there will be a very large elephant in the room: the stunning victory in Argentina’s presidential election Sunday of far right Javier Milei, a self-described “anarcho-capitalist.” Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which include scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of GDP.

Emiliano De Pablos In times of dramatic change for the film-TV industry, Spanish auteur cinema is booming, goosed by multiple significant and high-quality titles, reaping prizes, critical praise and profile at international festivals. Beyond the preeminent interest in established auteurs such as Pedro Almodóvar, Alejandro Amenábar, J.A.

Callum McLennan Latido Films is venturing yet more into the inspiring world of e-sports and viral fame with Goya Award winning producer-helmer Alvaro Longoria’s new doc-feature, “La vida de Brianeitor.” The film serves as a spin-off from Javier Fesser’s Spanish box office smash hit, “Championext,” which Latido is also selling. The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star.

Emiliano De Pablos Madrid-based Latido Films has unveiled a slew of sales during the summer, led by standout deals reached on Daniel Calparsoro’s thriller “All the Names of God” and Gerardo Herrero’s comedy “Under Therapy.” The announcement comes as the 20 year-old company Latido disclosed early sales deals to Javier Fesser’s “Championext,” the sequel to his comedy blockbuster “Champions”- which has become Spain’s biggest box office hit of 2023, scoring €7.52 million ($8.08 million) and 1.2 million tickets sold through Sept. 3, three weekends after its Aug. 18 release.

Callum McLennan In the lead-up to Cannes, Spanish film sales continue to show resilience despite shifting market trends and global challenges. The market signals suggest an enduring preference for genre movies and high-concept films, while the sale of arthouse fare remains tough. Antonio Saura, director general of Latido Films, tells Variety, “The trends we are seeing confirm the trends we identified last year — movies with a strong concept, genre in general, generate interest, [whereas] drama and ‘art house’ is more complicated and requires a different type of attention and positioning.” While there are signs of interest for movies with top talent attached, smaller films without a significant festival presence face an uphill battle.

Ed Meza @edmezavar Dominican filmmaker Leticia Tonos’ sci-fi drama “Aire” has won the inaugural Fantastic Latido Award at the Cannes Film Market’s new Fantastic Pavilion genre hub.   Presented by Madrid-based Latido Films, the Fantastic Latido Award offers international sales representation for the winning film. “Aire” centers on Tania, a conservation biologist living in a future dystopian world where the human race has been reduced to extinction level by pollution and disease. In an effort to keep her species from disappearing completely, she tries with the help of Vida, an artificial intelligence system, to self-inseminate herself.

John Hopewell Chief International Correspondent Few European arthouse-crossover film sales agents have better weathered the ebb and flow of international market dynamics than Madrid’s Latido Films, which turns 20 in 2023. Proof of that came at April’s Platino Awards, where Latido scored six statuettes, split between an acting double for Alauda Ruiz de Azúa’s “Lullaby” and four for Rodrigo Sorogoyen’s “The Beasts,” which has already swept Spain’s Goya Awards and scored a French Cesar for foreign film. Scoring €6.8 million ($7.5 million) in Spain, and 327,000 admissions in France, “The Beasts” also rates as one of the top-performing recent Spanish-language movies.

Ed Meza @edmezavar Madrid-based Latido Films is partnering with the organizers of the new genre-focused Fantastic Pavilion at the Cannes Film Festival’s Marché du Film on a new award that will offer international distribution to selected Spanish-language Iberoamerican films. The prize will also provide theatrical release in Latin America for winning titles. News of the prize comes as plans for the Fantastic Pavilion, one of the major innovation of this year’s Cannes Film Market, are beginning g to emerge, based on a undeniable market reality: Elevated genre films and thrillers, if they are shaped by an auteurist vision, are proving to be among the surest sellers on the international market and genre is embraced by a new generation of young filmmakers who are often creating artistically ambitious films of substance, sometimes dealing with urgent gender and social issues.  

