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19.02.2023 / 21:11

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Genre Diversity Key in German Films

Ed Meza @edmezavar German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun. The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest. Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.

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Austria Changes the Game With New Incentives

Ed Meza @edmezavar With two new funding programs that could cover as much as 60% of costs for international feature film productions and the new state-of-the-art HQ7 Studios set to open in Vienna next year, Austria is stepping up its game in the film and TV sector in a major way. Approved by the government last year and in effect since Jan. 1, the FISA Plus incentive provides funding for international and domestic films and series, including TV and streaming production. The subsidy, which is not capped, also covers documentaries, animation, virtual reality projects and post-production services, including sound, music and VFX. Specifically, FISA Plus offers a 30% rebate plus an additional 5% “green bonus” for productions that follow environmental sustainability criteria, with maximum funding set at €5 million ($5.4 million) per film and $8.2 million per series.

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Austrian Co-Productions on a Winning Streak

Ed Meza @edmezavar After a hugely successful year for domestic films, Austria’s movie industry is looking forward to another impressive crop of titles, including many international co-productions that reflect not only cultural and historical ties with neighboring countries but also the sector’s strong cross-border partnerships. Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.

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‘Measures of Men’ Director Lars Kraume Prepares Prison Drama, Expresses Exasperation at Germany’s Refusal to Face Colonial Past

Ed Meza @edmezavar Lars Kraume, who explores Germany’s 19th-century, bloody colonization of Southwest Africa (present-day Namibia) in his latest work, “Measures of Men,” has lined up his next project, a feature film inspired by a California prison program that brings together young inmates with aging prisoners suffering from dementia. Developed at the California Men’s Colony State Prison in San Luis Obispo, the Gold Coat program selects inmates, known as Gold Coats, to assist severely cognitively impaired inmates. Kraume’s story is set in a Berlin prison with a multi-ethnic population, where a young man signs up for the program in an effort to get early parole only to realize that he has first the first time in his life started to love and care for someone.

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Arthouse Exhibitors Find Winning Formulas With Community-Focused Programming, Special Events and Vegetable Markets

Ed Meza @edmezavar International exhibitors gathered at Berlin’s majestic Kino International on the eve of the Berlin Film Festival on Wednesday to discuss challenges and innovative concepts that are pulling audiences back into theaters. Opening the Berlinale edition of Cinema Vision 2030 conference, Christian Bräuer, chairman of Germany’s AG Kino – Gilde e.V. cinema association, which organized the event, said the country’s cinemas were “still suffering from the effects of the pandemic and we still find ourselves in a world in crisis, we feel the consequences of the war, such as the massive increase in energy prices.” He therefore welcomed the opportunity to hear about new ideas and business models that could bolster the sector.

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Uwe Boll Returns With New York City Crime Drama ‘First Shift’ (EXCLUSIVE)

Ed Meza @edmezavar After a long break from feature films, director Uwe Boll is back and ready to roll with his latest project, a crime drama about two mismatched New York City cops on their first day as partners. “First Shift” stars Kristen Renton (“Sons of Anarchy”) and Gino Anthony Pesi (“Shades of Blue”) as the badge-carrying duo, she a transplant from Atlanta new to the Big Apple, he a jaded Brooklyn cop who prefers to work alone but forced to take on the new partner. Set to start shooting in New York City next month, “First Shift” has moved ahead of two other projects Boll has in the works, a South Africa-set thriller and a feature about Prohibition-era federal agent Eliot Ness — famously played by Kevin Costner and Robert Stack in the 1987 film and the 1959 series “The Untouchables” — during the latter part of his career.

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Strikes, Technical Difficulties, Possible Hacker Attacks Cause Havoc at German Airports, Flights Canceled

Ed Meza @edmezavar The Berlin Brandenburg Airport announced Thursday the cancellation of flights on Friday to and from Frankfurt, Munich and Stuttgart due to planned strikes at other German airports. Planned strikes on Friday have been announced at airports in Frankfurt, Munich, Stuttgart, Hamburg, Hanover, Dortmund and Bremen. The move has the potential to impede industry travel to the Berlin Film Festival, which kicks off Thursday, as Munich and Frankfurt are the country’s main airline hubs, and serve thousands of transit passengers per day. The Berlin airport is advising passengers to check with their airlines. German news service Deutsche Welle reported that a number of airports, including Düsseldorf, Nüremberg, Erfurt-Weimar and Dortmund, suffered website disruptions due to a suspected hacker attack.

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German Culture Commissioner Calls for Far-Reaching Film Funding Reform

Ed Meza @edmezavar German culture commissioner Claudia Roth has called for a fundamental reform of Germany’s €600 million ($640 million) per year film funding system, saying that profound changes in filmmaking, a declining admissions and too much bureaucracy made far-reaching alterations necessary. Writing in a guest column in the Süddeutsche Zeitung, Roth pointed to the success of Netflix’s “All Quiet on the Western Front,” which has garnered nine Oscar nominations, including best picture and international feature, to illustrate how film production has changed. Roth, who is expected to address the issue at the opening ceremony of the Berlin Film Festival on Thursday evening, noted that the “environment for creating, making and experiencing movies” was changing drastically as streaming and global internet providers make films ever less dependent on television broadcasters and theatrical releases.

