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justjared.com

26.09.2024 / 14:11

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aespa Expands World Tour With 2025 Dates - Cities, Venues, Ticket Info Revealed!

aespa is continuing to take their tour around the world!

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‘Assassin’s Creed Shadows’ has been delayed, and some say “just cancel it”

Assassin’s Creed Shadows would be delayed until next year, February 14.In a statement delivered to X/Twitter, the official Assassin’s Creed Shadows account wrote “we realize we need more time to polish and refine the experience, pushing further some of our key features.” The game was initially due to release November 15, 2024.In a note to investors, Ubisoft wrote the game was “feature complete,” but the “learnings from the Star Wars Outlaws release led us to provide additional time to further polish the title.” Outlaws was criticised by many players and reviewers for its numerous bugs at launch.“Just cancel it at this point lmao Ubisoft is cooked,” wrote dmvshaban. “Lol your trying to wait until the heat dies down,” claimed MeleeGames. Assassin’s Creed Shadows has been embroiled in the recent series of culture wars surrounding games that some deem “woke” for including diverse characters or themes.

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Paramount+ to Launch in Thailand Within Monomax Streaming Platform

Patrick Frater Asia Bureau Chief Paramount Global Content Distribution today announced a new licensing agreement with MONO in Thailand to create a Paramount+ brand extension on the streamer Monomax, scheduled to launch in November. The deal, which expands Paramount’s strategy to expand the Paramount+ brand in more ways around the world, was announced Thursday at the APOS conference in Indonesia by Lisa Kramer, president, international content licensing, global content distribution, Paramount. In some territories, such as Japan, the service is a standalone direct-to-consumer product..In others, it exists as a branded destination through licensing deals. Branded areas are currently available via Cosmote in Greece, Streamz in Belgium, MultiChoice in Africa, JioCinema in India.

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Justice and Tame Impala share epic ‘Neverender’ video and announce remix EP with Kaytranada and Rampa

Justice and Tame Impala have shared the official video for ‘Neverender’, and announced a new EP featuring remixes of the collaborative song by Kaytranada and Rampa.The track serves as the opener of the French duo’s fourth and latest album ‘Hyperdrama’, which was released in April – marking their first full-length project in eight years. Tame Impala (aka Kevin Parker) also appears on the cut ‘One Night/All Night’.Today (September 25) Justice have revealed the epic animated visuals for ‘Neverender’.

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‘Serpent’s Path’ Review: Kiyoshi Kurosawa Turns to His Own Back Catalogue, With Coldly Compelling Results

Guy Lodge Film Critic “The first version is the work of a talented amateur,” said Alfred Hitchcock to François Truffaut of his 1934 thriller “The Man Who Knew Too Much,” remade by Hitch himself in 1956. “The second was made by a professional.” Few are the filmmakers who gather sufficient career mileage and goodwill to take a second pass at their own work; fewer are those who make something worthwhile in the process.

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Tokyo Film Festival Unveils Competition Line-up; ‘My Favourite Cake’ To Screen In Women’s Empowerment Section

Tokyo International Film Festival has announced its full line-up including its main international and Asian Future competitions, as well as the nine films selected for its Women’s Empowerment Section.

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Warner Bros International Television Production Set To Hire Long-Serving BBC Studios Exec Andre Renaud

EXCLUSIVE: Long-serving BBC Studios formats exec Andre Renaud is jumping over to Warner Bros International Television Production (WBITVP).

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manchestereveningnews.co.uk

25.09.2024 / 08:11

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UK leapfrogs Japan, Italy and Germany in OECD growth forecast for 2024

The UK economy has overtaken several G7 countries on economic growth forecasts in recent months, but is still set to have the highest inflation of the bloc, according to economists.

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Tokyo Film Festival’s Full Lineup Is Long on China, Animation and Marcello Mastroianni

Patrick Frater Asia Bureau Chief The Tokyo International Film Festival has unveiled a competition section with as many Chinese titles as Japanese for its 37th edition. Announced on Wednesday the festival’s full lineup runs to a compact 110 films, culled from a huge 2,023 applications, and functions partly as discovery event, partly as a Japanese showcase and also as best-of the year international art house compendium. The 15-title competition includes Mizi Z’s “The Unseen Sister,” “Big World,” by Yang Lina and “My Friend An Delie,” by Dong Zijian from China.

