Steve Buscemi: Last News

Actress Tessa Thompson was a vision in all-black while hitting the red carpet at the Academy Women's Luncheon.The 39-year-old actress was all smiles on the red carpet at the annual event, held at the Academy Museum in Los Angeles on Wednesday.She also posed on the red carpet with director Janicza Bravo and actress Leslie Mann. Red carpet ready: Actress Tessa Thompson was a vision in all-black while hitting the red carpet at the Academy Women's LuncheonThompson arrived decked out head-to-toe in Chanel, starting with diamond-encrusted Chanel earrings and a diamond Chanel choker.She also wore a black knit Chanel top under a sparkling black Chanel coat for the red carpet event.  The actress completed her look with black wide-legged corduroy pants, black boots and a tiny Chanel handbag and a white Chanel purse.

Simon Rich‘s TBS series “Miracle Workers” may be one of the most fascinating shows to hit TV in some time. Each season pits the same central cast in a new dystopic scenario from Rich’s writings, with plenty of cameos from comedy favorites to tie everything together.

Jeff Bridges and Helen Mirren have been listed as just two of the names who will be reading chapters on the audiobook edition of Bob Dylan‘s forthcoming essay collection.The book, The Philosophy of Modern Song, contains over 60 essays written by Dylan about songs by artists such as Stephen Foster, Elvis Costello, Hank Williams and Nina Simone. It is set for release on November 1.Sissy Spacek, Oscar Isaac and Steve Buscemi will also be reading essays written by Dylan.

The list of narrators for the audio version of Bob Dylan’s new book has been revealed. Because, after spending twelve years writing his examination of modern songwriting, he’s fucked if he’s going to spend hours in a studio reading it himself.So, instead, the 66 essays that make up ‘The Philosophy Of Modern Song’ will be read aloud by the likes of Steve Buscemi, Helen Mirren, Sissy Spacek, John Goodman, Renée Zellweger and Jeff Bridges.Dylan – who won the Nobel Prize For Literature for his own lyrics in 2016 – started work on the book in 2010, giving his own critiques of a wide range of songs and culminating in what publisher Simon & Schuster calls “his extraordinary insight into the nature of popular music”.Before you get all excited about getting insight into what Bob Dylan thinks of modern musicians like Billie Eilish, Harry Styles and Ed Sheeran (which I know you were), you should probably know that his definition of ‘modern’ pop music is a bit different to yours.

BBC One as he joins Matt Tebbutt on Saturday Kitchen.The Hollywood actor met his second wife Felicity Blunt at the premiere of Devil Wears Prada, as she came with her sister Emily Blunt.Stanley has admitted how "guilty" he felt when proposing to his now-wife after the death of his first wife, Kate, to cancer in 2009.Stanley had three children with Kate and previously reflected on the impact her death had on him.In an interview with CBS This Morning last year, Stanley said: "You never stop grieving. You never stop grieving."And it’s still hard after 11 years, it’s still hard, and it always will be hard."But you can’t let it - and she would never want any of us to - to wallow in that grief and let it take over our lives."She would never want that.She wasn’t like that."Stanley first met his now-wife Felicity at the premiere of Devil Wears Prada in 2006.The pair however had no contact before meeting again at Emily's wedding to John Krasinkski in 2010.After a two-year relationship, Stanley and Felicity married in 2012.Their wedding’s star-filled guest list included Meryl Streep, Julianne Moore, and even Steve Buscemi, who was actually Stanley’s best man.After the wedding, Stanley publicly admitted that he felt a bit guilty about getting married after the death of his first wife.He told The Times: "It was very hard to go on vacations at first, really hard to go with Felicity someplace."I felt guilty.