Pablo Sandoval “Los pequeños amores,” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films. Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production (“One Year, One Night”), Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around. 

Film Factory founder Vicente Canales. “Now, either a film works, and sells pretty much the world, or it doesn’t work at all.”

Holly Jones “Championext”(“Campeonex”), the anticipated follow-up to Javier Fesser’s Spanish comedy triumph “Champions” (“Campeones”) which scooped Forqué, Goya, and Feroz awards for best picture and delighted audiences to the tune of a stellar €18.5 million ($21.4 million) box office grab, has been acquired for international sales by Latido Films (“The Beasts”).  Written by Fesser (“Camino”) and Athenea Mata (“El Secreto de Lilith”) in collaboration with David Marqués, the film follows nearly the same cast of beloved characters two years after they’ve left the fierce competition behind. A Los Amigos reunion will see “the landscape move from the world of basketball to the world of athletics for people with disabilities while making room to explore the fascinating world of metaverses and virtual reality,” Fesser revealed in a statement. 

Emiliano De Pablos Suggesting an appreciable recovery in the dynamism of international film markets, Madrid-based Latido Films has unveiled a raft of deals on its Cannes line-up, led by standout sales for Rodrigo Sorogoyen’s Cannes Premiere player “The Beasts.” The Spain-set rural thriller was acquired by Movies Inspired in Italy and Imagine in Benelux. Co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” has also been taken by Kino Mediteran in former Yugoslavia territories and Transilvania Film in Romania.Meanwhile, fruit of Latido’s strengthening of its remake rights sales strategies, the company has optioned Mexican movie adaptation rights on Nicolás Postiglione’s drama “Immersion” to Paloma Negra Films and Whisky, as a French redo of Gastón Duprat’s Spanish-Argentine drama “Masterpiece” is moving into production.  Also, Latido is in advanced negotiations on further remake rights deals in France, Italy and Mexico, among other territories.“Our sales expectations are beginning to approach pre-pandemic levels,” said Antonio Saura, Latido Films managing director.“We saw a market with multiple signs of dynamism but, at the same time, we feel that less and less risks are being taken,” argued Juan Torres, head of international sales. “Projects with a commercial vocation today attract the attention of many buyers more quickly,” he explained. “On the other hand, films that are more fragile from a commercial point of view but which previously managed to find acceptance in various territories today seem destined more than ever for festivals or minor online exhibition,” he added.Regarding signs of dynamism, Saura points out, “we see that independent distributors,

John Hopewell Chief International CorrespondentIn February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.

John Hopewell Chief International CorrespondentWrapping March 26, the 25th Malaga Festival and its Spanish Screenings delivered another confirmation of Spain’s build as a fiction force in a new platform era. Following, nine final takes on what may prove a historic edition. A Vibrant Spanish ScreeningsMálaga’s plus-size 2022 Spanish Screenings fairly rocked. Extra funding from Spain’s AVS Hub Plan, covering far more buyers’ flights, meant attendance skyrocketed.

Emiliano De Pablos Closing in on one of the leading voices in Caribbean cinema, Sony Pictures Television has acquired from Latido Films Latin American rights to “Hotel Coppelia,” directed by Dominican filmmaker José María Cabral.Produced by Santo Domingo-based Rafael Elías Muñoz at Lantica Media and Cabral’s outfit Tabula Rasa, “Hotel Coppelia” is a real events-inspired drama, set during the 1965 Revolution in Dominican Republic.The story focus on a forlorn band of prostitutes, forced to pick sides when the American military invades and the soldiers hole up in their seaside brothel.“It would be impossible to think of a better house to have ‘Hotel Coppelia’ seen in Latin America,” Latido Films CEO Antonio Saura told Variety about the Sony Pictures deal. “The film deals with great intelligence with important issues of the history not only of the Dominican Republic but of all the region, but seen through the eyes of unexpected protagonists, caught in events that are beyond their reach.