William Friedkin: Last News

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nme.com
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‘The Exorcist: Believer’ trailer sees Ellen Burstyn return in direct sequel
The Exorcist: Believer – check it out below.Directed by David Gordon Green, who helmed the recent Halloween reboot trilogy, The Exorcist: Believer similarly serves as a direct sequel to William Friedkin’s 1973 original.As shown in the trailer, the connecting thread is the return of Ellen Burstyn as Chris MacNeil, who is tracked down by concerned father Victor (Leslie Odom Jr.) to help save his possessed daughter Angela (Lidya Jewett) and her friend Katherine (Olivia Marcum).A synopsis reads: “Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding has raised their daughter, Angela, on his own. But when Angela and her friend Katherine disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.”Other confirmed cast members include Ann Dowd, Raphael Sbarge, Jennifer Nettles and Okwui Okpokwasili.The Exorcist: Believer is the first entry in a planned trilogy, with a follow-up titled The Exorcist: Deceiver scheduled to be released on April 18, 2025.The original Exorcist, based on the book by William Peter Blatty, was followed by sequels Exorcist II: The Heretic in 1977 and 1990’s The Exorcist III.
metroweekly.com
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‘The Wounded Man’ Review: French Twist
Jean-Hugues Anglade became an arthouse cinema star of the ’80s and ’90s behind the potent one-two punch of international hits Betty Blue and La Femme Nikita. Playing men who loved hard and recklessly, the actor embodied onscreen a raw, alluring passion that he then upended, to powerful effect, portraying mad King Charles IX in writer-director Patrice Chéreau’s 1994 period epic Queen Margot.But a decade earlier, Anglade made his big-screen breakthrough embodying another raw, reckless lover in Chéreau’s gritty, gay, mean streets drama L’homme blessé, or The Wounded Man (★★★☆☆), earning a Most Promising Newcomer César Award nomination for his intense performance as Henri, a young man who comes of age cruising his local train station.The film — which premiered at Cannes in 1983, and had an extremely limited stateside release in 1985 — actually did win the César for its script, by Chéreau and author-activist Hervé Guibert, inspired by the street-savvy works of Jean Genet.Viewing the film now, as it arrives finally on digital home video via a brilliant, new 4K restoration courtesy of Altered Innocence and Studiocanal, other muses also spring to mind, from the slinky sailors of Rainer Fassbinder’s Querelle, released a year prior, to the pugnacious gay hustler of Wallace Potts’ sublimely sexy 1979 French erotica Le Beau Mec.Somewhere between Le Beau Mec and William Friedkin’s Cruising, we might meet Henri, looking like a sweaty, unstable young Al Pacino, as he prowls his economically depressed, French provincial town.

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