Chris Willman Senior Music Writer and Chief Music Critic The list of narrators for the audiobook version of Bob Dylan’s upcoming book has come to light, and it reads like a who’s who of Oscar contenders from the past few decades, along with the author himself doing some of the reading. The lineup of voice talent reading chapters from “The Philosophy of Modern Song” aloud includes Jeff Bridges, Steve Buscemi, John Goodman, Oscar Isaac, Helen Mirren, Rita Moreno, Sissy Spacek, Alfre Woodard, Jeffrey Wright and Renée Zellweger. This lineup of all-star Dylan surrogates has yet to be officially announced. It was first published by the U.K. magazine Uncut; Variety has confirmed the list.

Standing between Steve Buscemi’s newest directorial effort, “The Listener,” and his last time on the director’s chair for the Sienna Miller-starring drama “Interview” is a whopping 15 years. Buscemi has been open about his desire to direct again, but nothing seemed to work out until Oscar-nominated writer Alessandro Camon knocked on his door, script in hand.

Guy Lodge Film Critic If you found yourself wide awake in the wee small hours with personal demons rattling in your brain, and you picked up the phone to share them with a patient, neutral stranger, Tessa Thompson’s measured, calming voice is more or less exactly what you’d hope to hear on the other end of the line. As Beth, a night-shift volunteer for a crisis helpline, the actor’s naturally gentle, benevolent presence is the chief asset of Steve Buscemi’s minor-key chamber drama “The Listener” — not that she has a host of elements to compete with in what amounts, on screen at least, to a one-woman show.  Thompson’s unforced credibility isn’t shared, however, by a flat, superficial script that treats an assortment of mental health ailments as quirky conversation fuel. Each anguished call that Beth takes, over the course of one long, dark night of assorted souls, is written less like a recognizable human exchange than as an actor’s heightened audition piece, and played out as such by a voice-only ensemble stacked with distractingly recognizable names. Though the global pandemic is only incidentally mentioned, “The Listener” plays in all aspects like a project conceived in the most self-searching and self-indulgent depths of the isolation era. It’s hard to imagine audiences wanting to enter that headspace now.

In his acting life, Steve Buscemi has certainly mixed things up, finding time for Bruckheimer/Simpson blockbusters, Pixar animation and even Adam Sandler movies in a bid to avoid typecasting as the definitive New York indie guy. In his directing career, however, he tends to stick to a certain genre: small, intimate, personal films like his excellent 1996 debut Trees Lounge, which told the story of a melancholic underachiever whose life revolves around a seedy dive bar where the crowd of misfit regulars become his bizarre de facto family. Loneliness is a familiar motif in Buscemi’s work, and he excelled himself with that in 2005’s Lonesome Jim, starring Casey Affleck as a young man who’s failed in the big city and now has to move in with his parents.

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

EXCLUSIVE: Bankside Films has boarded international sales for Steve Buscemi-directed Venice Film Festival drama The Listener, starring Tessa Thompson (Creed).

Clayton Davis In a world where politicians use mental health as mere talking points when discussing gun violence and suicide rates, Steve Buscemi’s “The Listener” addresses the crisis head-on. Written by Alessandro Camon, the Oscar-nominated scribe of “The Messenger” (2009), the film follows a helpline volunteer named Beth, played by Tessa Thompson, who is an integral part of the small army of counselors who field calls from all kinds of people who feel lonely and broken. The film unspools at the Venice Festival’s Giornate degli Autori and is the closing film of Venice Days on Sept. 9. Buscemi can sympathize with anyone who feels lost and broken, especially as he is still reeling from losing his wife Jo Andres in January 2019; they had been married for over 30 years. While in pre-production, the director and producer called a helpline number. “At first, it was in the name of research,” Buscemi told Variety. “I had these dreams in the night involving my late wife, and it was reason enough for me to call. I had an amazing 15-minute talk with this person. I’ll never know who she was, and I never told her who I was. I just talked about Jo, and it was important.”

Things got slightly weird during the latest installment of “Last Week Tonight” as John Oliver exchanged vows with a very large cabbage.

