Edgardo Mortara - celebsbar.com

Leo Barraclough International Features EditorShooting has begun in Roccabianca in the province of Parma, Italy, on Marco Bellocchio’s new film, “La Conversione” (The Conversion), inspired by the story of Edgardo Mortara, the Jewish child who in 1858 was removed from his family to be raised as a Catholic in the custody of Pope Pius IX. “La Conversione” stars Paolo Pierobon, Barbara Ronchi, Fausto Russo Alesi, Filippo Timi, Fabrizio Gifuni, Enea Sala, playing Mortara as a child, and Leonardo Maltese, playing Mortara as an older boy.

Marco Bellocchio Emilia Romagna Simone Gattoni Susanna Nicchiarelli Edgardo Mortara Paolo Pierobon Barbara Ronchi Filippo Timi Fabrizio Gifuni Leonardo Malta France Paris Italy Germany city Rome Malta film stars shootings

More Neon Love As ‘Babes’ Blasts Off Stateside – Specialty Box Office

As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d’Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes.

Josh Oconnor Alex Garland Pamela Adlon Alice Rohrwacher Marco Bellocchio Jane Schoenbrun Edgardo Mortara Josh Rabinowitz Italy Boxing film information google Love Provident Enterprise

‘Kidnapped: The Abduction Of Edgardo Mortara’, Marco Bellocchio’s True Tale Of Jewish Boy Taken By Pope In 1800s Italy – Specialty Preview

A searing historical drama set in mid-19th century Bologna, and a TIFF award winning coming-of-age story open in limited release. The fascination with female conductors continues in doc Maestra. Netflix starts a small run with Richard Linklater comedy Hit Man. A24’s I Saw TV Glow is steady on under 400 screens. Evil Does Not Exist from Sideshow/Janus Films pops up to 138 runs.

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The Match Factory Unveils Fresh Deals On Marco Bellocchio’s Cannes 2023 Competition Title ‘Kidnapped’

The Match Factory has posted fresh deals of for veteran Italian director Marco Bellocchio’s Cannes 2023 Palme d’Or contender Kidnapped about the true story of the kidnapping of a young Jewish boy.

Marco Bellocchio Simone Gattoni Edgardo Mortara Ad Vitam Australia Britain Spain France New Zealand USA Italy Ireland Ukraine Germany Japan Portugal Switzerland Indonesia Greece Poland Czech Republic Hungary Cyprus Bulgaria Israel Slovakia Taiwan county Rosebud film art google Latin Enterprise Competition

Marco Bellocchio’s Cannes Competition Title ‘Kidnapped’ Sells to Further Territories

Leo Barraclough International Features Editor Following the announcement of the North American acquisition by Cohen Media, The Match Factory has revealed further sales in key territories for Marco Bellocchio’s Cannes Competition title “Kidnapped.” The film adapts the true story of the kidnapping of the young Jewish boy Edgardo Mortara, starring Paolo Pierobon, Fausto Russo Alesi, Barbara Ronchi, Enea Sala and Leonardo Maltese. The film has its release secured in the following territories: U.K. and Ireland (Curzon), Australia and New Zealand (Palace Entertainment), Japan (Fine Films), Latin America (Cine Video y TV), Spain (Vertigo Films), Benelux (Cherry Pickers), Switzerland (Agora Films), Poland (Best Film), Portugal (Alambique), Greece and Cyprus (Rosebud.21), Czech Republic and Slovakia (Aerofilms), Ex-Yugoslavia (MCF Megacom), Hungary (Vertigo Media), Baltics (Kino Pavasaris), Bulgaria (Art Fest), Israel (United King Video), Ukraine (Traffic Films), Taiwan (Light Year Images) and Indonesia (Falcon Pictures). Further territories are in negotiation.

Marco Bellocchio Simone Gattoni Leo Barraclough International Edgardo Mortara Ad Vitam Paolo Pierobon Barbara Ronchi Leonardo Malta Australia Spain France New Zealand USA Italy Ireland Ukraine Germany Japan Portugal Switzerland Indonesia Greece Poland Czech Republic Hungary Cyprus Bulgaria Israel Slovakia Taiwan Malta county Rosebud film gatherings stars art Latin Competition

Cohen Media Buys Marco Bellocchio’s Cannes Competition Film ‘Kidnapped’ for North America (EXCLUSIVE)

Elsa Keslassy International Correspondent Cohen Media Group has scooped rights to “Kidnapped,” the latest movie by revered Italian master Marco Bellocchio, which world premiered in competition at the Cannes Film Festival. The drama reconstructs the true tale of Edgardo Mortara, a young Jewish boy who was kidnapped and forcibly raised as a Christian in 19th-century Italy. Described by Variety as a “handsomely mounted period drama,” “Kidnapped” opens in 1858, in the Jewish quarter of Bologna, where the Pope’s soldiers burst into the home of the Mortara family. By order of the cardinal, they have come to take Edgardo, their seven-year-old son. The child had been secretly baptized by his nurse as a baby, and the papal law is unquestionable: he must receive a Catholic education.

