Antonia Blyth - celebsbar.com

Journalist and author Lynette Rice, who has covered the TV industry for more than two decades, is joining Deadline as TV Editor, Awards and Senior TV Writer. She starts March 16.

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‘Barbie’ Sequel: “Yeah, Sure,” Count America Ferrera In – Oscars

It’s often said it’s not the awards people remember, but the movies themselves. And though America Ferrera may not have won Best Supporting Actress tonight for Barbie, her speech on behalf of all hardworking women in the feature film about the Mattel doll is one for the eras.

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The Partnership: ‘Tár’s Cate Blanchett And Nina Hoss On The Complexity Of The Film’s “Big Questions” & Why This Is Not A Clear #MeToo Story

In Todd Field’s Tár, we meet Lydia Tár, a revered composer-conductor heading up the Berlin Philharmonic, played by Cate Blanchett. Nina Hoss, as Lydia’s wife Sharon, is concertmaster and first chair violin, and together they navigate the politics of their musical life while parenting their daughter Petra. But Lydia, who is at the top of her game, and readying for her career-pinnacle live recording, begins to self-destruct, forming an obsessive attachment to Olga, a young cellist, just as a troubling past entanglement comes to light. The target of criticism from her students and a New York Post article, Lydia’s staff and Olga desert her. Then Sharon takes flight with Petra, and Lydia finally slides into the demise of both her personal and professional life. In conversation with Antonia Blyth, Blanchett and Hoss discuss the absence of objective truth, how change is built on open-hearted discussion, and the emergence of art from the raw, painful edge of experience.

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The Partnership: ‘She Said’s Zoe Kazan And Jodi Kantor Discuss How Art Imitated Life In A World-Changing #MeToo Story

In She Said, Maria Schrader’s telling of the Harvey Weinstein take-down by New York Times journalists Jodi Kantor and Megan Twohey, we see the birth of a historic moment: The turning of #MeToo from a movement into an unstoppable train of change. Based on Kantor and Twohey’s book, and from a screenplay by Rebecca Lenkiewicz, the reporters painstakingly gather evidence from silenced survivors, many of whom consulted on, and in some cases starred in, the film. For Zoe Kazan, alongside Carey Mulligan as Twohey, playing Kantor meant understanding her humanity, the practical nuts and bolts of reporting life, and the weight of what it is to bring others’ devastating personal truths to light. In conversation with Antonia Blyth, Kazan and Kantor discuss the portrayal of women at work to change the world.

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‘The Son’ Director Florian Zeller & Star Laura Dern Aim To Open “A Conversation” On Mental Health With Parenting Drama – Contenders L.A.

With his latest film The Son, filmmaker Florian Zeller looked to open “a conversation” surrounding issues of mental health that he feels there’s too often “shame, guilt and ignorance around.” Another key component of the storytelling — here, as in Zeller’s recent Oscar winner The Father — is parenthood, and the difficulty of experiencing a sense of “powerlessness” in this arena.