William Friedkin - celebsbar.com

EXCLUSIVE: RTG Features, the sister studio to basketball media company Slam, is partnering with arts organization Heartland Film to launch the first annual Slam Film Festival dedicated to basketball-themed movies.

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Pulitzer-Winning Playwright & Actor Tracy Letts Signs With UTA

EXCLUSIVE: Pulitzer Prize-winning August: Osage County playwright Tracy Letts has signed with UTA for representation in all areas, the agency said today.

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David Gordon Green Exits ‘Exorcist’ Sequel as Universal, Blumhouse Search for New Director

Ethan Shanfeld David Gordon Green has exited “The Exorcist: Deceiver,” the 2025 sequel to last year’s poorly received sequel in the horror franchise. Universal and Blumhouse are searching for a new director.

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‘The Exorcist: Believer’ review: Dir. David Gordon Green (2023)

Very rarely do iconic horror movies escape the remake treatment at some point in their franchise legacy. Such classics as The Texas Chainsaw Massacre, A Nightmare On Elm Street, Halloween and The Omen have all been treated (or fallen victim to, depending on your opinion) to a remake, but there are some that simply seem to be untouchable. The Exorcist, directed by the late great William Friedkin 50 years ago, is one such sacred text. However, just because everyone respects it, doesn’t mean you can’t franchise it, with The Exorcist inspiring a number of sequels, prequels and TV shows, stopping short of going for a full-blown remake.

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Stephen King thinks you should watch these movies

IT, The Shining, Christine, Carrie and Misery have all been adapted into acclaimed films, with recent examples including The Boogeyman and Doctor Sleep from director Mike Flanagan.Throughout the years, King has also frequently recommended the works of others, whether through press interviews or on X (formerly Twitter).The below list compiles the author’s movie recommendations as featured on a list published on Bloody Disgusting, as well as a BFI listing of his favourite movies from September 2017. Check his picks out below.In the BFI list, King describes William Friedkin’s 1977 film Sorcerer as his “favourite film of all time”.

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What to watch: 7 movies and shows to stream this week — Oct 27

What To Watch. Today we recommend a mix of new releases and newly available titles, from movies and shows, all available to stream on the most popular platforms.What to watch Halloween edition: 7 movies and shows to stream — Oct 13What to watch: 7 movies and shows to stream this week — Oct 20Starring Chris Evans and Emily Blunt, the film follows a single mother who starts working in a pharmaceutical company in order to make ends meet. Before she knows it, she’s involved in a complicated racketeering scheme.

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Box Office: ‘The Exorcist: Believer’ Crosses Off $11.9 Million Opening Day

J. Kim Murphy Nearly 50 years after William Friedkin’s “The Exorcist” landed in theaters to leg out a run as the highest-grossing feature of 1973, a new sequel to it is opening on top of the box office. Universal’s “The Exorcist: Believer” compelled audiences to the tune of an $11.9 million opening day from 3,663 locations, a number including $2.85 million in previews.

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Deaths, injuries and a fire: How the original ‘Exorcist’ set was its own horror movie

release of “The Exorcist: Believer,” filmgoers will once again witness young, possessed girls blaspheming, shrieking and levitating as their parents try to wrest a godless demon from their bodies.What they likely won’t see, however, is their fellow audience members fainting, vomiting and fleeing the theater in terror. That chaotic scene was what was widely reported to have happened all over the world when “The Exorcist” hit theaters nearly 50 years ago in December 1973.In early 1974, a security guard at a Midtown East cinema described screenings of the horror flick to the New York Times.

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Kiefer Sutherland powers ‘The Caine Mutiny Court-Martial’

the 1954 big-screen classic starring Humphrey Bogart as Lieutenant Commander Philip Queeg, he of the nervously-twirled metal balls and questionable sanity.The movie premieres Oct. 6 on Paramount+ with Showtime (paramountplus.qflm.net/9WG5D0) — and Oct. 8 on Showtime (9 p.m.) — and features an all-star cast, including Kiefer Sutherland as Queeg and the late Lance Reddick, all of whom deliver bravura performances.

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‘The Exorcist: Believer’ Review: David Gordon Green’s Reboot Trots Out the Same Old Tropes, Minus the Dread

Owen Gleiberman Chief Film Critic The sequels — or, in two cases, prequels — to “The Exorcist” have all been unqualified turkeys. There is now a movement at hand to declare that John Boorman’s crackpot insect-swarm fantasia “Exorcist II: The Heretic” (1977) was some sort of misunderstood masterpiece, but that’s an act of revisionism every bit as loony tunes as “Heaven’s Gate” revisionism.