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Cohen Film Collection Restoring More Merchant Ivory Classics, Including Duo’s First Film (EXCLUSIVE)

Ed Meza @edmezavar Cohen Film Collection is continuing its restorations of classic Merchant Ivory productions, among them 1963’s “The Householder,” the first film collaboration between Ismail Merchant and James Ivory. The classics label of Cohen Media Group, Cohen Film Collection is lining up the restorations of four titles that also include the 1977 episodic romantic drama “Roseland,” with Teresa Wright and Christopher Walken, and two films directed by Merchant, “In Custody” (1994), featuring Shashi Kapoor, and “The Proprietor” (1996), starring Jeanne Moreau. Tim Lanza, Cohen Film Collection vice president and archivist, says he chose “In Custody” – Merchant’s feature directorial debut — and “The Proprietor” in particular “because James Ivory was keen to have a rerelease of some of the films that were directed by Ismael Merchant himself.”

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Lumière’s International Classic Film Market Celebrates 10th Edition With Focus on Spanish Cinema, Distribution, New Territories, Education

Ed Meza @edmezavar The Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, is celebrating its 10th edition this year with a wide-ranging program focusing on bolstering classic film distribution, the prospects of new commercial territories, film education and a focus on Spain’s heritage film sector. The MIFC, which runs Oct. 18-21, kicks off with a keynote by Gian Luca Farinelli, director of Italy’s Cineteca di Bologna film archive. Market organizers praise Farinelli for “allowing classic films to be found, restored, reviewed and, most often, put back on the market firstly through the Il Cinema Ritrovato Festival, exhibition and distribution activities within the foundation, while maintaining strong links with cinemathques from around the world.”

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Altered Innocence to Bow Classic LGBTQ Pics, Such as ’The Wounded Man,’ as ‘Arrebato’ Plays Lumière’s MIFC (EXCLUSIVE)

Ed Meza @edmezavar A restored version of Iván Zulueta’s ground-breaking 1979 film “Arrebato” (“Rapture”) is screening at the Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, thanks to Los Angeles distributor Altered Innocence and Madrid’s Mercury Films. The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how directors can be consumed by filmmaking. It centers on José, a frustrated low-budget horror movie director trying to complete a film while struggling with drug addiction. When he receives a package from past acquaintance Pedro — a Super-8 film reel and audiotape – José soon finds himself sucked back into the eccentric young man’s vampiric orbit.

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Java Films Debuting ‘Cryptoqueen – The OneCoin Scam’ at Mipcom, Unveils Trailer (EXCLUSIVE)

Ed Meza @edmezavar “Cryptoqueen – The OneCoin Scam,” which makes its market debut at Mipcom in Cannes, chronicles the story of the fake cryptocurrency and its charismatic founder who stole up to $15 billion from trusting investors. Produced by Emmy-award-winning production company A&O Buero and sold internationally by Java Films, the documentary follows Ruja Ignatova, OneCoin’s founder, who hyped the cryptocurrency at rallies that resembled religious gatherings. Ignatova claimed that OneCoin was on course to become the world’s biggest digital currency and change life on Earth, describing it as the cryptocurrency for the poor, a currency that would turn paupers into princes. It was a giant fraud, however, and only turned Ignatova into the Cryptoqueen.

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Topic Nabs Exclusive U.S., Canadian Rights to Beta Film Crime Series (EXCLUSIVE)

Ed Meza @edmezavar U.S. streaming service Topic has inked an exclusive U.S. and Canadian rights deal with Germany’s Beta Film for four European crime series ahead of this year’s Mipcom TV programming mart in Cannes. Dedicated to crime and suspense, Topic, part of First Look Entertainment, picked up the third season of critically acclaimed Austrian-German series “Pagan Peak”; Finnish title “Helsinki Syndrome”; “Silent Road” from Greece; and Croatian-Ukrainian co-production “The Silence.” The agreement also includes renewals of Italian political thriller “1992” and follow-up seasons “1993” and “1994.” Described as Italy’s “House Of Cards,” the show examines how Italian politics were shaken to the core by a major criminal investigation against widespread corruption in the 1990s.

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Inspired by ‘Star Trek,’ Leni Lauritsch’s Space Thriller ‘Rubikon’ Grapples With Questions of Ethics and Morality

Ed Meza @edmezavar In Leni Lauritsch’s gritty sci-fi thriller “Rubikon,” the final frontier could well be humankind’s last refuge. The film, which stars Julia Franz Richter, Georg Blagden (“Versailles”) and Mark Ivanir, screens in the Zurich Film Festival’s Focus Competition. Set in a dark future in which a polluted and barely sustainable Earth is plagued by corporate armies battling for depleting resources as the wealthy live in air domes that protect them from the contaminated atmosphere, the story centers on three astronauts aboard the space station Rubikon, where scientists have developed a possible means of survival, a sustainable algae project to provide oxygen and food.

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Charlotte Gainsbourg Explains Lure of ‘The Almond and the Seahorse,’ Learning From Lars von Trier, Shooting Doc About Mother Jane Birkin

Ed Meza @edmezavar Celebrated actor and singer Charlotte Gainsbourg, speaking to an audience at the Zurich Film Festival, shared her experiences filming Celyn Jones and Tom Stern’s “The Almond and the Seahorse,” the valuable instructions received from Lars von Trier, and the challenges of shooting a documentary about mother Jane Birkin. Based on the play of the same name by Kaite O’Reilly, who wrote the screenplay with Jones, “The Almond and the Seahorse,” which screens in Zurich’s Gala Premieres section, revolves around two couples struggling with severe brain injuries. Toni (Gainsbourg) is dealing with her partner Gwen (Trine Dyrholm), who no longer is the same person that she was before. She finds support in Sarah (Rebel Wilson), whose husband Joe (Jones) is suffering from a similar brain injury.

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