Steven Soderbergh: Last News

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All news where Steven Soderbergh is mentioned

variety.com
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TCM Film Festival Wraps With Focus on WB at 100 and Screen Sirens of the ’60s
Chris Willman Senior Music Writer and Chief Music Critic If the 14th annual TCM Classic Film Festival had an official focus, it was on the 100th anniversary of Warner Bros., from the opening night premiere selection of a restoration of “Rio Bravo” to a celebration of the 50th anniversary of “The Exorcist.” Almost equal in emphasis, though, by virtue of the guests brought in, was a celebration of the ingenues-turned-leading-ladies of the 1960s, who now represent the elder guard of a Hollywood golden age — Angie Dickinson, Ann-Margret and Shirley Jones. Dickinson had the highest profile of any star at the festival, being the belle of the ball at the Thursday screening of “Rio Bravo” in the big house at the TCL Chinese Theatres, where most of the screenings were held. But there was just as much outpouring of affection for Ann-Margret, who turned up for a Q&A (and birthday cake) following “Bye Bye Birdie” on Saturday, and Jones, who was joined by her son Shaun Cassidy and a slew of grandchildren after a showing of 1962’s “The Music Man” as the festival neared its end Sunday.
metroweekly.com
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‘Magic Mike’s Last Dance’ Review: Last Gasp
The world of Magic Mike movies moves fast and changes constantly. An unfettered life for Channing Tatum’s tender-hearted hunk of a stripper-promoter-construction worker-furniture designer-entrepreneur has meant a shifting stream of old and new friends, new loves, and new towns as he rides his “Pony” from film to film, starting with the 2012 hit Magic Mike and ending, presumably, with Magic Mike’s Last Dance (★★ ☆ ☆ ☆).The original — a good-vibes backstage melodrama directed by Steven Soderbergh, who also directed Last Dance — introduced enterprising exotic dancer Mike Lane (Tatum), his crew of dance-challenged stripper buddies, and his journey as a hardbodied, hard-working Florida lug who’s just looking for his shot.Produced for well under ten million dollars, the film went on to gross nearly $170 million worldwide, and of course begat a sequel, the 2015 road movie Magic Mike XXL, which was considerably less successful both at the box office and as a compelling story.That breezily entertaining follow-up, directed by Gregory Jacobs, showed the Magic Mike train already wobbling on its rails, burying the erotic appeal of hot guys stripping under a heap of treacly, trendy, self-help speak about making women feel like queens.Seemingly, the studio’s market research had divined Mike’s true purpose, not as a sexy single stud but as a fantasy boyfriend, who would patiently listen to his lady pour out her feelings, before flipping her onto a table and pounding her to ecstasy.

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