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‘The Exorcist: Believer’ Review: Leslie Odom Jr. Stars And Ellen Burstyn Returns In Head Spinning Reboot With A Double Twist To 1973 Horror Classic

In the long history of horror films since the dawn of cinema, it would be hard to imagine any of them quite having the particular impact of 1973’s The Exorcist which became the first horror film ever to be nominated for the Best Picture Oscar, along with nine other nominations including Best Actress for Ellen Burstyn. It eventually won two Academy Awards for William Peter Blatty’s screenplay based on his 1971 novel, and for the bone chilling Sound work. When I saw it as a young kid in its original incarnation at the National Theatre in Westwood (now no longer existing), there were lines like you have never seen wrapping completely around the block. Warner Bros. even put a nurse on duty in the lobby for those who passed out, no mere gimmick because it actually happened. Nothing I have seen since in the genre has matched that one for me, but it wasn’t for Hollywood not trying. There are countless imitations, even a couple of failed direct sequels including the dreadful 1977 followup, Exorcist II: The Heretic, and the forgettable Exorcist III: Legion in 1990. There have been TV series attempts, an origin angle with Exorcist: The Beginning in 2004, and countless others using the come-on Exorcist in their title. Earlier this year we even had another film, based on the Vatican’s longtime real life demon slayer, The Pope’s Exorcist which thanks to a dedicated performance by Russell Crowe worked quite well on its own terms

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Jason Blum Explains The Move Of ‘The Exorcist: Believer’ To Avoid Clash With Taylor Swift Concert Film

The power of Taylor Swift compels you. And it’s also worked its ways on producer Jason Blum, who cast out his The Exorcist: Believer to an earlier October release date to avoid a clash with Swift’s concert film.

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‘The Exorcist: Believer’ Moving To Avoid Clash With Taylor Swift Concert Film

The power of Taylor Swift compels you. And it’s also working its ways on producer Jason Blum, who is casting out his The Exorcist: Believer to an earlier release date to avoid a clash with Swift’s concert film.

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Kenneth Branagh’s ‘A Haunting in Venice’ Stays Atop U.K., Ireland Box Office

Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.

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‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film Is Minor, but His Conviction Shines Through

Owen Gleiberman Chief Film Critic Somewhere, at any given moment, there’s a film director adapting a stage play to the big screen. Yet it’s rare, and fascinating, to see a filmmaker steeped to the gills in cinema as cinema who also has a grand obsession with the theater.

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Republic Pictures’ Dan Cohen & Producer Annabelle Dunne Talk Emotional Venice Premiere For William Friedkin’s ‘Caine Mutiny’; Collaboration On Karl Lagerfeld Doc

Republic Pictures President Dan Cohen and producer Annabelle Dunne were among the main representatives of William Friedkin’s last film The Caine Mutiny Court-Martial at its posthumous world premiere at Venice Film Festival over the weekend.

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U.S. Premiere For William Friedkin’s ‘The Caine Mutiny Court-Martial’ Set For October 6 On Paramount+ With Showtime – Venice

William Friedkin’s last film The Caine Mutiny Court-Martial will make its U.S. premiere on October 6 on Paramount+ with Showtime.

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Damien Chazelle Pays Tribute to William Friedkin in Moving Speech at ‘The Caine Mutiny Court-Martial’ Venice Premiere: ‘He Was Fearless’

Nick Vivarelli International Correspondent Damien Chazelle paid tribute to late great director William Friedkin on Sunday in a moving speech at the Venice Film Festival where Friedkin’s last film “The Caine Mutiny Court-Martial” premiered out-of-competition to warm applause. Friedkin, who died on Aug. 7 in Los Angeles at age 87, completed the film – which stars Kiefer Sutherland as Lt.

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‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film Does Honor To Herman Wouk’s Classic Military Story – Venice Film Festival

The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.

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William Friedkin’s ‘Caine Mutiny Court-Martial’ Collaborators On Working With Late Director & How Guillermo Del Toro Became Involved – Venice

The late William Friedkin’s last project, The Caine Mutiny Court-Martial, will have its world premiere out of competition at the Venice Film Festival this evening. This afternoon, collaborators on the Showtime/Paramount Global film including producer Annabelle Dunne and editor Darrin Navarro, offered insight into Friedkin’s style of working and what it was like during the shoot. Dunne also spilled more details about Guillermo del Toro’s involvement in the project.

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Guillermo Del Toro Acted as Back-Up Director for William Friedkin’s ‘The Caine Mutiny Court-Martial,’ Producer Reveals at Venice Launch

Nick Vivarelli International Correspondent Guillermo Del Toro acted as back-up director for his friend, the late great William Friedkin, during the shoot of Friedkin’s last movie “The Caine Mutiny Court-Martial,” which world premieres on Sunday at the Venice Film Festival. Friedkin, who died on Aug. 7 in Los Angeles at age 87, contractually needed a back up in order for the movie to be made.

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All news where William Friedkin is mentioned

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