Antonia Blyth: Last News

Journalist and author Lynette Rice, who has covered the TV industry for more than two decades, is joining Deadline as TV Editor, Awards and Senior TV Writer. She starts March 16.

After a slam dunk first season, the team behind Running Point — the Warner Bros. Television show loosely based on Los Angeles Lakers owner and president Jeanie Buss’ life and stewardship — is prepping for the next game in the Kate Hudson dramedy vehicle.

EXCLUSIVE: Following the Sundance world premiere of her feature directorial debut, East of Wall — a drama that won the NEXT Audience Award — filmmaker Kate Beecroft has signed with UTA for representation in all areas.

For Pamela Anderson, Gia Coppola‘s drama The Last Showgirl was an opportunity she’d been awaiting for her entire life.

Deadline has launched a new Awards Hub — a magazine site within Deadline showcasing awards news, features, interviews, videos, events, photo galleries and more.

It’s often said it’s not the awards people remember, but the movies themselves. And though America Ferrera may not have won Best Supporting Actress tonight for Barbie, her speech on behalf of all hardworking women in the feature film about the Mattel doll is one for the eras.

In Todd Field’s Tár, we meet Lydia Tár, a revered composer-conductor heading up the Berlin Philharmonic, played by Cate Blanchett. Nina Hoss, as Lydia’s wife Sharon, is concertmaster and first chair violin, and together they navigate the politics of their musical life while parenting their daughter Petra. But Lydia, who is at the top of her game, and readying for her career-pinnacle live recording, begins to self-destruct, forming an obsessive attachment to Olga, a young cellist, just as a troubling past entanglement comes to light. The target of criticism from her students and a New York Post article, Lydia’s staff and Olga desert her. Then Sharon takes flight with Petra, and Lydia finally slides into the demise of both her personal and professional life. In conversation with Antonia Blyth, Blanchett and Hoss discuss the absence of objective truth, how change is built on open-hearted discussion, and the emergence of art from the raw, painful edge of experience.

In She Said, Maria Schrader’s telling of the Harvey Weinstein take-down by New York Times journalists Jodi Kantor and Megan Twohey, we see the birth of a historic moment: The turning of #MeToo from a movement into an unstoppable train of change. Based on Kantor and Twohey’s book, and from a screenplay by Rebecca Lenkiewicz, the reporters painstakingly gather evidence from silenced survivors, many of whom consulted on, and in some cases starred in, the film. For Zoe Kazan, alongside Carey Mulligan as Twohey, playing Kantor meant understanding her humanity, the practical nuts and bolts of reporting life, and the weight of what it is to bring others’ devastating personal truths to light. In conversation with Antonia Blyth, Kazan and Kantor discuss the portrayal of women at work to change the world.

With his latest film The Son, filmmaker Florian Zeller looked to open “a conversation” surrounding issues of mental health that he feels there’s too often “shame, guilt and ignorance around.” Another key component of the storytelling — here, as in Zeller’s recent Oscar winner The Father — is parenthood, and the difficulty of experiencing a sense of “powerlessness” in this arena. 

Musical savant, fashion maven, provocateur, philanthropist. When multi-hyphenate Lady Gaga first added ‘leading actress’ to the list with 2018’s A Star is Born, she was Oscar-nominated. Now, she’s back with House of Gucci. Can Ridley Scott’s film cement her path as a major movie player? Antonia Blyth meets Gaga to dig into the real story behind the star.

Writer-director Fran Kranz and cast members Reed Birney, Ann Dowd, Jason Isaacs and Martha Plimpton promised nervous audiences that their school-shooting drama Mass is a hopeful one. They spoke with Deadline’s Antonia Blyth at The Contenders Film: Los Angeles event Sunday.