Jem Aswad-Senior: Last News

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Scott Schinder, Veteran Music Writer, Dies at 61

Jem Aswad Senior Music Editor Veteran music writer Scott Schinder, who wrote for virtually every major music publication over the course of a three-decade-plus-long career, has died after a long illness, his friend Randy Haecker confirms to Variety. Schinder’s work can be read in Rolling Stone, Entertainment Weekly, Billboard, Time Out New York, the Austin Chronicle, Please Kill Me, Creem, Musician, Newsday, Stereophile, Musician, Tower Pulse, New Musical Express, Melody Maker, Texas Music, SXSWorld and probably many others. No cause of death has been announced; he was 61. A native of Long Island and a longtime New York resident, Schinder was a ubiquitous presence on the city’s music scene, where, beginning in the 1980s, he could be found most nights of the week at CBGB, Irving Plaza, Maxwells, Under Acme, Brownies and multiple other venues of the era. Indeed, the photo on his author page at Please Kill Me could have been taken at one of dozens of different venues in the city on any of a couple thousand evenings (it was actually taken at CBGB circa early 1990s).
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Warner Chappell Launches ‘Stories From the Great American Songbook’ Podcast Series
Jem Aswad Senior Music Editor Warner Chappell Music publishing has unveiled an original podcast series called “Setting the Standard: Stories from the Great American Songbook,” in partnership with Bang/Audiation – the team behind WCM’s podcast “Final Sessions: Harry Nilsson’s Losst and Founnd.” The new podcast will “weave together story and song into a tapestry of American cultural history for songwriters, historians, musicians, artists, and fans alike,” according to the announcement. Launching on October 25th, “Setting the Standard” will feature eight episodes – each on a different legendary songwriter – starting with three-time Oscar-winning and pioneering film composer Harry Warren. Additional episodes will roll out throughout the year and spotlight composers and songwriters including Cole Porter, George and Ira Gershwin, Jule Styne, and more. Using historical sources and new discussions with scholars, critics, artists, and family members, the series will tell the stories of their lives and highlight their most iconic songs. It will also feature exclusive interviews from artists like Billy Corgan and Michael Feinstein, and top songwriters such as Justin Tranter.
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Lin-Manuel Miranda Details His Songwriting Process for ‘Encanto’ and ‘Hamilton,’ and the ‘Emotional, Surreal’ Experience of Seeing His First Songbook
Jem Aswad Senior Music Editor In the digital age, the traditional songbook — filled with lyrics and sheet music and maybe some pictures — can feel like a lost art, but it certainly is not to classical musicians, and particularly musical theater veterans. So even for Grammy, Emmy, Tony and Pulitzer winner Lin-Manuel Miranda, his first songbook, containing 27 songs from “Hamilton,” “Encanto,” “In the Heights” and more, was a big deal.Can’t believe there’s enough music for a collection, but here we are. I have a songbook. From In The Heights through Encanto. Wrote a foreword and everything. Overwhelmed and proud and grateful. Available now from @hal_leonard. -LMM pic.twitter.com/ydfREAs3Ym Such a big deal that Miranda’s songbook-release party in Manhattan last week was an extended-family gathering, attended by his parents, sister, nephews, friends, music teachers from several New York schools — and even Lin-Manuel’s former teachers — as well as city music programs serving underrepresented children, and fellows from the Miranda Family Fellowship Program, which aims to increase access to education and careers in the arts for emerging artists from underrepresented communities.
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