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variety.com
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‘Pavements’ and ‘Nightbitch’ to Light up SXSW Sydney Film Selection – Global Bulletin
Patrick Frater Asia Bureau Chief Experimental music film “Pavements” and offbeat comedy “Nightbitch” are among five titles designated as ‘headliners’ of the film section on the upcoming SXSW Sydney festival. “Pavements,” which premiered in Venice, is an experimental hybrid of narrative, scripted, documentary, musical, and metatextual elements from director Alex Ross Perry about the indie rock outfit, Pavement.“Nightbitch,” which debuted in Toronto, is a darkly comedic fairy tale about a stay-at-home mother, portrayed by Amy Adams, who transforms into a dog. Others getting the gala treatment include Max & Sam Eggers’ new A24 horror “The Front Room,” starring pop star Brandy as a newly-pregnant woman facing off against her mother-in-law; “Smile 2,” by Parker Finn; and Jason Reitman’s “Saturday Night,” based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of “Saturday Night Live.” “These bold, hilarious, captivating and thrilling films lead a program not just for film fans, but the tech, music, and games audiences that form the rich tapestry of the SXSW Sydney audience,” said Colin Daniels, MD, SXSW Sydney. The festival, a spin-off from the U.S. South by Southwest festival, and which shares PMC corporate ownership with Variety, is in its second year Down Under.
variety.com
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‘The Sweet East’ Director Sean Price Williams on Politics, Unions and the Film Establishment
Gregg Goldstein “I never really wanted to be a cinematographer,” says Sean Price Williams, who has nevertheless shot nearly 60 indie features, some 50 shorts and seven series since 1999. “I didn’t even know what that job was. I’ve always wanted to direct, but didn’t have the means to make a movie.” At age 45, the widely respected lensman is finally getting around to his solo feature directorial debut, “The Sweet East,” pictured above, premiering in Cannes’ Directors’ Fortnight. The Match Factory is repping sales. Why the wait? “I wasn’t putting it off,” he says. “I just didn’t think anybody would ever give me money to do it.” Through his longtime collaborator and “Sweet” producer Alex Ross Perry’s agency connections, they enlisted stars like Jacob Elordi and Talia Ryder to secure financing. His adventure comedy follows a South Carolina high school senior (Ryder) who breaks away from a class trip to start her own journey. “She guides us through different scenarios that illustrate idealogues in contemporary America,” he says. “They’re representations of current beliefs and situations.” The lineup includes Elordi as a Robert Pattinson-type star trying his hand at an indie film and Simon Rex as a white supremacist college professor.

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