Asif Kapadia: Last News

In 50 years, what state will the world be in? Based on current indications, it’s hard to avoid answering, “Pretty grim.”

Addie Morfoot Contributor Edward Berger‘s “Conclave” will open the 13th edition of the Montclair Film Festival on Oct. 18. The film, which made its world premiere earlier this month at the Telluride Film Festival, follows the unexpected death of the Pope and the efforts to select a new one.

Jessica Kiang In “Amy,” Asif Kapadia‘s Oscar-winning gut-punch about pop icon Amy Winehouse (and to a lesser extent in biographical docs “Senna” and “Diego Maradona” too), the British director employs an emotional rhythm by which his subject’s tragic end seems foredestined right from the start. Perhaps “2073,” his new hybrid docufiction is a natural expansion of that impulse — a blend of archival footage, CG enhancement and speculative fiction that applies similar retroactive dismay to a cautionary tale about a near-future dystopia, and the current rising tide of everything-is-terrible that may bring it about.

Politicians often invoke the idea of children or future generations when urging the importance of collective action with consequences that only emerge in the long term. Humans can show tremendous capacity as a species when facing a tragedy that stares them in the face.

There’s a disturbing plausibility to director Asif Kapadia’s docudrama 2073, which just premiered out of competition at the Venice Film Festival. It’s set 49 years in the future, a time when surveillance drones swarm the skies and shock troops keep the order, truncheons in hand. We’re not in America anymore. Welcome to “New San Francisco – Capital of the Americas.”

Alex Ritman Asif Kapadia sees a future vision of the world where “chairwoman” Ivanka Trump is celebrating her 30th year as leader of a nightmarish fascist police state that was once America, a land mostly reduced to rubble following an unknown “catastrophe” that occurred in 2036. “It’s kind of a joke, but it’s also not a joke,” says the British filmmaker of mentioning Donald Trump’s daughter in “2073,” his chilling docudrama about the dystopia humanity is potentially hurtling towards and the very real and very contemporary factors concerning politics, the environment, corruption, race and technology that he says are propelling us in that direction.

By now, you must know Academy Award, BAFTA, and Grammy-winning filmmaker Asif Kapadia, known for “Senna,” “Diego Maradona,” and “Amy” about the late singer Amy Winehouse that won the Best Documentary Feature at the 88th Academy Awards. And his latest film, “2073,” sounds like it will test some boundaries.

Brent Lang Executive Editor Cinetic Media has signed Oscar-winning filmmaker Kevin MacDonald for management. Macdonald won the Academy Award for Best Documentary for “One Day in September,” a look at the 1972 murder of 11 Israeli athletes at the Summer Olympics In Munich.

Amy Winehouse, Amy – will be pleased to hear he’s returning to the genre soon with a new project.Kapadia is known for his forensic, archive-heavy films about global stars including racing driver Ayrton Senna, Argentinian footballer Diego Maradona and Winehouse, but he has veered away from that approach recently. His latest show about tennis superstar Roger Federer’s final days before retirement uses precious little archive material, and when he has reverted to type it has been for streaming series such as Disney+’s Camden and 1971: The Year That Changed Everything on Apple TV+.

Andrew Barker Senior Features Writer In his classic 1994 essay “How Tracy Austin Broke My Heart,” David Foster Wallace pondered why so many athlete memoirs — and tennis player memoirs in particular — fail to provide sports fans with what they really want to know. What does it feel like to fail in front of millions of people? How does a human being handle such intense pressure? What actually goes through one’s mind in those do-or-die moments where the difference between eternal glory and lifelong disappointment is one tiny miscalculation or half-second’s hesitation? Maybe, Wallace eventually concludes, the answer to that last question is “nothing much at all,” and “the real secret behind top athletes’ genius may be as esoteric and obvious and dull and profound as silence itself.” In his two previous sports documentaries, “Senna” and “Diego Maradona,” filmmaker Asif Kapadia has gone a great distance toward disproving Wallace’s thesis, using ingeniously edited archival footage to probe the psyches of Formula One champion Ayrton Senna and soccer god Maradona in all their noisy complexity.

Oscar-winning filmmaker Asif Kapadia has revealed that he uses the skillset he previously perfected making commercials to get his feature-length projects across the line.

