Alex Ross Perry: Last News

Ghost have released two new animated music videos – check them out below.The masked Swedish metallers have shared two animated clips – one of which was shown in their recent concert film RITE HERE RITE NOW, and the other for their new single ‘The Future Is A Foreign Land’.Despite ‘Mary On A Cross’ being released in 2019, the song never got a full-fledged music video – even after it went viral in 2022 on TikTok. So instead of sharing live concert footage of ‘Mary On A Cross’ in RITE HERE RITE NOW, the band chose to craft an animated video to tell the story of the track.Speaking to NME about the film, director Alex Ross Perry explained why live concert footage of ‘Mary On A Cross’ was swapped out for an animated video: “There was always meant to be a music video for this song, but it never came together, and Tobias was never able to tell the story that he wanted to.

Pavement, titled Pavements, will include the group’s first song in 25 years on its soundtrack.The part-documentary, part-biopic film premiered on September 3 at the Venice Film Festival, and stars Joe Keery and Jason Schwartzman. It will be released via MUBI in the spring.Accompanying the film will be an official soundtrack and that will include the first new Pavement song in 25 years.The band’s Scott Kanneberg (also known as Spiral Stairs), filmmaker Alex Ross Perry and the film’s producer and editor Robert Greene were guests on Vish Khanna‘s Kreative Kontrol podcast this week.

Patrick Frater Asia Bureau Chief Experimental music film “Pavements” and offbeat comedy “Nightbitch” are among five titles designated as ‘headliners’ of the film section on the upcoming SXSW Sydney festival. “Pavements,” which premiered in Venice, is an experimental hybrid of narrative, scripted, documentary, musical, and metatextual elements from director Alex Ross Perry about the indie rock outfit, Pavement.“Nightbitch,” which debuted in Toronto, is a darkly comedic fairy tale about a stay-at-home mother, portrayed by Amy Adams, who transforms into a dog. Others getting the gala treatment include Max & Sam Eggers’ new A24 horror “The Front Room,” starring pop star Brandy as a newly-pregnant woman facing off against her mother-in-law; “Smile 2,” by Parker Finn; and Jason Reitman’s “Saturday Night,” based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of “Saturday Night Live.” “These bold, hilarious, captivating and thrilling films lead a program not just for film fans, but the tech, music, and games audiences that form the rich tapestry of the SXSW Sydney audience,” said Colin Daniels, MD, SXSW Sydney. The festival, a spin-off from the U.S. South by Southwest festival, and which shares PMC corporate ownership with Variety, is in its second year Down Under.

Alex Ritman Since its inception in 2018, North American distributer and sales outfit Utopia has been quietly building up its credentials as a both a company with a distinctive cinematic palette and one able to identify indie projects ahead of the buzz. Its darkly comic 2020 breakout hit “Shiva Baby,” the directorial feature debut of Emma Seligman, gave an early indication of Utopia’s tastes, which soon led it to pick up Dasha Nekrasova’s wild and erotically-charged Jeffrey Epstein-themed horror “The Scary of Sixty-First” and Lena Dunham’s shoestring sex comedy “Sharp Stick.” In Cannes 2022 it made a splash by acquiring domestic rights to Ali Abbasi’s gritty Iranian crime thriller and Palme d’Or nominee “Holy Spider,” for which Zar Amir won the best actress award, and last year bought LGBT revenge thriller “Femme,” one of the hottest films going into the 2023 Berlinale.

Marta Balaga “Her Smell” director Alex Ross Perry is developing two nonfiction projects, including the as-yet-untitled doc about video stores. “I can’t speak for everybody but yeah, I miss them,” he tells Variety at Poland’s American Film Festival, where he also picked the Indie Star Award and treated the audience to work-in-progress footage. “I’m trying to tell this story while it’s still within our grasp.

Gary Young, the original drummer for pioneering indie rock band Pavement who played on its revered debut album Slanted and Enchanted, died Thursday at his home in Stockton, CA. He was 70. The group shared the news on social media but did not provide other details.

Gregg Goldstein “I never really wanted to be a cinematographer,” says Sean Price Williams, who has nevertheless shot nearly 60 indie features, some 50 shorts and seven series since 1999. “I didn’t even know what that job was. I’ve always wanted to direct, but didn’t have the means to make a movie.” At age 45, the widely respected lensman is finally getting around to his solo feature directorial debut, “The Sweet East,” pictured above, premiering in Cannes’ Directors’ Fortnight. The Match Factory is repping sales. Why the wait? “I wasn’t putting it off,” he says. “I just didn’t think anybody would ever give me money to do it.” Through his longtime collaborator and “Sweet” producer Alex Ross Perry’s agency connections, they enlisted stars like Jacob Elordi and Talia Ryder to secure financing. His adventure comedy follows a South Carolina high school senior (Ryder) who breaks away from a class trip to start her own journey. “She guides us through different scenarios that illustrate idealogues in contemporary America,” he says. “They’re representations of current beliefs and situations.” The lineup includes Elordi as a Robert Pattinson-type star trying his hand at an indie film and Simon Rex as a white supremacist college professor.

Pavement, the venerable indie rock band fronted by Stephen Malkmus, is getting its own feature film treatment.