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As 2024 draws to a close, Deadline’s film critics have each chosen their Top 3 international movies of the year. A trio of those selected recently made the International Feature Oscar shortlist — though not all titles below were put forth by their country of origin.

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The Oscar Best Picture Race: Deadline’s Critics Compare Notes On The Season So Far

With the awards race ramping up, and festival favorites emerging, the list of films in the Best Picture Oscar race can seem long, and, this early in the season, distinctly unclear. Fortunately, both Deadline’s Awards Columnist and Chief Film Critic, Pete Hammond, and Film Awards Editor Damon Wise keep on hand an ever-evolving dossier of ones to watch. But then, of course, they don’t always agree. So, we got them together to boil it all down in a back-and-forth: What’s hot, what’s not, and what’s got big-prize potential. Bear in mind, there are, of course, more films yet to come, and for brevity’s sake, not every film with broad Oscar potential could be included in this discussion, but here are Hammond and Wise in conversation about some of the films on their maybe-Best-Picture lists right now. Click on each film’s title to read Deadline’s review.

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Will Nicole Kidman’s Performance In Erotic Thriller ‘Babygirl’ Seduce Oscar Voters?

Could Nicole Kidman score a fifth Best Actress nomination for her performance in racy thriller Babygirl, which has just debuted at the Venice Film Festival?

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‘Beetlejuice Beetlejuice’: What The Critics Are Saying About Tim Burton’s Sequel Starring Michael Keaton, Winona Ryder & Jenna Ortega

Beetlejuice Beetlejuice had its world premiere this evening as the opening film of the Venice Film Festival.

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Magnolia’s Genre Label Magnet Acquires SXSW Midnight Sci-Fi Thriller ‘Things Will Be Different’

EXCLUSIVE: Magnet Releasing, the genre arm of Magnolia Pictures, has picked up the North American rights to the twisty sci-fi thriller Things Will Be Different which made its world premiere in the Midnight section at SXSW. A Oct. 4 theatrical day-and-date release has been set.

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Metrograph Pictures Strikes North America Deal With Charades For Jérémy Clapin’s Berlinale Sci-Fi Movie ‘Meanwhile On Earth’

EXCLUSIVE: New York-based distributor Metrograph Pictures has acquired North American rights to French director Jérémy Clapin’s sci-fi drama Meanwhile on Earth following its world premiere in the Berlinale’s Panorama section last month.

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The Match Factory Locks Multiple Deals On Berlin Competition Titles ‘Dying’ And ‘Architecton’

The Match Factory has locked multi-territory deals on Berlinale titles Architecton by Victor Kossakovsky and Dying by Matthias Glasner, which picked up the festival’s Silver Bear for Best Screenplay.

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Deadline’s Top International Films Of 2023

As 2023 draws to a close, Deadline’s film critics have each chosen their top three movies of the year to hail from abroad. Some were festival world premieres, some have made the International Feature Oscar shortlist — and some have not (not all were put forth by their country of origin, however).

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Apple Original Films & Sony’s ‘Napoleon’ To Gallop Into China

Apple Original Films and Sony Pictures’ Ridley Scott-directed action epic Napoleon has landed a theatrical release date in China of Dec. 1.

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‘Fantastic Beasts’ Franchise “Parked” Says ‘Harry Potter’ Filmmaker

Fantastic Beasts filmmaker David Yates told Total Film that the Harry Potter spinoff feature franchise “is parked.”

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‘Day Of The Fight:’ Jack Huston’s Directorial Debut Starring Joe Pesci To Open Raindance Film Festival

Day Of The Fight, the directorial debut of actor Jack Huston, has been set as the opening film of the 31st edition of the Raindance Film Festival, running October 25 — November 4.

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Luc Besson Visibly Moved During ‘Dogman’ Ovation At Venice Film Festival Premiere

Luc Besson’s Dogman had its world premiere at the Venice Film Festival on Thursday night, scoring a nearly six-minute standing ovation from the crowd inside the Palazzo del Cinema.

George Clooney Luc Besson Damon Wise Virginie Besson Silla Caleb Landry-Jones Jojo T.Gibbs El Conde France film stars Inside information google Provident Enterprise

Goodfellas Posts Deals For Cannes Critics’ Week Genre Breakout ‘Vincent Must Die’

EXCLUSIVE: Paris-based Goodfellas has unveiled a raft of deals on French genre title Vincent Must Die by Stéphan Castang following its buzzy world premiere in Cannes Critics’ Week in May.

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Paradigm Signs Sundance Prize-Winning ‘Mutt’ Actor Lío Mehiel

EXCLUSIVE: Paradigm has signed actor, filmmaker and artist Lío Mehiel for representation in all areas on the heels of their breakout performance in Mutt, which led them to become the first trans actor to nab Sundance’s U.S. Dramatic Special Jury Award at this year’s festival.

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‘The Whale’ Set To Make A Splash In Choppy Arthouse Market – Specialty Preview

From its triumphant world premiere (with seven-minute standing ovation) at the Venice Film Festival, A24 opens Darren Aronofsky’s The Whale in theaters this weekend amid a whirl of Oscar buzz around star Brendan Fraser. The former action star carries the psychological drama as Charlie, a reclusive and severely obese English teacher trying to reconnect with his estranged teenage daughter.

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Brendan Fraser Won’t Attend Golden Globes For ‘The Whale’ After 2003 Groping Incident By Ex-HFPA Chief

Brendan Fraser won’t be celebrating his acclaimed performance in Darren Aronofsky’s The Whale at this year’s Golden Globes, whether he’s nominated or not.

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‘Blonde’ Director Andrew Dominik On “Partner In Crime” Ana De Armas, Mythmaking, Studio Anxieties & The Piece Of Paper He Signed For Netflix

Few movie dramas in recent years have generated as much fevered online speculation as Andrew Dominik’s Marilyn Monroe movie Blonde.

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Entertainment Weekly Veteran Lynette Rice Joins Deadline

Journalist and author Lynette Rice, who has covered the TV industry for more than two decades, is joining Deadline as TV Editor, Awards and Senior TV Writer. She starts March 16.

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We Love Lucy: How Nicole Kidman & Javier Bardem Became The Ricardos For Aaron Sorkin

In 1952, the second season of CBS sitcom I Love Lucy set viewing records that, 70 years later, have yet to be beaten. The star was Lucille Ball, a lovable klutz from New York, and her husband Ricky was played by her real-life spouse—Cuban refugee Desi Arnaz. Together they founded Desilu Productions, soon to be the No. 1 independent TV company in America. In 1957, however, a scandal surfaced that threatened to tear it all down: Lucy was a registered Communist. Or was she? That fraught time is brought to life by Aaron Sorkin in his Amazon Studios release Being the Ricardos, starring Nicole Kidman as Lucy and Javier Bardem as Desi. Damon Wise sits down with all three to discuss the forgotten legacy of a most unlikely power couple.

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Director Roger Michell on Venice Comedy ‘The Duke’: ‘It’s About a Little Man Speaking Truth to Power’

Damon Wise In 1961, a daring daylight robbery was committed in London, when Goya’s portrait of the Duke of Wellington (1812-14), recently auctioned for a massive £140,000 ($186,000), was stolen from its new home in the capital’s National Gallery.The story was big news – so big, in fact, that the painting was referenced in 1963’s “Dr. No,” in a scene where Sean Connery’s James Bond spots it lying about in Dr.

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