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EXCLUSIVE: Roman Polanski’s dark comedy The Palace has sold to a host of key territories ahead of its Venice premiere, with distributors getting behind the film in spite of the controversy surrounding the director.

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Agnieszka Holland’s ‘Green Border’ Debuts Clip Ahead of World Premiere in Venice Competition (EXCLUSIVE)

Leo Barraclough International Features Editor Triple Oscar nominee Agnieszka Holland’s “Green Border,” which will premiere in competition at the Venice Film Festival, before going onto Toronto Film Festival and New York Film Festival, has sold to multiple territories. Variety has been granted access to an exclusive clip from the film, and Holland’s notes on the production, which we quote from below, again exclusively.

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‘The Hypnosis’: Karlovy Vary Title Starring ‘The Worst Person In The World’ Breakout Herbert Nordrum Inks International Deals

EXCLUSIVE: Karlovy Vary competition pic The Hypnosis, starring Herbert Nordrum (The Worst Person In The World) and Asta August (The Kingdom), has inked a series of international deals for Totem Films.

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HYBE and Geffen Records Launch Girl Group Audition Shows on YouTube and Netflix as K-Pop Business Model Is Exported

Patrick Frater Asia Bureau Chief HYBE Corp., the K-Pop powerhouse behind BTS, and the U.S.’s Geffen Records are to bring their global girl group audition efforts to Netflix as a docuseries that will launch next year. The two music companies announced the 2024 series and a companion-piece online show that kicks off on Thursday as their “The Debut: Dream Academy” moves up a gear. Having begun the selection process in November 2021 and screened some 120,000 submissions from young women hopefuls from around the world, they have now narrowed the field to just 20 candidates.

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‘Password’: Inside the U.K.’s ‘Cheekier’ Edition of the Iconic Game Show as Mexico, Greece Versions Are Revealed (EXCLUSIVE)

Naman Ramachandran The U.K. edition of iconic game show “Password” will bow imminently on broadcaster ITV, and new countries are being added. Variety can reveal that the Fremantle-owned format is getting versions in Greece (Alpha TV), Hungary (TV2), Israel (Channel 13), Mexico (TV Azteca) and Slovakia (TV JOJ).

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‘A Picture to Remember,’ ‘Chronicle’ Share Docu Talents From the East Award

Leo Barraclough International Features Editor The jury for the Docu Talents From the East Award, presented Sunday as part of CineLink Industry Days at the Sarajevo Film Festival, split the award between two projects: “A Picture to Remember” by Ukrainian director Olga Chernykh and producer Regina Maryanovska-Davidzon, and the Czech-Slovak co-production “Chronicle” by Martin Kollar. The award comes with a cash prize of $5,000. Eight documentaries from Central and Eastern Europe, planned for theatrical release during the next 12 months, were presented in the program, which is curated by the Ji.hlava Intl.

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Hollywood Vampires Abruptly Cancel Hungary Concert Because Johnny Depp Reportedly Did WHAT??

The Hollywood Vampires haven’t had an easy time of it in Europe lately.

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Rangers Champions League draw LIVE as Michael Beale set to learn Euro first hurdle fate

Michael Beale's Rangers squad is shaping up nicely and that has to be the way with the biggest test of the season coming so early in the campaign.

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‘Bloody and Messy’: Fantasia’s Frontières Market Readies for Exploding Heads, New Zealand Monster Movie and Dark Pro-Birth Future

Marta Balaga At Frontières Market and Forum, it’s all about the exploding heads. “Big, bloody and messy explosions of heads. Old-school style explosions à la ‘Scanners’,” enthuses director Olivier Godin, who will bring neo-noir comedy “Anna Will Talk to Us” to its official selection, about a book that literally blows people’s minds. The much-anticipated event, back for its 15th edition, is bound to satisfy the oddest of tastes, delivering the likes of “Animal Realm” – “Full on Wuxia. Total cyberpunk. Stop-motion animation in full action,” teases director Caochong Maing – or vampire story “Drawn” in which the bloodsuckers don’t actually drink blood.

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Venice Film Festival: Seven Work-in-Progress Films Selected for Final Cut Lineup

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.

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Karlovy Vary Competition Entry ‘We Have Never Been Modern’ Takes on Conventional Thinking and Storytelling

Will Tizard Contributor In Karlovy Vary Film Festival competition entry “We Have Never Been Modern,” Czech director Matej Chlupacek takes on both the dangers of Utopian bubbles and the power of unbending faith in traditional gender concepts. The story, set in a Slovak company town built by a visionary industrialist, takes place on the eve of World War II, as a murder mystery threatens to upset the idealized community. The factory director’s wife Helena, played by Eliska Krenkova, is an aspiring doctor who is soon to give birth. But her rosy future is suddenly darkened by the discovery of the body of a newborn intersex baby in the factory’s courtyard.

