Tim Rice: Last News

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All news where Tim Rice is mentioned

nme.com
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461
Billie Eilish, ‘I’m Just Ken’ and more nominated for Best Song at Oscars 2024
Billie Eilish’s ‘What Was I Made For?’ and Ryan Gosling’s ‘I’m Just Ken’ are among the tracks nominated for Best Original Song at this year’s Oscars.The two compositions for the film Barbie are among the five nominees in the category, which were announced earlier today (January 23).The other songs to get a nod were ‘Wahzhazhe (A Song For My People)’ from Killers of the Flower Moon, with music and lyrics by Scott George, ‘It Never Went Away’ by Jon Batiste and Dan Wilson, from American Symphony, and ‘The Fire Inside’ by Diane Warren, from Flamin’ Hot.It is the second Oscar nomination for Eilish, who previously won in this category in 2022 for writing and performing the title track of the James Bond film No Time to Die. She wrote ‘What Was I Made For?’ with her brother Finneas O’Connell, and it has also been nominated for Record of the Year and Song of the Year at the Grammys.Were she to win, Eilish would join an elite group of composers to have won multiple Academy Awards for Best Original Song, a list that includes Elton John, Randy Newman, Burt Bacharach, Tim Rice and Giorgio Moroder.‘I’m Just Ken’ was written by Mark Ronson and Andrew Wyatt, the latter of whom is the frontman of Swedish electro-pop band Miike Snow.
metroweekly.com
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297
‘Evita’ Review: Cry Hard
Evita (★★★☆☆), Shereen Pimentel, in the title role, declaims not from a balcony of the Presidential Palace, but surrounded by risers of flowers stacked to the rafters.A luminous rose among a field of lesser blooms, Eva “Evita” Péron, addresses her nation to the triumphant strains of “Don’t Cry for Me Argentina.” Indeed it’s a triumphant moment for the Shakespeare Theatre’s production, directed by Sammi Cannold, building on her staged concert presentation of Evita for New York City Center Encores! in 2019, and a subsequent American Repertory Theatre production in Cambridge, Massachusetts this past summer.Finessing the First Lady’s appeal to her people, Pimentel’s voice is at its loveliest on “Don’t Cry,” while Jason Sherwood’s scenic design provides a gorgeous visual representation of Evita’s lofty status amongst the Argentinian masses.The stirring number reinforces the tune’s status as the crown jewel of one of Webber’s best-known scores, with a polished, patient rendition that belies the effort to deliver all an audience might hope for or want from a hit. Other gems in the score don’t gleam with the same care and intention, although the performers, backed by music director Mona Seyed-Bolorforosh’s 16-piece orchestra, have their moments.The warm baritone of Caesar Samayoa, as Presidente Juan Péron, booms confidently through the droll game of musical chairs depicting the military colonel’s rise to power.
variety.com
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797
Post Malone, ELO’s Jeff Lynne, Gloria Estefan and More Light Up Songwriters Hall of Fame Ceremony
Jem Aswad Executive Editor, Music We say every year that the Songwriters Hall of Fame Induction ceremony is the music industry’s best-kept secret — an invite-only, insider combination of a superstar awards show and a family reunion for the tight-knit songwriting and music-publishing community that is in its 52nd year and has never been televised or livestreamed. In fact, we’ve said it so many times that longtime SHOF CEO Linda Moran quoted us in her opening remarks on Thursday night. While the show has had honorees pull out in the past — Jay-Z due to the impending birth of his and Beyonce’s twins, less happily the Kinks’ Ray Davies due to the death of his sister — this year’s event was the first time two honorees canceled, deferring their inductions to next year: the reclusive Sade, who everyone figured had about a 40% chance of showing up, postponed several months ago due to a scheduling conflict, and Snoop Dogg, who pulled out abruptly for undisclosed reasons earlier in the week. But the SHOF is such a star-studded evening that the event was a rousing success filled with great music regardless — and the silver lining was the fact that it was over in a relatively tidy three hours (it often stretches toward five).

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