Carole Horst - celebsbar.com

Carole Horst Interior designers have always been celebrated by those in Hollywood who understand the alchemy they perform in mixing art, architecture, psychology, history, math, mind-reading and diplomacy to create gorgeous spaces that are also welcoming homes. Variety spotlights 10 interior design firms and the artists behind them who are indispensable to the entertainment industry.Gavin Brodin, Brodin Design Build Brodin taps into “luxury with ease” for his clients.

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Johnny Flynn on His New Drama ’Prayer for the Dying’ and Musical Friendship With Co-Star John C. Reilly: ‘We Actually Sang a Lot Together’

Carole Horst Johnny Flynn’s career has taken him from Regency England (“Emma,” “Vanity Fair”) to WWII (“Operation Mincemeat”) to contempo Glasgow (“Lovesick”) to mid-century Italy (“Ripley”) to 1971 David Bowie (“Stardust”), and now the versatile actor-singer-songwriter travels to post Civil War America in “A Prayer for the Dying.” Adapted from the novel by Stewart O’Nan and directed by Dara Van Dusen, the drama unfolds in 1870 Wisconsin, in a small town of Scandinavian settlers who face a chillingly timely threat of a pandemic and wildfires. Flynn plays Jacob Hansen, the local sheriff and town leader, and John C.

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Awards Voters: Don’t Forget About Felicity Jones and Her Steely Turn in Brady Corbet’s ‘The Brutalist’

Carole Horst When Felicity Jones hits the screen in “The Brutalist,” it’s like a bucket of cold water dashed on the pretensions of the characters we’ve already spent some 90 minutes with, learning about their struggles, dreams, histories. Erzsébet (Jones) is smart, highly educated and most important, skeptical, in contrast to her husband, László Toth (Adrien Brody), an architect of soaring artistic and uncompromising vision. The vision of director Brady Corbet, who co-wrote “The Brutalist” with Mona Fastvold, encompasses nothing less than the American Dream, the stain of antisemitism and postwar capitalist power.

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How Rooney Mara Drama ‘La Cocina’ Marks a Big Leap for Socially Conscious Production and Distribution Shingle Willa

Carole Horst Elizabeth Woodward saw an opportunity in the indie film market and ran with it. The founder and CEO of production shingle and distributor Willa is poised to break into bigger endeavors with Alonso Ruizpalacios’ “La Cocina,” which it will release Oct. 25 in New York and Los Angeles.

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Director David Mackenzie on His Paranoid Thriller ‘Relay’: ‘I’m Very Drawn to These Sort of Outsider Characters’

Carole Horst David Mackenzie delivers a tight thriller with “Relay,” premiering at the Toronto International Film Festival. The film stars Riz Ahmed as Tom, who operates as sort of a middleman between corporate whistleblowers and the companies. The extremely clandestine Tom operates in a morally ambiguous area until Lily James’ Sarah engages his services.

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Max Minghella Breaks Out of His ‘Shell’ With Black Comedy Starring Kate Hudson and Elisabeth Moss

Carole Horst Most audiences would recognize Max Minghella from his stellar turn in Hulu’s “Handmaid’s Tale” or “The Mindy Project” or any number of acting gigs in film and TV. But he’s also a writer/producer/director, and with “Shell,” he not only makes his sophomore directorial feature effort, he also reunites with “Tale” topliner Elisabeth Moss. Moss stars as Samantha, an actor who was on a hit TV show when she was younger, but now, a little bit older, she loses out on roles she is perfect for to younger, fitter actors despite her talent.

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From Big Wigs to Basic Blue Jeans, ‘Priscilla’ Artisans Talk Transforming Cailee Spaeny Into Priscilla Presley

Carole Horst In Sofia Coppola’s “Priscilla,” Cailee Spaeny goes from a 14-year-old high schooler courted by Elvis Presley (Jacob Elordi), the most famous man on Earth, to a liberated woman freeing herself from an oppressive marriage to that same man (whose fame was somewhat eclipsed by that point). Production designer Tamara Deverell, costume head Stacey Battat, hair department head Cliona Furey and makeup department head Jo-Ann MacNeil created looks that take Spaeny’s Priscilla on that long journey from schoolgirl on a U.S. army base in Germany to Memphis, Tenn., where Elvis installed his future wife at his Graceland mansion, to her finding independence in early 1970s. “In the beginning, it’s pinks and soft textures, and the fuzzy sweaters,” says Battat, noting that the film spans 1959-1972 in 1 hour and 50 minutes, requiring lots of changes in silhouettes, hair and makeup — it’s an era of revolutionary changes in fashion. “I took the real photos of her and looked at them in a spectrum and then just kind of filled in the gaps and in my mind.