Marco Bellocchio Robert Aaronson Edgardo Mortara USA Italy county Christian film stage audience reports art gossips BURST Competition

Vatican Comments on Marco Bellocchio’s ‘Kidnapped’ About a Jewish Boy Forced to Convert to Christianity as Film Opens Strongly in Italy

Nick Vivarelli International Correspondent Marco Bellocchio’s drama “Kidnapped” that reconstructs the true tale of a Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Rome, has opened strongly in Italy following its Cannes launch. The revered Italian auteur’s film about Edgardo Mortara, who in 1858 was taken away from his family in Bologna to live in the Vatican – after it surfaced that the boy secretly been baptized a Christian – has also sparked debate and prompted the Vatican to comment the abduction for which Pope Pius IX has been held responsible. “Kidnapped” over the weekend bowed in third place at the Italian box office, placing itself after “The Little Mermaid” and “Fast X” and pulling a handsome more than €550,000 ($587,000) intake to date from roughly 300 screens.

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Marco Bellocchio On Making His Cannes Competition Title ‘Kidnapped’ To “Save” The Pope & Why Steven Spielberg Dropped Out Of Making A Similar Film About The Catholic Church

“I didn’t make a film against the pope or to condemn the Pope,” Italian filmmaker Marco Bellocchio said of his Cannes competition title Kidnapped at the official festival presser this morning.

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‘Kidnapped’ Review: Sins Of Holy Fathers Remain Unforgiven In Marco Bellocchio’s Authoritative Historical Drama – Cannes Film Festival

In 1857, 6-year-old Edgardo Mortara was stolen from his Jewish family to be raised in a Catholic seminary on the spurious grounds that a maid had secretly baptized him in the cradle. As documented with theatrical extravagance by Italian maestro Marco Bellocchio in Kidnapped (Rapito), it is a story of such unmitigated wickedness that it initially would be hard to believe if it were not meticulously referenced with times, dates and locations reminding us that although this cinematic opera does not have the feel of documented fact, Bellocchio can verify every twist in the tale, chapter and verse. Ultimately, this serves his larger purpose, which is to wind the Mortara family’s trials into the bloody story of Italy’s unification as a secular state.

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Marco Bellocchio on How His ‘Kidnapped,’ About a Jewish Boy Abducted by the Church, Is Different From the Film Steven Spielberg Had in Mind

Nick Vivarelli International Correspondent Revered Italian auteur Marco Bellocchio is returning to Cannes with “Kidnapped,” a drama that reconstructs the true tale of Edgardo Mortara, a young Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Italy. It’s a story that Steven Spielberg had his eye on, having announced in 2016 that he would make a drama about Mortara for which he began scouting locations in Italy. Last year, Bellocchio was in Cannes with another kidnapping drama, the limited TV series “Exterior Night,” about the abduction and assassination of former Italian premier Aldo Moro by Red Brigades terrorists. The veteran auteur’s first foray in TV has had the rare distinction of playing well in Italian cinemas — in two installments — before airing on RAI and selling globally. Earlier this month it also scored a slew of statuettes, including best director, at Italy’s David Awards, the country’s top film prizes.

Marco Bellocchio Nick Vivarelli International Edgardo Mortara Aldo Moro Italy city Rome Vatican county Christian film audience consequences gossips Digital Coherent

Marco Bellocchio’s ‘Kidnapped’ Debuts Trailer Ahead of Cannes World Premiere (EXCLUSIVE)

Leo Barraclough International Features Editor Variety has been given exclusive access to the trailer for Marco Bellocchio’s “Kidnapped” (Rapito), which has its world premiere in Competition at the Cannes Film Festival. The film starts in 1858 in the Jewish quarter of Bologna, when the Pope’s soldiers burst into the home of the Mortara family. By order of the cardinal, they have come to take Edgardo, their seven-year-old son. The child had been secretly baptized by his nurse as a baby and the papal law is unquestionable: he must receive a Catholic education. Edgardo’s parents, distraught, will do anything to get their son back. Supported by public opinion and the international Jewish community, the Mortaras’ struggle quickly takes a political dimension. But the Church and the Pope will not agree to return the child, to consolidate an increasingly wavering power.

Marco Bellocchio Simone Gattoni Leo Barraclough International Edgardo Mortara Paolo Pierobon Barbara Ronchi Filippo Timi Fabrizio Gifuni Leonardo Malta France Germany Malta region Emilia-Romagna film stars exclusive BURST Nov

Marco Bellocchio Set to Shoot Pic in June About Abducted Jewish Boy That Spielberg Had His Eye On (EXCLUSIVE)

Nick Vivarelli International CorrespondentMarco Bellocchio, who is in Cannes with TV series “Esterno Notte” about the kidnapping and assassination of former Italian premier Aldo Moro by Red Brigades terrorists, is set to return behind camera in late June.The veteran Italian auteur and Cannes aficionado will reconstruct the true tale of Edgardo Mortara, a young Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Italy.Mortara was a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

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