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‘Parties, Sexual Exploration, Doubts and Depression’: ‘I’m Not Everything I Want to Be’ Portrays the ‘Nan Goldin of Czechoslovakia’

Marta Balaga Photographer Libuše Jarcovjáková – no stranger to Prague’s nightlife in the 1970s and 80s, as depicted in upcoming documentary “I’m Not Everything I Want to Be” – has already earned comparisons to a certain American icon. “Libuše had this big exhibition in France in 2019 and on the radio they said: ‘She is like Nan Goldin of Czechoslovakia,’” says producer Lukáš Kokeš. Klára Tasovská directs. Recently, Goldin has been the subject of Laura Poitras’ Oscar-nominated “All the Beauty and the Bloodshed.” “The very first time we pitched this project, our tutor, ‘Navalny’s’ editor Maya Daisy Hawke, said: ‘That’s funny. My husband [Joe Bini] is actually editing a film about Goldin next door,’” laughs Kokeš.

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New Europe Film Sales to Sell ‘Stepne,’ from Cannes Palme d’Or Winner Maryna Vroda (EXCLUSIVE)

John Hopewell Chief International Correspondent New Europe Film Sales is set to launch international sales on “Stepne,”the debut feature of Ukraine’s Maryna Vroda, a best short Cannes Palme d’Or winner, which was announced this July 5 morning as part of Locarno’s main International Competition. Born in Kyiv, Vroda won a Palme d’Or in 2011 for her short “Cross Country” (“Kross”), a seemingly allegorical psychological drama about a boy who is forced to run, then does so willingly, ending up watching his classmates running a senseless cross-country race as a boy rolls in a transparent ball in a river. “Kross” was inspired by Vroda’s memories of physical education lessons. “Stepne” is equally personal, coming to Vroda when her grandparents died. In it, a middle-aged man travels to his family home to care for his dying mother. He meets his brother and a woman he loves and thinks back to his life choices such as leaving to live in a big city. Then, just before dying, her mother tells her about a treasure she’s buried in the shed.

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‘We Have Never Been Modern’ Review: Intersex Awareness Brings Unexpected Urgency to a Handsome Czech Period Drama

Guy Lodge Film Critic A lacquered Czech period piece with surprisingly topical interests at its core, “We Have Never Been Modern” rather ambitiously borrows its title from a key text by the late French philosopher Bruno Latour — in which he argued that humanity’s distinction between nature and our own culture is a wholly modern development, and one we’d do best to move away from. While Latour’s ideas can indeed be mapped onto a story that charts modern society’s fixation on human advancement against its rejection of human difference, Matěj Chlupáček’s gripping, gleamingly produced second feature isn’t as academic as all that: Ultimately a humane message movie planting flags for both women’s liberation and queer rights, this Karlovy Vary competition premiere could easily resonate with festival and arthouse audiences away from home turf.

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Flea reveals his least favourite Red Hot Chili Peppers’ album – and his hopes to re-record it

Flea has revealed which is his least favourite album by Red Hot Chili Peppers, and admitted that he has hopes to re-record it.The renowned bassist was speaking as part of a new interview with Los Angeles Times when he reflected on his extensive career, and opened up about which of his albums with the funk rock veterans he is least proud of.Speaking with the outlet’s Mikael Wood, Flea — whose real name is Michael Peter Balzary — admitted that of the band’s 13 studio albums, it is their 1984 debut LP that he wishes he could revisit.“I always regret the way we made the first one,” he admitted. “I think the songs are really good.

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Karlovy Vary Film Festival Competition Features Mix of Poetic and Political Films

Marta Balaga The Karlovy Vary Film Festival, which takes place in an elegant spa resort in the Bohemian region of the Czech Republic, is set to get political during its 57th edition, but in a subtle way. “I am not sure if you can even use the word ‘subtle’ when talking about politics, but it doesn’t always have to be in your face. You can be political by showing the existential struggles of an elderly lady who gets framed by some crooks,” says artistic director Karel Och, mentioning Stephan Komandarev’s “Blaga’s Lessons,” which will vie for the Crystal Globe. While the main competition features many stories about people trying to return home or simply find their place in the world, he adds, the festival will also celebrate Iran with a separate section “Another Birth. Iranian Cinema Here and Now.” “Before our consultant Lorenzo Esposito came up with this name, we thought about ‘Iranian Underground,’ but you can be political also by being poetic. We are not telling our audience how to react. We want them to be our partners,” notes Och. Observing that satire is also making a comeback.