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David Ferino’s ‘Wardcliffe’ Wraps, Releases First Look at Drama Set During One Day in 2020 Quarantine

Carole Horst Writer/director David Ferino’s feature directorial debut, “Wardcliffe,” starring Joel McKinnon Miller (“The Staircase,” “Brooklyn Nine-Nine,” “Big Love”) and Shane Coffey (“Pretty Little Liars,” “Good Girls”). Inspired by real events, Ferino’s script takes place over the course of a single day as Dennis (Miller) and his son Ronnie (Coffey) quarantine together during the 2020 pandemic lockdown. Decades of tension escalate to a boiling point when the two find themselves confined inside.

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‘Unicorns’ Directors Saw Instant ‘Chemistry’ Between Stars Jason Patel and Ben Hardy

Carole Horst “Unicorns” explores a world not seen much in feature films — the world of “gaysians,” the South Asian gay community in the U.K. The film, directed by Sally El Hosaini (“The Swimmers”) and James Krishna Floyd and written by Floyd, follows Aysha/Ashiq (charismatic newcomer Jason Patel) a queer, Muslim, South Asian drag queen living a double life who sparks a friendship then romance with white, straight mechanic and single father Luke (“Eastenders’ ” Ben Hardy, equally charismatic). The film bowed to rave reviews at the Toronto Intl.

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The Exchange Nabs Sales Rights to Romance ‘The Islander’ Starring Harry Connick Jr.

Carole Horst The Exchange has picked up world sales rights to “The Islander,” starring Harry Connick Jr. Variety can share an exclusive first look of the romantic feature. The Exchange will be introducing the title to buyers at AFM, which kicks off Oct.

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Filmmaker Minhal Baig Digs Into Childhood Hopes and Trauma in Toronto Premiere ‘We Grown Now’

Carole Horst Minhal Baig’s “We Grown Now,” which bowed Sept. 8 at TIFF, follows Malik (Blake Cameron James) and Eric (Gian Knight Ramirez), two 12-year-old boys living in Chicago’s Cabrini Green housing project. It’s 1992 and the boys have loving homes overzealous and racist police, crime and an unthinkable tragedy burst through their childhood bubble.

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First Look at Mario Van Peebles’ Western ‘Outlaw Posse’ With Whoopi Goldberg (EXCLUSIVE)

Carole Horst “Outlaw Posse,” a Western being sold by Highland Film Group, stars Mario Van Peebles, Whoopi Goldberg, Edward James Olmos and Cedric the Entertainer. Highland Film Group shared an exclusive first look at the films with Variety. Van Peebles wrote and directed the actioner.

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Capstone Global Releases First Look of ‘Don’t Move’ With Kelsey Asbille, Finn Wittrock

Carole Horst Capstone Global is selling “Don’t Move,” starring Kelsey Asbille (“Yellowstone,” “Fargo,” “Wind River”) and Finn Wittrock (“American Horror Story,” “The Assassination of Gianni Versace: American Crime Story,” “Ratched”). Capstone shared a first-look exclusive still of the horror thriller, which is currently in post-production, produced by Raimi Prods.

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Jack Huston Talks Directorial Debut ‘Day of the Fight,’ Casting Joe Pesci in a Unique Role and Why He Stuck By Controversial Lead Michael Pitt

Carole Horst Actor Jack Huston makes his directorial debut with the drama “The Day of the Fight,” starring Michael Pitt, in Venice’s Horizons Extra. The black and white film, set in the early 1980s, follows Mikey (Pitt) through his day as he prepares for a comeback fight at Madison Square Garden that night. But Mikey is preparing for something much bigger, as the screenplay – written by Huston – delves into his past, his relationships and all the pain, sorrow and joy they bring.

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Why ‘Top Chef’ Is Overdue for an Emmy Win After Season 20

Carole Horst “Top Chef” last won an Emmy in the competition category in 2010 (it won an editing Emmy in 2008) but it’s been shut out of wins for too many years. Until “RuPaul’s Drag Race” took over the reality competition category, trophies tended to go to the most familiar — albeit well-crafted options — rather than the best shows. Now, reality competition is, well, super competitive. Last year’s winner, “Lizzo’s Watch Out for the Big Grrrls,” was an empowering and joyful series that captured the mood of America, while nominees such as “Nailed It!,” and perpetual nominees “The Voice,” “The Amazing Race” and “RuPaul’s Drag Race” crowd out worthies such as “Making the Cut,” “Next in Fashion,” “American Ninja Warrior,” “Dancing With the Stars,” “America’s Got Talent” and any number of Gordon Ramsay cooking series. (For that matter, many Food Network series fail to make the cut as well.)

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GKIDS Tunes Up North American Rights for Japanese Anime Feature ‘Blue Giant’ (EXCLUSIVE)

Carole Horst Animation producer and distributor GKIDS has acquired all North American rights to the music-driven anime feature “Blue Giant.” The film, an adaptation of the manga of the same name, is directed by Yuzuru Tachikawa (“Mob Psycho100,” “Death Parade,” “Detective Conan: The Black Iron Submarine”). Number 8, the editor of the original “Blue Giant” manga written by Shinichi Ishizuka, penned the script. In “Blue Giant,” former high school basketball player Dai Miyamoto discovers a love for jazz, and determines to learn the saxophone. He hits the jazz clubs of Tokyo in his quest to be the best sax player in the world. Dai launches a trio with cocky but talented pianist Yukinori, with Dai’s friend Shunji on the drums. But he soon learns that life as a professional musician is harder than it looks from the outside.