In men’s tennis, as in other sports, there is constant debate over which player qualifies as the Greatest of All Time. Djokovic with his unprecedented 24 Grand Slam wins? Nadal with his astonishing 14 French Open victories? Federer, the first man to win 20 Grand Slams? Or perhaps a player from an earlier era – Rod Laver – who swept all four Grand Slam titles in a calendar year, not once but twice?

Jazz Tangcay Artisans Editor Producer Joe Sabia first encountered tennis legend Roger Federer in 2019 for Vogue’s “73 Questions” series. Sabia enjoyed the interview and kept in touch with his team. Three years later, as Federer looked to retire from the sport as a professional player, Sabia was brought into his offices.

Roger Federer’s 2022 retirement at age 41 certainly unleashed a tidal wave of mourning.The Swiss ace — renowned for his graceful movement, easy power and class — dominated courts around the world for more than two decades.So, when the 20-time winner of the four major tournaments put down his racket for good, the mood wasn’t so much the changing of the guard as the death of the king. For many, Roger Federer was tennis.“It’s been a wild journey,” Federer told the audience at the SVA Theatre in Chelsea.

The first Muslim International Film Festival (MIFF) ended this weekend in London with Amjad Al Rasheed’s debut feature Inshallah A Boy taking the best feature gong while veteran documentarian Asif Kapadia picked up the festival’s honorary Trailblazer Award. 

Camden landed on Disney+ this week, but which songs from the area’s history are included on the show?The show, which is executive produced by Dua Lipa, goes behind the scenes with some of the world’s biggest artists, revealing untold stories of how Camden in London shaped their lives and careers.Per a description, the four-part series explores “Camden’s rich history” through “archive footage, observational filming and interviews” with the likes of Chris Martin, The Libertines, Yungblud, Little Simz and Nile Rodgers.“Hearing from world-renowned musicians as they relive their Camden experiences; from their very first gigs to sell-out concerts, the highs and lows of nights out and a youth spent discovering music,” it adds.In a statement, Lipa said: “Executive producing the new original documentary series that celebrates the very place I started all of this is such a major full circle moment for me!“Camden will always have a special place in my heart and I’m humbled to share that with some absolute icons.”Asif Kapadia (Amy) is the series director, while the individual episodes are directed by Toby Trackman, Yemi Bamiro and Sarah Lambert.In a three-star review of the series, NME wrote: “With Chris Martin noting that Coldplay’s early days revolved around six pubs in the area (“If you could guarantee you’d bring ten people, they’d let you play”), and Little Simz highlighting the importance of free artist development schemes at The Roundhouse, Camden implicitly feels like a love-letter to endangered independent venues.”“The question is: with Disney+ memorialising it in a documentary, does authentic “non-conformist” Camden risk becoming an ersatz rock ‘n’ roll theme park?”The show’s four (roughly) four hour episodes include a

David Beckham, Anna Wintour and Roger Federer reunited for a day spent watching some of their films. Earlier this week, the three were photographed at The Whitby Hotel in New York City, where they were attending some screenings of the documentaries based on Beckham and Federer’s caereers. Victoria Beckham and Nicola Peltz twinning in sheer ensembles: Who wore it best?David and Victoria Beckham go on family yacht trip to celebrate EasterFederer, Wintour and Beckham were in attendance at the hotel, with all of them dressed up stylishly and approapriately for the weather.

Alex Ritman Sam Taylor-Johnson has pushed back against criticism of how “Back to Black,” her Amy Winehouse biopic starring Marisa Abela as the late iconic singer, depicts some of its main characters. The Focus Features film finally lands in the U.S. today, more than a month after it released in the U.K.

‘The Walking Dead: The Ones Who Live’ Joins Sky In Wide-Ranging AMC Pact

Todd Spangler NY Digital Editor An Apple commercial for the new iPad Pro tablet showing an industrial press literally crushing a TV, musical instruments, books and more ignited an angry backlash among many in Hollywood and other creative industries. The ad, titled “Crush!”, shows an array of various objects — including a record player, a piano, a guitar, an old TV set, cameras, a typewriter, books, paint cans and a classic arcade game machine — getting compressed into (voila!) the new iPad Pro.

EXCLUSIVE: The upcoming ABBA feature, which will air on 14 broadcasters including the BBC and CW, is an attempt to give the global superstars the Asif Kapadia-style doc treatment for the first time while combatting “Anglo-American” snobbery, according to its director.