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‘Too Much Love,’ ‘Cuba Libre’ Among Raft of Central and Eastern Europe Deals From Keshet International (EXCLUSIVE)

Naman Ramachandran Keshet International (KI) has racked up several deals for scripted formats and finished tape in the Central and Eastern Europe region. KI has sold the format rights for Duo Productions’ 8 x 60’ relationship thriller “Too Much Love” (“L’homme qui aimait trop”) to Slovakian free-to-air broadcaster TV JOJ. Originally created by Canadian writing duo Michel d’Astous and Anne Boyer (“Taboo”) for Bell Media’s Quebecois streamer Noovo, the Slovakian adaptation will be produced by Piknik Pictures (“Traffic Light”). Currently in pre-production, with casting in progress, shooting will commence later this year ahead of a 2024 premiere on TV JOJ.

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The Match Factory Unveils Fresh Deals On Marco Bellocchio’s Cannes 2023 Competition Title ‘Kidnapped’

The Match Factory has posted fresh deals of for veteran Italian director Marco Bellocchio’s Cannes 2023 Palme d’Or contender Kidnapped about the true story of the kidnapping of a young Jewish boy.

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Marco Bellocchio’s Cannes Competition Title ‘Kidnapped’ Sells to Further Territories

Leo Barraclough International Features Editor Following the announcement of the North American acquisition by Cohen Media, The Match Factory has revealed further sales in key territories for Marco Bellocchio’s Cannes Competition title “Kidnapped.” The film adapts the true story of the kidnapping of the young Jewish boy Edgardo Mortara, starring Paolo Pierobon, Fausto Russo Alesi, Barbara Ronchi, Enea Sala and Leonardo Maltese. The film has its release secured in the following territories: U.K. and Ireland (Curzon), Australia and New Zealand (Palace Entertainment), Japan (Fine Films), Latin America (Cine Video y TV), Spain (Vertigo Films), Benelux (Cherry Pickers), Switzerland (Agora Films), Poland (Best Film), Portugal (Alambique), Greece and Cyprus (Rosebud.21), Czech Republic and Slovakia (Aerofilms), Ex-Yugoslavia (MCF Megacom), Hungary (Vertigo Media), Baltics (Kino Pavasaris), Bulgaria (Art Fest), Israel (United King Video), Ukraine (Traffic Films), Taiwan (Light Year Images) and Indonesia (Falcon Pictures). Further territories are in negotiation.

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Karlovy Vary Film Festival Unveils Eastern Promises Projects

Leo Barraclough International Features Editor Karlovy Vary Intl. Film Festival’s Eastern Promises industry platform has unveiled 27 film projects that will be showcased during its Works in Progress, Works in Development – Feature Launch and First Cut+ Works in Progress presentations. The most promising projects, selected by international juries, will receive awards with a total value of 115,000 EUR.  The showcasing of projects to industry professionals will take place in Karlovy Vary, during this year’s KVIFF Industry Days on July 3 (Works in Progress and Works in Development – Feature Launch) and July 4 (First Cut+ Works in Progress). For Works in Progress, 11 fiction and documentary feature films in the late stage of production or post-production from the countries of Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa have been selected.

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Annecy Competition Film ‘The Inseparables’ Lures International Distributors For Octopolis, nWave (EXCLUSIVE)

Elsa Keslassy International Correspondent “The Inseparables,” Jérémie Degruson’s ambitious animated feature competing this week at Annecy festival, has been sold to a raft of territories by Octopolis and nWave. Based on an original idea by Joel Cohen and Alec Sokolow, the Oscar-nominated writers of “Toy Story,” “The Inseparables” follows the misadventures of Don, a runaway puppet with a boundless imagination and, DJ Doggy Dog, an abandoned stuffed animal toy in need of a friend. Don and DJ Doggy Dog cross paths in Central Park and pair up against all odds for an epic adventure of friendship in New York City. The film was penned by Bob Barlen and Cal Brunker. Budgeted at $25 million, “The Inseparables” was produced by nWave Studios in Belgium, Octopolis in France and A Contracorriente Films in Spain.

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‘Noise’ Sales Resonate for Korea’s Finecut – Pre-Cannes Market Deals

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