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Netflix’s Anticipated ’Nimona’ Heads to Annecy Animation Festival After Long Road to the Big Screen

Carole Horst “Nimona” took a twisty road to the big screen. But now it’s ready for its debut at Annecy Animation Film Festival. Pictured above is an exclusive still from the anticipated fantasy adventure. Based on the graphic novel by N.D. Stevenson, the feature follows Ballister Boldheart, a knight in a futuristic medieval world who is framed for a crime he didn’t commit. The only one who can help him prove his innocence is Nimona, a mischievous teen who happens to be a shapeshifting creature he’s sworn to destroy. “Nimona” started out at 20th Century Fox’s animation shingle Blue Sky Studios, which optioned the novel in 2015. Nick Bruno and Troy Quane were brought onboard in 2020 when creative direction of the film changed. The film continued production apace even after Disney completed its $71.9 billion merger with 20th Century Fox in 2019.

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‘Those About to Die’ Previews AGC Television’s Ambition for Scripted Content as Unwritten Scores With Unscripted Content Like ‘Tinder Swindler’

Carole Horst “Those About to Die,”AGC Television’s upcoming gladiator series from Roland Emmerich, stars Anthony Hopkins and boasts a cast drawn from across Europe and the Middle East. It’s also financially innovative. Rather than rely on a single, deep-pocketed streamer to write the check for the pricey series, budgeted at $145 million for the first season, AGC adopted a split rights structure: U.S. rights are licensed to Peacock, European rights to HEP, the Herbert Kloiber Sr./Constantin joint venture, and AGC International distributing in the rest of the world. AGC chairman and CEO Stuart Ford takes pride in proving the naysayers wrong with financing for the project set in ancient Rome and based on Daniel P. Mannix’s book of the same name.

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New AFCI President Sets Long-Term Goals for Film Commission Org Ahead of Annual Event That Features ‘Last of Us’ Location Panel

Carole Horst The new head of the AFCI has big goals for the organization, and looks to promote stability within the leadership, which has seen a few presidents come and go in the past handful of years. “I really want to reassure people that I’m in this for the long haul and I feel like I have the right skill set to take the organization through and develop a really good strategy for it for the next 10 years,” says Jaclyn Philpott, the recently installed AFCI exec director. “I’ll be ready and willing to answer any questions that they may have. You know, I’ve had a very good look under the hood at the organization, from the financials through the previous strategies to what’s happening in the market right now, and I feel like I have a good idea of what they want based on what they’ve told me and in my own research.”

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Matthew Von Der Ahe on ‘Champions’ and the Importance of Representation on the Big Screen

Carole Horst Matthew Von Der Ahe stars in “Champions,” Bobby Farrelly’s refreshingly unsentimental, hilarious and rather gritty remake of the 2018 Spanish hit “Campeones.” The story follows a disgraced minor league basketball coach (Woody Harrelson) who, after a DUI, is sentenced by a judge to coach a local Special Olympics basketball team, the Friends. Von Der Ahe, who has Down syndrome, plays the saucy Craig, who loves the game, his teammates and the ladies, and stars with Kaitlin Olson, Cheech Marin and a large cast of actors with intellectual and developmental disabilities [IDD]. Von Der Ahe has been acting since he was 7, and his credits include “Code Black,” “Weeds” and “Yo Gabba Gabba.” He’s also a state ambassador for IDD advocacy and volunteer organization Best Buddies, works at a restaurant called the Village, paints watercolor art, takes drum lessons and works out with a personal trainer, “who pushes me to do my best.” He’s also a musician: Stick around through the jubilant closing credits sequence of “Champions” and you’ll see him on the drums.

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Kerry Condon on Colin Farrell and How Colorful Clothes Impacted Her ‘Banshees of Inisherin’ Character

Carole Horst Kerry Condon earned her first Oscar nomination for Martin McDonagh’s “The Banshees of Inisherin,” in which she plays Siobhán, the complex sister of Colin Farrell’s simple Pádraic. Condon has worked with McDonagh for two decades; her first major role was in his play “The Lieutenant of Inishmore,” and in 2009, she starred in his drama “The Cripple of Inishmaan.” She also appeared in his film “Three Billboards Outside Ebbing, Missouri,” which won Academy Awards for Frances McDormand and Sam Rockwell. The actor, who hails from Thurles, Tipperary, Ireland, also shared that she shaved her head twice for McDonagh — once for “The Lieutenant of Inishmore” in London and four years later for the play’s New York premiere.

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