Th 47th edition of the Toronto International Film Festival has selected its Industry Selects, a section of ten audience friendly films up for global acquisition. In addition it was announced that Jason Reitman’s Live Read is returning to the Festival for an all-star event featuring a surprise cast; the filmmaker presenting a surprise screenplay in honor of his late father, Ivan Reitman.

Hollywood blockbuster Con Air - and hinted that he "wouldn't be against" making a sequel.The Lara Croft: Tomb Raider director is appearing at the London Action Film Festival this weekend to celebrate Con Air's 25th anniversary - and shared some behind the scenes stories about making the film.Con Air saw Nicolas Cage play released prisoner Cameron Poe in the hit 1997 film, who finds himself fighting to get home after the plane he is travelling on is hijacked by fellow prisoners on the flight.READ NEXT: Viggo Mortensen's brush with death as oxygen tank cut out during deep diving sceneSpeaking exclusively to Daily Star, Simon West said that "there's a million stories" behind the making of the film - and revealed some of the huge actors who originally auditioned for the roles - including Harry Potter icon Jason Isaacs and action star Jason Statham."Jason Statham came to cast when he was just starting out," said Simon," adding: "Lovely guy and I've worked with him on three films since then."Con Air's cast went on to include fellow Hollywood icons John Malcovich, Steve Buscemi and John Cusack opposite Nicolas Cage, with Simon saying he was "able to cast all my favourite indie actors from all my favourite small films."Describing them as a "joy to work with," Simon said: "Everybody was really top of their game and they're masters of their craft.

The movies have given us man-children for decades, dating back to Carl Reiner’s “The Jerk,” leading all the way to a bumper crop of “dudes stuck in arrested development” productions through the 2000s and 2010s: “Cyrus,” “The 40-Year-Old Virgin,” “Knocked Up,” “Adult Beginners,” “The Comedy,” “Step Brothers,” “Jeff Who Lives at Home.” Alex Heller’s feature debut, “The Year Between,” descends from this overdone tradition and leaves a new wrinkle on the formula: Bipolar disorder, a formidable condition characterized by extreme mood swings and thus a clear goldmine for slacker burnout comedy.

Zack Sharf Sienna Miller recently told The Guardian that dating Jude Law is most likely one reason she was never abused by disgraced film producer Harvey Weinstein. Miller was the star of the Weinstein-backed “Factory Girl,” in which she played Andy Warhol’s muse Edie Sedgwick. The actor said being in a relationship with Law shaped her connection with Weinstein, as she often called the producer “pops.” Law headlined several of Weinstein’s movies prior to Miller working with him, from “The Talented Mr.

Tom Waits performed a rare live set at a tribute event that was held to honour the late Hal Willner.Willner, who was Saturday Night Live‘s longtime sketch music producer, died in 2020 at the age of 64. Numerous tributes were paid to the producer online following his death, including by Red Hot Chili Peppers’ bassist Flea and Cat Power.Tom Waits and his wife Kathleen also penned a touching tribute, where they called Willner “Wise and reckless.

The Sopranos and All In The Family star was described by her representative Kyle Fritz to The Hollywood Reporter as “one the most gifted actresses” he’s ever worked with, as he confirmed that she died yesterday (April 6).“She [was] one the most gifted actresses I have ever had the pleasure of working with. I will be forever grateful to have been a part of her incredible journey,” he said.Allen won a Tony Award for best actress in 1971 for And Miss Reardon Drinks A Little, and also appeared in A League Of Their Own, Stargate, Seinfeld, NYPD Blue, Grey’s Anatomy, among many other TV series.The actress played Tony Soprano’s aunt, Quintina Blundetto, in the HBO series, who was the mother of Tony’s cousin, Anthony “Tony B” Blundetto (played by Steve Buscemi).News of her death follows that of her Sopranos co-star Paul Herman, who passed away last month.

Group B is making their debut on The Masked Singer!

Sony Pictures Animation’s Hotel Transylvania: Transformania has been granted an April 3 theatrical release date in China. Sony last summer licensed the fourth installment in the successful franchise to Amazon worldwide, but retained China rights.