Venice Film Festival: Last News

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nypost.com
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Nicole Kidman, 57, says she had to pause filming ‘Babygirl’ because she didn’t want to ‘orgasm’ anymore: ‘I hate doing this’
In the kinky movie, Kidman plays a powerful businesswoman who risks her career and family life to have a passionate affair with her much younger intern, played by “Where the Crawdads Sing” actor Harris Dickinson, 28.The 57-year-old Oscar winner said performing sexual scenes with Dickinson and Antonio Banderas, who plays her husband in the movie, sometimes became too much to handle.“There were times when we were shooting where I was like, ‘I don’t want to orgasm any more,’” Kidman told The Sun.The “Big Little Lies” star took on the project to challenge herself, however the process brought moments that were simply too much for her to handle.In fact, Kidman admitted that she would often say, “don’t come near me” and “I hate doing this” during filming.“I don’t care if I am never touched again in my life!” she added.Even Dickinson revealed in a press conference that he would tell the cast and crew “go away for a second” when he needed space on set.The upcoming film’s steamy trailer is already giving moviegoers a glimpse of what’s to come with sexual tension spilling over the screen.“It was so present all the time for me that it was almost like a burnout,” Kidman said.This isn’t the first time Kidman has pushed the boundaries with sexual roles.She appeared in an orgy scene in the 1999 film “Eyes Wide Shut” with her then-husband Tom Cruise, and played a prostitute who faked an orgasm to Ewan McGregor’s character singing a song in 2001’s “Moulin Rouge.”“I’ve always been on a quest as an actor, I’m always going, where have I not been? And what can I explore as a human being?” she recently told People.Off the big screen, the mom of four is married to country superstar Keith Urban.
nypost.com
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Alec Baldwin and Geena Davis definitely not in ‘Beetlejuice’ sequel, reason explained: ‘A loophole’
had been revealed about Tim Burton’s latest movie “Beetlejuice Beetlejuice” in the lead-up to its Venice Film Festival on Wednesday night. But one long-assumed rumor has been confirmed by reports out of the Lido after its red-carpet debut: Baldwin and Davis, who played the deceased Maitlands in the 1988 horror-comedy, do not make so much as an apparition — sorry, appearance — in the follow-up.A review from the Hollywood Reporter said that “Barbara and Adam Maitland, the sweet prematurely deceased couple played by Geena Davis and Alec Baldwin, are gone, however, having found a loophole according to Lydia.” In the first film, the pair spooked the Deetz family (Winona Ryder, Catherine O’Hara and Jeffrey Jones).But it was always unlikely that the fictional ghost duo would be back to haunt another Day-O.“Beetlejuice Beetlejuice” was in production while Baldwin, 66, was on trial for involuntary manslaughter after the shooting death of cinematographer Halyna Hutchins on the Santa Fe set of “Rust.” The case was tossed out by the judge in July.And it also doesn’t come as a shock that Jones, whose character Charles is said to be killed off in the sequel, doesn’t make a cameo either.
theplaylist.net
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‘High & Low: John Galliano’ Review: Kevin Macdonald’s Fashion Doc Flirts With Cliché & Struggles To Tell A Bigger Story [Venice]
One viewing of “High & Low – John Galliano, “a documentary chronicling the impressive rise of British fashion designer John Galliano and his equally jarring fall from grace, should be more than sufficient to convince even the most uneducated of the influence he’s held throughout the industry; bolstered by a plentiful amount of talking head interviews from celebrity associates Charlize Theron and Penelope Cruz and an abundance of footage showcasing model after model walking the runway in the apparel he brought to life, it’s clear how the man commanded a wealth of respect and love from those who adorned his garments and knew him as both a designer of inspired attire and a dear friend to those who considered themselves as such. Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch The film utilizes a structured signature of so many similar efforts, seemingly going through the motions as it shows him working his way up the ladder throughout the 1990s, initially as his own brand and through his eventual work with the likes of Dior as his own personality is shown growing alongside his body of work; it’s interesting to see the vast number of shots showing a confident Galliano strutting the catwalk as self-assured as any of the models in his employ.

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