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Patrick Frater Asia Bureau Chief Taiwanese-produced crime action film “The Pig, the Snake and the Pigeon” opened on top of the mainland China box office over the weekend, ahead of a quartet of holdover titles from Lunar New Year. Sony’s ‘Madame Web’ and a rereleased “Dune” also opened, but they failed to penetrate the top five. “The Pig, the Snake and the Pigeon” earned $16.2 million (RMB115 million), according to data from consultancy firm Artisan Gateway.

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Korea Box Office: ‘Exhuma’ Expands in Second Week, Overshadows ‘Dune 2’ Debut

Patrick Frater Asia Bureau Chief “Exhuma,” a locally produced occult drama-thriller, expanded its domination of the South Korea box office on its second week of release. That left the newly-released “Dune 2” several sand dunes behind in second place. “Exhuma,” about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, earned $17.2 million between Friday and Sunday, representing a 69% share of the overall box office market.

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IQiyi, Chinese Streamer, Loses Subscribers but Records First Annual Profit

Patrick Frater Asia Bureau Chief IQiyi, the Chinese streaming platform that is part of Baidu, revealed its first full year net profits, in 2023, even as its subscriber total dropped by more than 10%. The company enjoyed a 10% increase in revenue to RMB31.9 billion ($4.5 billion) in the year to December, it said in a regulatory filing on Wednesday. Net income was RMB1.9 billion ($271 million), compared with a loss of RMB136 ($19 million).

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Hamaguchi Ryusuki’s ‘Gift’ to Unspool in Hong Kong as One-Off Live Performance

Patrick Frater Asia Bureau Chief Superstar Japanese auteur Hamaguchi Ryusuke will unveil “Gift,” a companion piece to his recent “Evil Does Not Exist” as a one-off live performance at next month’s Hong Kong International Film Festival. Following the success of his breakout “Drive My Car,” which won the Oscar for best international feature film, Hamaguchi initially made “Gift” as a silent film project to accompany the live performance of Ishibashi Eiko, the music composer of both “Drive” and later “Evil.” From the same project, Hamaguchi also derived “Evil Does Not Exist,” which then went on to win the Grand Jury Prize at last year’s Venice International Film Festival.

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New Zealand Detective Series ‘A Remarkable Place to Die’ Launched by Banijay

Patrick Frater Asia Bureau Chief New Zealand-set detective Series “A Remarkable Place to Die” is being launched by Banijay Rights at the London Screenings. The 4 x 90’ murder mystery was created by Screentime New Zealand and is co-produced with Real Film Berlin (Berlin, Berlin,” Netflix’s “Unorthodox”) in association with Banijay Rights. Smart and savvy detective Anais Mallory (portrayed by Chelsie Preston-Crayford) returns to her hometown, Queenstown, in South Island, New Zealand and is met with a series of startlingly different homicides.

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Janet Yang Joins Imax China as Company Profits Stage Post-COVID Rebound

Patrick Frater Asia Bureau Chief Janet Yang, the Los Angeles-based producer and president of the Academy of Motion Pictures Arts and Sciences, has been appointed as an independent non-executive director to the board of Imax China, a subsidiary of premium large format cinema company Imax that has its own share listing on the Hong Kong Stock Exchange. The company, Wednesday, reported a return to net profits of $27.5 million for the 2023 calendar year. That compared with net profit of $10.8 million in 2022.

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Japan Opens First Funding Round of Location Production Incentive Scheme

Patrick Frater Asia Bureau Chief Japan will next month open the first round of film and TV production funding under its previously-teased location incentive scheme. The scheme offers reimbursement of up to 50% of qualifying expenditure in Japan, with an upper limit of JPY1 billion ($6.66 million) on each disbursement. Targeting larger-scale productions, the scheme is open to: film, TV or streaming projects that have minimum direct production spending in Japan of $3.3 million; or have budgets greater than $6.66 million and spend a fifth of that (JPY200 million or $1.33 million) in Japan; or, in the case of other projects distributed in ten or more countries, have Japanese production spend higher than $1.33 million.

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Berlin Film Festival Files Criminal Charges After Anti-Semitic Hacking, Criticizes Award-Winner Statements

Patrick Frater Asia Bureau Chief The Berlin Film Festival said Monday that it has filed criminal charges following the hacking of its Panorama section’s Instagram social media site, which was used to post anti-Semitic messages. After a politically charged edition, festival organizers also attempted to distance the Berlinale management from the stances taken by some of the awards winners at Saturday’s closing ceremony. The organizers said that on Sunday, the day after the festival concluded, “The Instagram channel of the Berlinale Panorama section was briefly hacked and anti-Semitic image-text posts about the Middle East war with the Berlinale logo were posted on the channel.

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Canal Plus Increases Stake in Asian Streamer Viu to 30% – Global Bulletin

Patrick Frater Asia Bureau Chief France’s Canal+ Group said that it has increased its stake in multi-territory Asian streaming platform Viu to 30%. “This additional investment underlines the confidence that Canal+ has in Viu and its teams. It also highlights the determination of Canal+ to make Asia its next growth vector, through its strategic partnership with PCCW, and through an acceleration of growth at Viu, a premium streaming service present in Asia, the Middle East and South Asfrica,” the French group said in a statement.

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Hybe Revenue and Profit Growth Are Propelled by Booming Album Sales, Concerts

Patrick Frater Asia Bureau Chief Hybe, the Korean entertainment group behind BTS, saw revenues and profits both grow by more than a fifth in 2023 as album sales doubled and post-COVID conditions allowed more concerts. The company Monday reported annual revenues of KRW2.17 trillion ($1.63 billion), up 23% compared with 2022. Net profits reached KRW187 million, more that three times 2022’s depressed result and exceeding 2021’s figure.

