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‘The Righteous Gemstones’ Season 3 Hilariously Fills the HBO Void Left by ‘Succession’ and ‘Barry’: TV Review
Alison Herman TV Critic Last month, HBO said goodbye to two of its signature series: “Succession,” a tale of three born billionaires vying to replace their aging patriarch; and “Barry,” an action comedy that unlocked new levels of ambition in its star-auteur, Bill Hader. Fans — and, one presumes, the network — were left with a vacuum the next seasons of “The White Lotus” and “House of the Dragon” are too far off to fill. Fortunately, a show that combines the best of both its erstwhile peers returns June 18 for a third season. “The Righteous Gemstones” remains consistent in its outrageous opulence and crude humor, but its latest chapter is unusually well timed. Like “Succession,” “The Righteous Gemstones” follows a family poisoned by wealth and power at a crucial inflection point; like “Barry,” the show has a visual panache that defies our expectations for a half-hour comedy. But unlike either show, “The Righteous Gemstones” resists the impulse to justify its grandeur with dramatic or tragic Jake elements. The Gemstones are not the Roys, forced to confront the emotional poverty beneath their material riches, nor Barry Berkman, scrambling for redemption without real accountability. They’re buffoons, their idiocy only amplified by the motorcycle chases, musical sequences and megachurch sermons that immerse us in their world. The straightforward comic tone doesn’t detract from the sharp observations made by creator Danny McBride and longtime collaborators including Jody Hill, John Carcieri and David Gordon Green. Instead, it channels their insights into masculinity, the South and American conservatism, previously honed on “Vice Principals” and “Eastbound & Down.”
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