Jem Aswad-Senior: Last News

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Scott Schinder, Veteran Music Writer, Dies at 61

Jem Aswad Senior Music Editor Veteran music writer Scott Schinder, who wrote for virtually every major music publication over the course of a three-decade-plus-long career, has died after a long illness, his friend Randy Haecker confirms to Variety. Schinder’s work can be read in Rolling Stone, Entertainment Weekly, Billboard, Time Out New York, the Austin Chronicle, Please Kill Me, Creem, Musician, Newsday, Stereophile, Musician, Tower Pulse, New Musical Express, Melody Maker, Texas Music, SXSWorld and probably many others. No cause of death has been announced; he was 61. A native of Long Island and a longtime New York resident, Schinder was a ubiquitous presence on the city’s music scene, where, beginning in the 1980s, he could be found most nights of the week at CBGB, Irving Plaza, Maxwells, Under Acme, Brownies and multiple other venues of the era. Indeed, the photo on his author page at Please Kill Me could have been taken at one of dozens of different venues in the city on any of a couple thousand evenings (it was actually taken at CBGB circa early 1990s).
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ABBA’s ‘Voyage’ Virtual Concert to Go on Tour ‘Around the World’
Jem Aswad Senior Music Editor ABBA’s ‘Voyage’ virtual concert — which opened in a specially built London arena last May and has sold more than 1 million tickets — will go on a global tour, Universal Music Group chairman Lucian Grainge confirmed during the company’s earnings call on Thursday. “Plans are now in development to take ‘ABBA Voyage’ around the world,” Grainge said on the call. Presumably, that means the show will be playing in specially modified arenas in major cities across the globe. Contacted by Variety, reps for ABBA and Universal, the group’s label, did not immediately have further information. While details are slim and the news is not a shock, it is the first official confirmation that the show — a multi-multi-million-dollar project, nearly six years in the making, that saw George Lucas’ Industrial Light & Magic using motion-capture technology to create “ABBA-tars” of the group as they looked in 1979 playing a 90-minute concert of their most-loved songs — will play somewhere besides the London theater. While technically not a hologram show, “Voyage” represents a new peak in that type of technology — the four bandmembers, who are now in their seventies, spent many hours performing for the motion-capture cameras to appear as lifelike as possible. It has received rave reviews nearly across the board.
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StubHub Slams Live Nation’s ‘Anything But Fair’ FAIR Ticketing Act Proposal
Jem Aswad Senior Music Editor Amid last week’s announcement of record earnings of $16.7 billion in 2022, Live Nation came out with guns blazing about last month’s Senate hearing examining the ticketing industry — which was fiercely, if one-sidedly, critical of Live Nation’s Ticketmaster division — and took aim at the secondary ticketing market, which it identifies as the major problem facing the industry and concertgoers worldwide. As part of that counter-offensive, it announced what it calls the FAIR Ticketing act (full details of which can be found here), the basic tenets of which state: that “artists should decide resale rules,” which would be an effort to allow artists to take the lead in preventing exploitative prices on the secondary market; would “make it illegal to sell speculative tickets,” addressing scalpers’ habit of tricking fans into buying tickets that do not yet exist; would “expand the BOTS Act,” to combat the widespread use of ticket-buying bots on the secondary market; “crack down on resale sites that are safe havens for scalpers,” which would force secondary-market sites to police the activity on their platforms more aggressively; and “mandate all-in-pricing nationally,” which would address the processing and other fees that often are not revealed until very late in the sale process.
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George Harrison’s Solo Catalog Moves to Dark Horse-BMG
Jem Aswad Senior Music Editor The solo catalog of George Harrison has moved to Dark Horse Records via BMG, the company announced on Tuesday. Harrison’s family retains the rights to the catalog. Beginning in 1968, Harrison’s solo discography was released first on the Beatles’ label, Apple Records, and later Harrison’s own Dark Horse Records through Warner Bros. Records. In 2021 Universal Music’s catalog division released a deluxe anniversary edition of Harrison’s classic 1970 album “All Things Must Pass.” The 12-album catalog includes Harrison’s debut “Wonderwall Music” (the soundtrack to the film “Wonderwall”), “All Things Must Pass,” the 1973 follow-up “Living in the Material World,” his 1987 comeback album “Cloud Nine: and his final studio album, “Brainwashed,” which was released in 2002, the year after his death from cancer. It also includes the live double album “Live in Japan,” featuring Eric Clapton and the compilations “Let It Roll – Songs by George Harrison,” “Early Takes Vol 1, The Apple Years 1968-1975,” and “The Dark Horse Years 1976-1992.” In celebration of Harrison’s 80th birthday on Feb. 25, Dark Horse/BMG have released his entire catalogue in Dolby Atmos surround sound exclusively on Apple Music.
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