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China Box Office: ‘Article 20’ Goes Top After Third Weekend, as ‘Argylle’ Flops

Patrick Frater Asia Bureau Chief The four strongest Chinese titles that launched over the Lunar New Year holidays continued to dominate the mainland China and global office charts for a third successive weekend, albeit with a change of order that put Zhang Yimou’s “Article 20” in top spot. Global box office tracking service ComScore showed “Article 20,” “Pegasus 2,” “YOLO” and “Boonie Bears: Time Twist” as ranking first, second, fifth and sixth, respectively, in the world over the latest weekend. Within mainland China, the quartet’s numbers were sufficiently solid that the year-to-date aggregate is now closely comparable to 2023’s.

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Korea Box Office: ‘Exhuma’ Makes $16.8 Million Commercial Debut After Berlin Premiere

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

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‘The Roundup’ Star Don Lee on Plans to Expand the Action-Packed Franchise: ‘I Need to Entertain More People’

Patrick Frater Asia Bureau Chief In Berlin with “The Roundup: Punishment,” part four of the action movie series that he created and stars in, the larger-than-life Korean American Don Lee finds himself simultaneously in multiple timely and lucrative businesses. These include the Marvel superhero business, the Korea-to-Hollywood remake business, “The Roundup” franchise and its multiple spinoff possibilities. Lee may even be in the business of saving Korean cinema, which is currently having one of its periodic wobbles.

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Korean Hit Film ‘12.12: The Day’ Sets North American Digital Release – Global Bulletin

Patrick Frater Asia Bureau Chief North American digital distributor Echelon Studios has come on board “12.12: The Day,” the highest grossing film from Korea last year. The film has been on theatrical release in North America, through 815 Pictures since last year and grossed over $1 million.

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Sakaki Hideo, Japanese Actor and Director, Arrested After Sexual Assault Allegations

Patrick Frater Asia Bureau Chief Sakaki Hideo, a well-known Japanese actor and film director, was arrested on Tuesday in Tokyo on suspicion of sexual assault. Japanese media, quoting police reports, said that the arrest relates to an alleged incident in May 2016. They also cite Sakaki’s denial of the charges, which he calls “false accusations.” The assault is alleged to have occurred at Sakaki’s apartment, where he took an actor in her 20s in order to give her acting advice.

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Berlin: Taiwan’s ‘Shambhala,’ ‘Sleep With Your Eyes Open’ Producers Join Forces for Film, TV Venture

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

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SixTONES’ Matsumura Hokuto Makes Acting Splash in ‘All the Long Nights’ Berlin Forum Title

Patrick Frater Asia Bureau Chief The route from idol group member to TV and film acting is a well-trodden one for multiple Japanese performers as they mature and attempt to broaden and extend their career. Few, however, can have received the plaudits of SixTONES member Matsumura Hokuto, who flies in to the Berlin Film Festival for the international premiere of two handed drama feature “All the Long Nights.” Derived from a novel by Seo Maiko and directed by Miyake Sho, the narrative features a woman (portrayed by Kamishiraishi Mone) whose pre-menstrual tension is so intense that it changes her character and disrupts her career. She is befriended by a younger, somewhat solitary man who, in turn, suffers from panic attacks.

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Disney+ Unveils Four Korean Series Additions for 2024

Patrick Frater Asia Bureau Chief Streaming platform Disney+ will add four new Korean-language original series to its 2024 lineup. Its “Blood Free,” “Unmasked,” “The Tyrant” and “Gangnam B-Side” land in addition to a third season of “The Zone: Survival Mission” and the previously announced “Uncle Samsik” and “Light Shop” from webtoon pioneer and creator of the platform’s 2023 series hit “Moving.” “Blood Free,” which is to star Ju Jihoon (“Kingdom”) and Han Hyojoo (“Moving”), follows a former bodyguard haunted by the failures of his past. He finds himself recruited to protect the CEO of a controversial lab-grown meat company who is also a survivor of the fateful attack that changed his life. Set in modern-day Seoul, “Unmasked” follows a group of investigative journalists who are fighting for their careers after broadcasting a controversial story.

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Korea’s CJ ENM Sets Jung Jhong-hwan, Fifth Season Board Member, as President of Global Content (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Korean entertainment conglomerate CJ ENM has appointed Jung Jhong-hwan, as president of content, global business. He is expected to spearhead growth of global content production and distribution and continue the group’s multi-studio approach to business.

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China Box Office: Four Chinese Films Dominate Global Cinema Revenues as Lunar New Year Haul Tops $1.1 Billion

Patrick Frater Asia Bureau Chief Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of $402 million (RMB2.85 million), according to data from consultancy firm Artisan Gateway. The second film by Jia Ling, who previously directed 2021 Lunar New Year smash hit “Hi, Mom”, “YOLO” released on Saturday, Feb.

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Isabelle Huppert on Her Unique Partnership With ‘A Traveler’s Needs’ Director, Korea’s Hong Sang-soo: ‘I Hope It Goes on Forever’

Patrick Frater Asia Bureau Chief France’s Isabelle Huppert, one of the leading actors of her age, has crafted a unique relationship with Korean auteur Hong Sang-soo. Hong’s “A Traveler’s Needs,” which premieres this week in competition at the Berlin Film Festival, is the third time that Huppert has starred in one of his unique pieces of minimalist cinema. She says she hopes the partnership can go much further. Huppert plays a footloose and intense French woman at large in Korea and vaguely making ends meet as an untrained language tutor with eccentric methods.

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Udine’s Far East Film Festival Gives Double Prizes to Japan’s ‘Takano Tofu’

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