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Global Streamers Seeking Price Increases as Asia-Pacific Market Grows and Matures

Patrick Frater Asia Bureau Chief Multinational streaming groups are using their increasing market strength to raise pricing and profitability in the Asia-Pacific region. The region’s many local competitors enjoy significant revenue share, but mostly lag the global giants in terms of earnings. That was one of the starkest messages to emerge from an opening address by Vivek Couto, managing partner at consultancy firm Media Partners Asia, on Wednesday, the first morning of his APOS conference in Indonesia. Global streamers are putting the screw on monetization, he said.

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WBD’s Max Readies Rollout in Asia-Pacific, Requires Multiple Models: ‘Our Goal Is to Reach the Fan Base’

Patrick Frater Asia Bureau Chief Warner Bros. Discovery’s Max streaming service will launch in five markets in Southeast Asia, Hong Kong and Taiwan in the final quarter of this year and in Australia in the first half of 2025. The rollout will require multiple business models. Max, a technologically improved platform that combines the content offerings of HBO and Discovery, has already rolled out in North America and parts of Europe and Latin America, but is only slowly arriving in the Asia-Pacific region. It launches Wednesday in Japan, in a partnership with local Japanese streamer U-Next. “In the coming weeks and months there will be many announcements,” said James Gibbons, president of APAC at Warner Bros.

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‘Ghost of Tsushima’ Sequel Video Game ‘Ghost of Yotei’ Set at PlayStation

Jennifer Maas TV Business Writer A sequel video game to PlayStation‘s “Ghost of Tsushima” is set from developer Sucker Punch Productions. Titled “Ghost of Yōtei,” the game will debut in 2025 and follow a new protagonist, Atsu, with a whole new storyline.

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Leaning Into Genre, Big Stars for Dramas and Shooting Abroad a La ‘The Brutalist’: What American Execs Believe Will Help Make Industry Sustainable

Rafa Sales Ross Guest Contributor Is the film business currently sustainable in the United States? The answer, according to American industry leads, is a conditional yes. This year’s Creative Investors’ Conference at the San Sebastián Film Festival kicked things off with a panel taking the temperature of the U.S.

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Tokyo Film Festival Announces Sho Miyake & Fu Tien-yu As Recipients Of Kurosawa Akira Award

Tokyo International Film Festival has announced that Japanese filmmaker Sho Miyake and Taiwanese filmmaker Fu Tien-yu will be the joint recipients of the 2024 Kurosawa Akira Award.

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‘Happyend’ Review: Friendship Isn’t Future-Proof in a Poignant Surveillance-State Allegory

Jessica Kiang Japanese director Neo Sora is no catastrophist: the vision of dystopia he puts forth in his coolly compelling first fiction feature “Happyend” is chilling precisely because it won’t take some thunderous armageddon to bring it about. Instead, in a near future that’s barely a stone’s throw from now, beset by many of our present predicaments and a sense of impending but not quite imminent apocalypse, his teenage heroes come of age as kids have always done.

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‘Transformers One’ Debuts With $39M WW; ‘Beetlejuice Beetlejuice’ Rises To $330M & ‘The Wild Robot’ Starts Early Overseas – International Box Office

Refresh for latest…: Paramount/Hasbro Entertainment’s Transformers One is out of the gate with a $39M global start. From just 50 international box office markets (representing only 40% of the overseas footprint), the first animated Transformers movie in close to 40 years grossed $14M.

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‘Beetlejuice Beetlejuice’ Surpasses $300 Million Globally, ‘The Wild Robot’ Takes Flight With $6.8 Million Overseas

Rebecca Rubin Senior Film and Media Reporter Universal and DreamWorks Animation’s “The Wild Robot” took flight at the international box office with $6.85 million from eight markets. Top markets were China with $4 million and Australia with $1.9 million. The film, a sci-fi survival story about a robot that’s marooned on an uninhabited island, will roll out in North America and several other international territories on Sept.

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San Sebastián Hails Spain’s Crime Series Boom, Debates Its Drivers

John Hopewell Chief International Correspondent SAN SEBASTIAN — From when it began to incorporate Spanish TV series in its Official Selection – think 2017’s “The Plague” or 2020’s double whammy of “Patria” and “Riot Police” – San Sebastián has used its first Saturday to debate TV issues. This time round, a panel highlighted crime series, featuring Movistar Plus+’s Susana Herreras, Laura Sarmiento, showrunner of Netflix hit “Intimacy” and lead writer on “Burning Body,” and Elías León Siminiani, co-creator of the 2017 docuseries “El caso Asunta (Operación Nenúfar)” which inspired the 2024 Netflix fiction series, “El Caso Asunta.” Six takes on the panel discussion: Spanish Crime Series Boom The panel was entitled in Spanish “The Spanish Crime Series Boom.” That seems an understatement. According to Variety research, through Sept.