Guy Lodge: Last News

+35

All news where Guy Lodge is mentioned

variety.com
56%
162
‘The Pope’s Exorcist’ Review: The Power of Christ (and Russell Crowe) Mostly Compels You in Yet Another Possession Chiller
Guy Lodge Film Critic On the face of it, “The Pope’s Exorcist” would have you believe that it’s rooted in the real-life experiences of the late Father Gabriele Amorth, the Catholic priest who served for 30 years as the head exorcist of the Diocese of Rome. Its screenwriting credits proclaim as much, for starters, while a surfeit of onscreen dates and locations in the early going lend proceedings the faintest of docudrama veneers; moreover, the film is backed by the non-profit production arm of the Jesuit research university Loyola Marymount, with Loyola rector Father Edward J. Siebert among its executive producers. Even Catholics in high places, it turns out, have a sense of humor: You needn’t wait for the “work of fiction” disclaimer in the closing credits to discern that “The Pope’s Exorcist” is ripely fantastical trash, inspired by Amorth’s work in much the same way that SunnyD is inspired by Florida oranges, and no less enjoyable for those liberties. Rather than the Bible or any of Amorth’s autobiographies, Julius Avery’s film instead swears by the trusty story template shaped by every demonic-possession horror film since “The Exorcist” a full half-century ago, as a hapless American teen is inhabited by an ancient minion of Satan with increasingly yucky, upchucky consequences, while a venerable priest is called upon to clear up the mess.
variety.com
62%
539
‘What’s Love Got To Do With It?’ Review: Multicultural Relationship Study Respects Muslim Traditions But Obeys Romcom Rules
Guy Lodge Film Critic Early on in “What’s Love Got to Do With It?,” enterprising London-based filmmaker Zoe (Lily James) pitches a proposed documentary about Muslim arranged marriages to a pair of white male commissioners. They’re bored and disengaged until they realize how the topic can be dressed up in the tropes and lingo of Western romantic comedy to appeal to a general British audience: One suggests interview inserts in the style of “When Harry Met Sally,” the other name-drops “My Big Fat Greek Wedding” as a reference point. When Zoe suggests titling the doc “Love Contractually,” the deal is done. Sharper than anything else in Shekhar Kapur’s pleasant, easygoing comedy, the scene neatly satirizes how nuanced cross-cultural material can be blandly packaged and whitewashed for the mainstream — a point that would land harder if “What’s Love Got to Do With It?” didn’t proceed to do much the same thing. At a push, you could credit the film — a first feature screenwriting credit for producer and former journalist Jemima Khan — with some meta self-awareness as it tackles a thorny, divisive cultural institution in the sweetest, sunniest terms possible, down to its own recurring “When Harry Met Sally”-style inserts. But to what end, exactly? As strenuously as the film professes to give arranged marriages a fair shake, its whole cornball narrative is rigged against the very concept: “Love Contractually” may be the pitch, but “Love Actually” is the preferred outcome.
variety.com
63%
851
‘On the Adamant’ Review: Nicolas Philibert Returns With a Tender Tour of a Mental Health Sanctuary
Guy Lodge Film Critic Trends in documentary-making have shifted radically since Nicolas Philibert’s “Être et Avoir” was a surprise arthouse hit two decades ago: That sweetly observational little film, following the ins and outs of a village elementary school over the course of a year, seems a quaintly modest proposition beside today’s more slickly immersive and narrativized nonfiction breakouts. If times have changed, however, Philibert has not. “On the Adamant,” his first feature in 10 years, finds him once more examining the human workings of a care-based institution from a reserved but compassionate distance, avoiding commentary and editorialization in favor of real-life character portraiture. It turns out to be the right approach for the institution under scrutiny: The Adamant, a day-care center in central Paris for adults with a variety of mental disorders, offering its visitors a range of therapy, education and cultural activity. The human subjects here are both expressive and highly vulnerable, open to the low-key, non-invasive presence of Philibert’s camera, and the film is content to be an undulating patchwork of their everyday moods and moments, rather than anything more strenuously conceptual. Suited to specialist distributors and streaming platforms, “On the Adamant” might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts: A premiere slot in Berlin’s main competition, alongside much sleeker, more formally ambitious fiction fare, effectively welcomes him back to the auteur leagues.

Facts About Guy Lodge

Who is Guy Lodge?

Guy Lodge is a notable individual featured in various news reports due to their involvement in current events.

Why is Guy Lodge in the spotlight?

Guy Lodge often attracts media attention through public actions, which make headlines across platforms.

Where can I find the latest news about Guy Lodge?

We have a dedicated section on our site featuring all news articles about Guy Lodge. Our team monitors developments and publishes information in real time.

Is there a full biography of Guy Lodge available?

Yes, you can explore a detailed biography of Guy Lodge, including personal background, in our featured article dedicated to them.

What are the most talked-about moments involving Guy Lodge?

Guy Lodge has been at the center of viral moments, including events that sparked widespread interest.

DMCA